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Angels in America (New York City Opera) by Joel Benjamin

By eliminating most of the extended fantasy elements of the play, they reduced the storyline to the domestic turbulence of two couples and a deservedly ugly portrait of Roy Cohn. Add in a visit by the iconic Bethesda Fountain Angel (here totally generic) and some very dramatic, brass-heavy music and you have this intriguing production by New York City Opera that succeeds as an opera as long as one is not familiar …

SOURCE: www.theaterscene.net at 7:45pm on June 23, 2017

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