Visual Art Performance vs. Contemporary Performance
What is the difference between Visual Art Performance and Contemporary Performance and why does it matter? Andy proposes some questions and answers.
What is the difference between Visual Art Performance and Contemporary Performance and why does it matter? Andy proposes some questions and answers.
Andy adds his $.02 to Jeremy's response to Michael Kaiser's HuffPo essay.
Anal sex, cocaine and pederasty - Thomas Bradshaw is up to his old tricks in BURNING, a new play produced by The New Group and directed by Scott Elliott, now playing on Theatre Row.
Donovan & Calderon's CLIMATE CHRONICLES at Incubator Arts Project is a humorous look at a dysfunctional group of scientists.
Hoi Polloi's "Shadows" at the Collapsable Hole is the best show of the season thus far - a funny, poignant, high-energy, imaginative re-invention of a Cassavetes classic.
After a much-needed vacation Andy's back in action - this week (so far) we saw D.J. Mendel's "Dick Done Broke" at Bushwick Starr, Phantom Limb's "69 Degrees South" at BAM, Maria Hassabi's "S…
Sotheby's to artists: "Drop Dead!" - Chuck Close, Frank Stella and others file class action lawsuit against Sotheby's, Christie's and E-Bay to try to recoup resale fees for their artwork. In…
Tides - a foundation that facilitates effective grantmaking programs for individual donors and institutions, has granted more than one billion dollars to nonprofits working for positive soci…
Laurie Uprichard lectures on "Contemporary Dance at Home and Abroad: Perspectives and Aesthetics in the Global Village" as part of Marymount Manhattan College's "Dance Dialogue" series.
Maria Hassabi brings her newest performance/installation to the Kitchen, this Thursday through Sunday.
Beyonce's video for "Countdown" looks remarkably like Anne Teresa de Keersmaeker's "Rosas Danst Rosas". What are the implications for dance and performance as intellectual property?
Portuguese Fado singer Antonio Zambujo was amazing at CUNY's new Live @ 365 series, curated by Isabel Soffer.
Institute for Curatorial Practice in Performance (ICPP) Certificate Program is taking applications for its second cohort of participants.
Only a few days left to catch playwright Sylvan Oswald's new work, "Nightlands" presented by New Georges at HERE.
Karen O.'s new project "Stop The Virgens" is a fun rock show but falls short as new opera or contemporary performance.
American artists - NTUSA, Miguel Gutierrez, Annie-B Parson and Dan Safer - use a few minutes of a French movie as the basis for their performances. Presented in association with Les Subsista…
Cuqui Jerez' "The Rehearsal" is a mind-bendingly good time.
Faustin Linyekula's "more more more....future" is an intense musical journey from soukous to psychedelia to hard rock and back again, a sociopolitical investigation of Congo, dancing at the …
La MaMa celebrates 50 years with a World Block Party on Sunday October 16 from 2-6PM.
Eye on Dance celebrates 30 years of arts coverage with a screening and talkback featuring Yvonne Rainer, Sara Rudner and EOD founder Celia Ipiotis. October 15 at Gibney Studios @ 4:30PM. FRE…
The Waterfront Committee of Manhattan Community Board 2, the community board which serves the West Village and Soho, is seeking arts-related ideas on possible programming for Pier 45 (at Chr…
This year The Bessies will be held on Monday October 24, 2011, 8pm at The Apollo Theater and will be hosted by Bebe Neuwirth! Wowzers!!
Downtown darlings The Debate Society are throwing a party on October 17th! Don't miss it!
A.Bandit, an experimental performance art group featuring Los Angeles-based visual artist Glenn Kaino and magician Derek DelGaudio, brings their multimedia magic spectacular to The Kitchen.
Kaz Phillips Safer directs Marylouise Burke and friends in a video for David Clement's new song "Drinking Buddy"