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What happens when your tortured-artist story turns out to be fake? by Kerry Reid

Christopher Chen enjoys exploring the art of artifice and political manipulation. In "The Hundred Flowers Project" (produced in 2014 at Silk Road Rising), Chen used a collaborative theater project about Mao Zedong as a metatheatrical exercise in the self-replicating nature of propaganda. In "Mutt,"...

SOURCE: Chicago Tribune Subscription at 4:07pm on June 9, 2016 ☆ ⚑

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