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21 stories by "Andrew Clements"

John Wilson: Oklahoma! review | Andrew Clements's classical album of the week by Andrew Clements

Hackmann/Boggess/Sinfonia of London/Wilson(Chandos, two CDs)John Wilson's scrupulously prepared recording gives us exactly what the audience would have heard on the musical's opening night i…

SOURCE: The Guardian at 11:03am on September 21, 2023[SHARE]

The Angel Esmeralda review " slender DeLillo fable fails to take operatic flight by Andrew Clements

Guildhall School of Music and Drama, London Although well sung and staged, Lliam Paterson's score and Pamela Carter's text fail to make a substantial opera out of this Don DeLillo short stor…

SOURCE: The Guardian at 4:54am on February 26, 2020[SHARE]

The Corridor/The Cure review " Birtwistle unveils lyrical sequel to Orpheus story by Andrew Clements

Britten Studio, Snape, SuffolkPart two of Harrison Birtwistle's Greek myth double bill lacks The Corridor's dramatic impact, but performers and production are exceptional and beautifully nua…

SOURCE: The Guardian at 11:20am on June 14, 2015[SHARE]

The Pirates of Penzance review - Mike Leigh's exercise in affectionate nostalgia by Andrew Clements

Coliseum, LondonThe comic business is deftly done, and the cast is a good one " with Claudia Boyle a standout as Mabel " but director Mike Leigh offers few insights or surprises in his opera…

SOURCE: The Guardian at 7:38am on May 10, 2015[SHARE]

Delusion of the Fury Heiner Goebbels brings an extraordinary opera to life by Andrew Clements

King's theatre, EdinburghWith its unique instruments and otherworldly rituals, Harry Partch's opera is strange, beautiful and utterly compelling Harry Partch how Heiner Goebbels bought Del…

SOURCE: The Guardian at 9:50am on August 31, 2014[SHARE]

Les Troyens review Mariinsky without the magic by Andrew Clements

Festival theatre, Edinburgh Valery Gergiev and the Mariinsky Opera make Berlioz's magnificent opera seem routine Continue reading...

SOURCE: The Guardian at 8:00am on August 29, 2014[SHARE]

Sullivan: The Beauty Stone " review by Andrew Clements

Spence/Stout/Gadd/Suart/Opie/Thomas/Evans/Wyn-Rogers/BBC NOW & Chorus/Macdonald(Chandos, two CDs)Even at the height of their success together, Arthur Sullivan's partnership with WS Gilbert w…

SOURCE: The Guardian at 5:00pm on November 7, 2013[SHARE]

The Lighthouse Keepers/Words and Music " review by Andrew Clements

Parabola Arts Centre, CheltenhamFour years ago, Birmingham Contemporary Music Group introduced David Sawer's Rumpelstiltskin, which he designated a ballet, but defied precise categorisation.…

SOURCE: The Guardian at 12:36pm on July 5, 2013[SHARE]

The best classical concerts and operas for summer 2013 by Andrew Clements

Seven Wagner operas are performed at the Proms, Aldeburgh and Covent Garden celebrate the Benjamin Britten centenary and Glyndebourne goes for French baroqueSongs from the Same EarthNine wor…

SOURCE: The Guardian at 2:30pm on May 26, 2013[SHARE]

Lecture on Nothing " review by Andrew Clements

Barbican, LondonThough its origins go back more than a decade earlier to a talk he gave in New York, John Cage's Lecture on Nothing was included in his first and most important collection of…

SOURCE: The Guardian at 1:16pm on February 26, 2013[SHARE]

Uncle Vanya " review by Andrew Clements

Minerva, ChichesterIt was Olivier's legendary production of this play 50 years ago that put the new Chichester theatre on the map, and there are times when Jeremy Herrin's production seems l…

SOURCE: The Guardian at 12:55pm on April 6, 2012[SHARE]

Madama Butterfly " review by Andrew Clements

Royal Opera House, LondonInternational opera houses such as Covent Garden need fail-safe productions of works that feature in most seasons, in which multiple casts can be accommodated as unf…

SOURCE: The Guardian at 1:01pm on June 28, 2011[SHARE]

Two Boys - review by Andrew Clements

Coliseum, LondonNico Muhly's first opera may have its origins in a true story from Manchester in 2003, but, as presented in Craig Lucas's libretto, Two Boys seems far removed from any kind o…

SOURCE: The Guardian at 8:06pm on June 24, 2011[SHARE]

Candide " review by Andrew Clements

Barbican, LondonIf anyone can claim a tradition of performing Candide, it is surely the London Symphony Orchestra. It was with the LSO and its Chorus that Leonard Bernstein conducted hi…

SOURCE: The Guardian at 1:28pm on June 7, 2011[SHARE]

The Damnation of Faust - review by Andrew Clements

Coliseum, LondonAt first sight it seems really perverse to invite Terry Gilliam to cut his teeth as an opera director on a work that isn't really an opera at all.Berlioz labelled it a "drama…

SOURCE: The Guardian at 7:30pm on May 6, 2011[SHARE]

The Rite of Spring in 3D " review by Andrew Clements

Symphony Hall, BirminghamPerhaps Klaus Obermaier's digitised presentation of Stravinsky's ballet seemed more innovative in 2007 than it does now that 3D movies have become commonplace. Oberm…

SOURCE: The Guardian at 12:59pm on April 22, 2011[SHARE]

The best classical music for spring 2011 by Andrew Clements

A new music-theatre piece celebrates the life of the novelist Anaïs Nin, while the CBSO completes its Mahler cycle with Das Lied von der Erde under the baton of Simon RattleAnaïs NinLo…

SOURCE: The Guardian at 3:00pm on April 5, 2011[SHARE]

Kommilitonen! " review by Andrew Clements

Royal Academy of Music, LondonMore than a decade after saying he had written his final theatre piece, the chance to compose a work for and about students has lured Peter Maxwell Davies back …

SOURCE: The Guardian at 2:28pm on March 21, 2011[SHARE]

Parsifal " review by Andrew Clements

Coliseum, LondonSince it was created at the Coliseum in 1999, Nikolaus Lehnhoff's staging of Wagner's final opera has been seen across Europe and the US, but it has not been revived by Engli…

SOURCE: The Guardian at 12:07pm on February 17, 2011[SHARE]

Tannhäuser " review by Andrew Clements

Royal Opera House, LondonTannhäuser has been described as the "most boring of all great operas", and it remains a work that separates the truly committed Wagnerites from the merely interest…

SOURCE: The Guardian at 12:49pm on December 12, 2010[SHARE]

Kafka Fragments " review by Andrew Clements

Barbican, LondonLike so many of his works, the songcycle György Kurtág created from settings of tiny extracts from Franz Kafka's letters and diaries adds up to far more than the sum of i…

SOURCE: The Guardian at 5:16pm on November 14, 2010[SHARE]
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