Review: Obsession, Barbican Centre
Omnipresent in London this season, Ivo van Hove has emerged as one of contemporary western theatre's most divisive figures. I found his recent Hedda Gabler at the National Theatre lazy and incoherent (others vehemently disagreed), but last month's revival of the Roman Tragedies at the Barbican did deserve much of the critical attention it has... Read more → The post Review: Obsession, Barbican Centre appeared…
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