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67 stories by "Andrew Haydon"

Noises off: Should theatre act its age? by Andrew Haydon

This week theatre bloggers wage battle over ageism on stage and call for greater clarity on the term 'interactive theatre'This week the blogs are ablaze with disagreements. First up, Jo Cair…

SOURCE: The Guardian at 11:08am on September 14, 2011[SHARE]

Noises off: Revelations biblical and Menckenian by Andrew Haydon

Kate Mosse discusses the 66 Books project, George Hunka showcases the insults aimed to bruise his ego and theatre bloggers get down to the nitty gritty this weekThis week's Noises Off finds …

SOURCE: The Guardian at 12:02pm on September 9, 2011[SHARE]

Noises off: Theatre bloggers " could do better? by Andrew Haydon

The back-to-school vibe has bloggers reassessing their trade this week, and mainstream arts journalism gets a detentionMaybe it's the influence of the new school year, but if there is a unif…

SOURCE: The Guardian at 7:40am on August 30, 2011[SHARE]

Noises off: The best of the Edinburgh festival blogs by Andrew Haydon

As critics and performers debate everything from favourite eateries to the point of festivals, blogging is transforming the Edinburgh experienceIf there's a month when the full force of the …

SOURCE: The Guardian at 5:55am on August 25, 2011[SHARE]

Noises off: How should theatre respond to the UK riots? by Andrew Haydon

As mob rule spread across the country last week, theatre bloggers asked what role " if any " the arts have to playIt feels a little ironic to be taking up the reins of Noises Off after a wee…

SOURCE: The Guardian at 12:03pm on August 17, 2011[SHARE]

Much ado about 1980s Gibraltar by Andrew Haydon

David Tennant and Catherine Tate are starring in yet another timeshifted Shakespeare. But can contemporary settings ever work?After what feels like an aeon of comparing and contrasting Hamle…

SOURCE: The Guardian at 12:34pm on May 25, 2011[SHARE]

Does Britain have a problem with European theatre? by Andrew Haydon

I Am the Wind " written by Europe's most performed playwright, staged by France's leading director " got a critical beating. Is it a case of Little Englandism?"As reviewers see more shows th…

SOURCE: The Guardian at 7:41am on May 12, 2011[SHARE]

New writing triumphs at the National Student Drama festival | Andrew Haydon by Andrew Haydon

The last decade has seen a remarkable wealth of new plays, if the selections for this year's National Student Drama festival are anything to go byLike Matt Trueman, I've also just finished r…

SOURCE: The Guardian at 11:53am on April 1, 2011[SHARE]

Germany's fringe theatre is confusing, unpredictable " and thrilling | Andrew Haydon by Andrew Haydon

Whether it's high-concept experimental theatre or stripped-down touring work, Germany's fringe surprises at every turn " what would you recommend?The thing I find most difficult when writing…

SOURCE: The Guardian at 9:59am on March 15, 2011[SHARE]

Poetry in Motion: why poetic drama has something new to say by Andrew Haydon

Shakespeare and Beckett pulled it off, but what will former poet laureate Andrew Motion's first play be like?The news that former poet laureate Andrew Motion is writing a play, to be premier…

SOURCE: The Guardian at 8:10am on March 2, 2011[SHARE]

There's nothing funny about putting racism on stage | Andrew Haydon by Andrew Haydon

In Germany, I saw a white woman dress as a gorilla to play Othello. Yet the best that Britain seems to do is Clybourne Park " a play which aims for laughs rather than a serious examination o…

SOURCE: The Guardian at 12:42pm on February 21, 2011[SHARE]

Why does size matter to theatres? | Andrew Haydon by Andrew Haydon

Some say that theatre is all about liveness and intimacy, others that it needs to be epic in scope. Both can't be right, surely?Does size matter? It strikes me that the biggest single issue …

SOURCE: The Guardian at 12:39pm on January 26, 2011[SHARE]

Arts cuts: money talks while principles whisper by Andrew Haydon

By focusing on economic arguments in defence of the arts, we've swallowed the coalition's lineI've been noticing a trend in articles by young theatre-makers addressing the forthcoming cuts i…

SOURCE: The Guardian at 9:36am on January 13, 2011[SHARE]

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response? Continue reading...

SOURCE: The Guardian at 7:13am on January 6, 2011[SHARE]

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response?In the past month, three ra…

SOURCE: The Guardian at 7:13am on January 6, 2011[SHARE]

The sorry state of stage photography by Andrew Haydon

Theatre photography normally operates via two angles: the ubiquitous close-up or the mid-torso action shot. But what can the photos really tell us about a play? Continue reading...

SOURCE: The Guardian at 1:19pm on November 26, 2009[SHARE]

Andrew Haydon: Is La Ronde too risqué for the 21st century? by Andrew Haydon

Sex and scandal are integral to this classic Viennese play, but British directors seem to be shy of telling it like it isIf most new openings seem to be about communism at the moment, it's s…

SOURCE: The Guardian at 2:30pm on March 17, 2009[SHARE]
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