The Following Evening, A Year Later
In 2024, Talking Band and 600 Highwaymen presented "The Following Evening" at PACNYC. Here are some thoughts after a year's reflection.
In 2024, Talking Band and 600 Highwaymen presented "The Following Evening" at PACNYC. Here are some thoughts after a year's reflection.
Learning to see Los Angeles through the hype and imagining a new civic dramaturgy.
The subtle, subversive brilliance of Back to Back Theatre's "The Shadow Whose Prey the Hunter Becomes" at REDCAT
Building arts and culture infrastructure? Here are some lessons learned from a community-based cultural asset mapping initiative in South Los Angeles.
If the human world is organized in small groups, what are the qualities and conditions that make small groups work best?
Once you notice it, you can't stop seeing it - the world organized in small groups. Why? What makes small group experiences uniquely powerful?
In 2004, nearly 300 NYC bloggers and their readers came together IRL for the first time to meet each other, drink and try to hook up. What does it mean when online communities gather in pers…
Daniel Fish's "Oklahoma!" in Los Angeles, Taylor Mac, Kiki and Herb and other tales of "Black Box to Broadway". Essay #3 in a series about the unique power of live performance in small venue…
What happens to an artist and their music on the journey from small clubs to stadiums and how are these experiences different? Essay #2 in a series about the unique power of live performance…
The first in a series of essays about the power of live performance in small rooms.
Okay. Â I wrote a really long discursive essay about The Theater(s) We Need Now " and I didn't even dive too deep into the arts admin weeds " but I know how things are, I know what life is…
600 Highwaymen's "A Thousand Ways, Part 3: An Assembly" is one of 2022's most remarkable works of theater.
"Ain't Too Proud" is more than just a jukebox musical.
The critic or artist who wants to be trusted must be willing to be vulnerable and flawed; she must be willing to be wrong. She must be willing to risk. And it is no less terrifying for the c…
Philosophery Alva Noë joins Jess Curtis and Claire Cunningham at CounterPulse in SF
The following is an excerpt from Chapter 20 (pp. 261 – 264) of Mark Fisher’s book How To Write About Theatre, published by Bloomsbury and released in paperback in August, 2015.Â…
"When are we artists and when are we everyone?" The answer, of course, is that artists are always everyone, we are members of a greater Public, and it is in acknowledging this that artists …
Andy's report from Festivals Edinburgh and the Momentum Symposium.
Andy reports on his December trip to Poland.
Andy reports back from London's Dialogue Festival: Talking/Making/Taking Part
Andy shares some thoughts on Bach, Counterpoint, The Enlightenment, Programming Languages and Aesthetics.
Andy's "Five Lectures on Performance" are now online at Vimeo, SoundCloud and iTunes.
Los Angeles Performance Practice and The Bootleg Theater present The Second Annual Live Arts Exchange (LAX) from September 11 - 21, 2014
A candid conversation on performing while black and male. With Germaul Barnes, Whitney Hunter, Jaamil Olawale Kosoko, Jeremy Toussaint-Baptiste & Andre Zachery.
This article was originally posted on the blog Ephemeral Objects: Art Criticism for the Post-Material World, made possible through the funding of the Creative Capital | Warhol Fou…