Review: Janie Dee in 'Linda' & David Mamet's Latest, 'The Penitent'
If the question of whether a woman can have it all makes your eyes glaze over, you’re probably a man. One theatergoer’s fallow field can be another’s fertile ground. In the case of Penelope Skinner’s Linda – which opened Tuesday at the Manhattan Theatre Club in a sleek production directed by MTC a.d. Lynne Meadow – a subject familiar to fans of, say, the late Wendy Wasserstein, is …
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