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1,229 stories by "Arifa Akbar"

'We know that anger': the return of David Mamet's incendiary Oleanna by Arifa Akbar

What does Mamet's 1992 play about a college professor accused of sexual harassment say in the wake of #MeToo? Lucy Bailey, director of its West End revival, discusses its power Director Lucy…

SOURCE: The Guardian at 1:54am on July 19, 2021

Anna X review " sound and vision steal the show in 'fake heiress' tale by Arifa Akbar

Harold Pinter theatre, LondonEmma Corrin and and Nabhaan Rizwan give excellent performances in Joseph Charlton's two-hander which has a fizzing hi-tech design Damien Hirst's conceptual art i…

SOURCE: The Guardian at 7:06pm on July 17, 2021

Last Easter review " a lovable drama about life, death and theatre by Arifa Akbar

Orange Tree theatre, LondonBryony Lavery's play, revived by director Tinuke Craig, celebrates friendship with truths, humour and good punchlines A play about serious illness and the search f…

SOURCE: The Guardian at 10:54am on July 13, 2021

Niqabi Ninja review " rape-revenge promenade loses its way by Arifa Akbar

Toynbee Studios, LondonWritten in response to sexual violence in Tahrir Square, this mobile adaptation of Sara Shaarawi's polemic becomes confusing Niqabi Ninja is a revenge fantasy original…

SOURCE: The Guardian at 8:42pm on July 11, 2021

The Dumb Waiter review " Thewlis and Mays's supreme double act beefs up Pinter's menace by Arifa Akbar

Old Vic: In CameraDavid Thewlis and Daniel Mays add rich new shades to the over-familiar 1957 two-hander in this filmed adaptation It takes theatrical alchemy " and talent " to turn a play a…

SOURCE: The Guardian at 9:36am on July 11, 2021

Wayne McGregor: 'Dancers are believing their voices can be heard, and I love that' by Arifa Akbar

Royal Ballet choreographer Wayne McGregor had no access to elite ballet schools growing up. But he did have John Travolta and disco to spark a lifelong obsession. Now he wants to make dancer…

SOURCE: The Guardian at 12:48pm on July 10, 2021

Romeo and Juliet review " a bold rewiring with no room for romance by Arifa Akbar

Shakespeare's Globe, LondonDirector Ola Ince's take on Shakespeare's tragedy is clever, energetic and doesn't have a single smooch This is not the first major production of Romeo and Juliet …

SOURCE: The Guardian at 8:12pm on July 9, 2021

Notes on Grief review " Chimamanda Ngozi Adichie essay sketched on stage by Arifa Akbar

Exchange Auditorium, Manchester CentralThe novelist's article about her father's death was expanded into a book and has now become a play but it feels limited Chimamanda Ngozi Adichie's fath…

SOURCE: The Guardian at 8:48am on July 7, 2021

Extinct review " firenadoes, melting ice and one hour to halt apocalypse by Arifa Akbar

Theatre Royal Stratford East, LondonFeaturing plague and shootouts in M&S, XR supporter April De Angelis's dystopic climate drama is a powerful, urgent polemic During Extinction Rebellio…

SOURCE: The Guardian at 9:06am on July 4, 2021

Constellations review " a stellar revival for Nick Payne's high-concept romance by Arifa Akbar

Vaudeville theatreThe stories of string theorist Marianne and beekeeper Roland are told forwards, backwards and sideways as we explore their theatrical multiverse How many ways can the same …

SOURCE: The Guardian at 9:24am on July 2, 2021

As You Like It review " eco-Shakespeare makes case for rewilding by Arifa Akbar

Watermill theatre, NewburyWith Paul Hart's production blending into the theatre grounds, the pastoral comedy here becomes an effective vehicle to reflect on our relationship with nature It …

SOURCE: The Guardian at 4:03pm on July 1, 2021

Hairspray review " unstoppably joyous musical lights up the West End by Arifa Akbar

Coliseum, LondonThis maelstrom of a show based on the 1988 John Waters film has a dizzy energy and a stunning turn from Marisha Wallace "You have to think big to be big," declares Tracy Turn…

SOURCE: The Guardian at 2:03pm on June 30, 2021

Bach & Sons review " study of the man and his music hits a flat note by Arifa Akbar

Bridge theatre, LondonSimon Russell Beale stars in a visually impressive production of Nina Raine's play that never quite gets off the ground It is tempting to compare Bach & Sons with P…

SOURCE: The Guardian at 11:48pm on June 29, 2021

Shedding a Skin review " a warm, funny, wondrous weepie by Arifa Akbar

Soho theatre, LondonThe platonic love between thirtysomething Myah and her elderly landlady moves and empowers in Amanda Wilkin's one-woman show "I would rather be anywhere. Anywhere else in…

SOURCE: The Guardian at 1:18pm on June 25, 2021

Out West review " compelling trio of dramas reframes place and race by Arifa Akbar

Lyric Hammersmith, LondonTanika Gupta sends Gandhi overseas, Simon Stephens sees devastation in locked-down London and Roy Williams lightens the mood with a local hero story The monologue be…

SOURCE: The Guardian at 12:12pm on June 25, 2021

J'Ouvert review " the history of Notting Hill carnival comes to life by Arifa Akbar

Harold Pinter theatre, LondonIn Yasmin Joseph's play, three girls wind their way through the streets, guided by the spirit of the activist who founded the carnival J'Ouvert evokes the spirit…

SOURCE: The Guardian at 9:54pm on June 24, 2021

Under Milk Wood review " Michael Sheen steps into Dylan Thomas's bygone world by Arifa Akbar

National Theatre, LondonLyndsey Turner's production is a charming albeit emotionally distanced retreat into nostalgia Dylan Thomas's drama, broadcast on radio in 1954 , has been recited by p…

SOURCE: The Guardian at 7:42pm on June 23, 2021

and breathe… review " powerful tale of family grief is poetry in motion by Arifa Akbar

Almeida, LondonYomi á¹¢ode's startling play about death, mourning and young masculinity is intensified by its weight of emotion and sensational stagecraft This is a strange and startling…

SOURCE: The Guardian at 8:03am on June 22, 2021

Playwright Jasmine Lee-Jones: 'The theatre industry is full of isms and schisms and nepotism' by Arifa Akbar

The creator of the hit play Seven Methods of Killing Kylie Jenner on the power of comedy and why Instagram is almost like cosplay Jasmine Lee-Jones, 22, is a writer and actor from London. In…

SOURCE: The Guardian at 2:24pm on June 20, 2021

Happy Days review " Lisa Dwan swings from laughter to gothic gravity by Arifa Akbar

Riverside Studios, LondonTrevor Nunn's production of Samuel Beckett's classic play is stronger on music-hall comedy than bleakness When Peggy Ashcroft played Winnie at the National Theatre, …

SOURCE: The Guardian at 11:06am on June 18, 2021

Copenhagen review " science and politics collide in dynamic drama by Arifa Akbar

Theatre Royal BathUncertainty reigns supreme in a fast and fluid revival of Michael Frayn's resonant, if sometimes impenetrable, play Rehearsals for this revival of Michael Frayn's award-win…

SOURCE: The Guardian at 10:48am on June 16, 2021

Under the Mask review " at the coalface of the Covid crisis by Arifa Akbar

Theatre Peckham, LondonIn Shaan Sahota's audio play, which is touring theatres, a junior doctor tries to navigate the early days of the pandemic A junior doctor's first nervous day at work i…

SOURCE: The Guardian at 3:12pm on June 15, 2021

'I rip off my skin and give him the guts' " Lisa Dwan on her approach to Beckett by Arifa Akbar

The actor had a great lockdown: she learned to cook, took up cello " and fell in love. Now six months pregnant, Dwan's about to be buried up to her neck in Happy Days. Is she worried? Lisa D…

SOURCE: The Guardian at 5:18am on June 10, 2021

The Sun, the Moon, and the Stars review " grief, loss, fury: the legacy of a race hate crime by Arifa Akbar

Theatre Royal Stratford East, London Kibong Tanji is outstanding as the sister of the victim in Dipo Baruwa-Etti's play which is dynamic and gripping but lacks tonal variety The Sun, the Moo…

SOURCE: The Guardian at 5:42am on June 6, 2021

The Death of a Black Man review " an inflammatory study of social mobility by Arifa Akbar

Hampstead theatre, LondonDepravity takes hold of a pair of young black entrepreneurs in 1970s London in this revival of Alfred Fagon's idea-filled play It has taken almost half a century for…

SOURCE: The Guardian at 10:06am on June 4, 2021
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