Homos, or Everyone in America
They're afraid of anything different from them or of what they see in me that maybe they see in themselves
They're afraid of anything different from them or of what they see in me that maybe they see in themselves
"The hair in all of Salzburg becomes so tall they have to raise the roofs of carriages - no lady can sit upright in them. I am the talk of the town."
Phaedra(s) was an enormous production in terms of star power, length, and ambition that failed to deliver the novel telling it promised.
Aubergine is a tender story of food and family, and the ways we express our love.
The first time I tried to attend Blossom, at its Henson Carriage House residency in April 2015, the world of texts and trains conspired against me so I ended up stuck in the lobby area with …
How do you transform an academic, nineteenth century text into a compelling piece of twenty-first century feminist theater?
There's a density of experience in being alone that is almost irreconcilable. Almost impenetrable. Some people call it a void but I find it totally not void-y. It's. Unavoidable.
The epigraph to Jordan Jaffe's new play, Crude, reads, "The only person you are destined to become is the person you decide to be" — Ralph Waldo Emerson. This quotation is followed by …
A multimedia exploration of Gorey's private life. Photo by Jenny Anderson.
Thoughts on the sharing of a personal story
Authenticity and filial responsibility in A. Rey Patmatmat's HOUSE RULES at HERE.
Amelia Parenteau responds to SPAM at JACK
Amelia Parenteau talks to Travis Russ before the opening of Life Jacket Theatre Company's new work.
Theater Reconstruction Ensemble's Rhinbecca, NY at The Brick
The Civilians' Rimbaud in New York @ BAM
Nothing is sacred...Not even nostalgia.
The White Stag Quadrilogy, part two of On the Rocks' Jerry Wolfert story, is a show that makes you wait. Comedic timing is the linchpin of the show, from the opening moment where a frustrate…
Amelia Parenteau responds to The Spinning Wheel at BRIC.
Amelia Parenteau responds to 'Savannah Bay' at BAM
Amelia Parenteau responds to Jessica Almasy's 'tiger tiger (on the nature of violence)' at Dixon Place
Reflections on Operating Theater Company's "The Oracle"
Amelia Parenteau responds to Manual Cinema's multimedia event.
Caridad Svich on social injustice at the EST Marathon of One-Act Plays
Amelia Parenteau responds to A HUMAN BEING DIED THAT NIGHT
Amelia Parenteau on James Goodwin's newest puppet show.