The Brooklyn Commune Bastille Day Share-B-Q
Join us at the first (and possibly only) Brooklyn Commune Bastille Day Share-B-Q!
Join us at the first (and possibly only) Brooklyn Commune Bastille Day Share-B-Q!
Here is our completely subjective and totally biased Abridged & Annotated Guide to the Brooklyn International Performance Art Festival.
Andy reflects on his trip to the Theatertreffen in Berlin, the first of two essays.
Don't miss the second convening of the Brooklyn Commune, May 12 2PM-6PM at The Invisible Dog Art Center.
Looking back at first gathering of The Brooklyn Commune on March 24, 2013 at The Invisible Dog.
In defense of Tim Sanford's response to audience reaction to Annie Baker's The Flick at Playwright's Horizons
Last summer I went out to Los Angeles at the invitation of my friend Ben who introduced me to the Miami-based dance sensation Rosie Herrera, who was working a look kind of like this: In the …
Andy talks to Troy Herion about American Composers Orchestra's coLABoratory at Zankel Hall on April 5, 2013.
Andy looks back at Culturebot's "Everyone's A Critic" project at On The Boards in Seattle.
With the Occupy Movement arising in the wake of the financial crisis, finally calling attention to income disparity and economic inequality, we’ve become familiar with the idea of the …
Chicago-spawned and now Brooklyn-based art duo Cupola Bobber (the collaboration of Stephen Fiehn and Tyler B. Myers) perform their latest project The Field, the Mantel this weekend, March…
Andy speculates on how technology is influencing the way we envision arts, culture politics and economics.
The Brooklyn Commune starts March 24, 2013 at The Invisible Dog.
As Black History Month draws to a close Andy dives recklessly into the arts punditsphere's diversity conversation clusterf**k.
So when I edited the third part of my essay on the Politics of Cultural Production in Theater, a bunch of stuff ended up on the cutting room floor for future consideration.  This didn&…
Part III of III, in which Andy discusses in broad strokes the economics of cultural production in theater, its aesthetic implications and hints at its resemblance to large national economic …
The NYC Opera presents "Powder Her Face" at BAM. Here George Steel talks with Jay Scheib about this provocative work.
This episode of American Dad is probably one of the most insightful critiques of the state of mainstream American theater that I’ve ever seen. It hilariously skewers the torpid writing…
The Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute is excited to announce the 2013-2014 DANCE MOViES Commission. This is an open call for artists, …
Magic at its most serious mysterious… There’s something ironic and beautiful and oh-so-meta about this. The Box, formerly the den of iniquity of choice for the debauched and glamo…
A few weeks ago I was invited to speak (via Skype) to the Theatre Criticism class at Royal Holloway, University of London. It was a lot of fun, they were great kids and asked fantastic quest…
THE PERFORMING GARAGE PRESENTS AN OPEN STUDIO SHOWING OF Jim Findlay DREAM OF THE RED CHAMBER A PERFORMANCE FOR A SLEEPING AUDIENCE Take a deeply ambient journey through Cao Xueqin’s 1…
Dear European Friends in town for Under The Radar, Coil and American Realness, (& audiences who don't live in our little contemporary performing arts world all the time) may I have your …
How Do I Make This A Performance? Most freakin’ hilarious site I have seen in ages. Rarely am I super jealous of sheer comic genius, this is one of those moments. I smell a festival!
Did you miss Ich, Kurbisgeist at The Chocolate Factory? Curious about what Annie-B, Paul and their ever-evolving band of collaborators are up to? Then make it over to Dixon Place on Frida…