Sadler's Wells Sampled, review: Dance selection box highlights range of London's venues
Boundaries are broken down in fun event that provides tasters for those on the hunt for something new
Boundaries are broken down in fun event that provides tasters for those on the hunt for something new
As strange as it is insightful, the Belgian physical theatre company's latest production is a dangerous treat
Reece Clarke's Onegin is powerfully danced, with a distinctive sense of character
Adam Cooper brings real weight to the role of Lermontov in this dance revival
Bringing together choreographer Wayne McGregor and fashion designer Thierry Mugler is an intriguing idea that just peters out
Francesca Hayward showed her sense of comedy and mischief as Swanilda on the show's opening night
Gorgeously lucid programme celebrates the centenary of contemporary dance pioneer Merce Cunningham
Latest interpretation of one of the Royal Ballet Company's most popular works stars Sarah Lamb in a fluent and touching performance of the title role
Antonina Chapkina, who plays the Queen of the Dryads, is touchingly regal, though she pushes too hard in her demanding solo
From the leads to the corps de ballet, there's a shared certainty about this company, a power without strain
Solo professional goes from moon goddess to rock chick in new production
The flamenco superstar whirls and poses in a performance filled with taut unison dances and moments of improvisation
A new triple bill of works by female choreographers, including Ruth Brill's contemporary take on Sergei Prokofiev's classic
As well as the poverty and sickness of Andersen's tale, this production stresses the more everyday terrors of parenthood
A mix of fresh dance invention, particularly in gorgeous work for the corps de ballet, and thoughtful exploration
The bad boy of the ballet world takes to the stage in a new mixed programme of three one-act ballets: 'Fraudulent Smile', 'Paradox' and 'Sacré'
The contemporary dance company performs early works by Wayne McGregor and Hofesh Schechter, along with a new hip-hop influenced piece by Marion Motin
Natalia Osipova, who plays Medusa, is an extraordinary ballerina who combines bold technique with fierce dramatic conviction
Back for its 16th year, the festival can take in big names and emerging stars, from teenaged breakdancers to the stupendous South Korean Jinjo Crew
Watching 'La Fiesta' sometimes feels like being the only sober person at a party that has already gone on far too long
The programme, consisting of Broken Wings and The Rite of Spring, follows the success of 2016's She Said
From the star-crossed lovers of Lauren Cuthbertson and Matthew Ball to the bite of the sword fights, it's an urgent blend of lyricism, storytelling and feeling
Thoughtful, ambitious and vividly danced, it's another success for a company going from strength to strength
This programme marks 25 years of the company
The Royal Ballet succeeded in delivering the audience showstoppers on opening night