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115 stories by "Chris Bartlett"

The Last Quiz Night on Earth review Hope Mill Theatre, Manchester " 'ambitious immersive production' by Chris Bartlett

As if events in the real world didn't feel apocalyptic enough at the moment, this immersive theatre experience from the Manchester-based Box

SOURCE: The Stage Registration at 12:14pm on March 5, 2020[SHARE]

The Mystery of the Raddlesham Mumps review at Oldham Library Theatre " 'infectious gothic humour' by Chris Bartlett

Those with a passing knowledge of the work of poet Murray Lachlan Young " whose best-known odes have such non-family-friendly titles as

SOURCE: The Stage Registration at 8:25am on March 2, 2020[SHARE]

Quality Street review at the Viaduct Theatre, Halifax " 'well-pitched revival of JM Barrie's play' by Chris Bartlett

Before Peter Pan flew into the lives of the Darling children and indelibly cemented himself into the British consciousness, this spry Regency-set

SOURCE: The Stage Registration at 6:58am on February 21, 2020[SHARE]

Wuthering Heights review at Royal Exchange Theatre, Manchester " 'heady, full-throttled and unfettered' by Chris Bartlett

Painter and poet Dante Gabriel Rossetti called Emily Brontë's gothic masterpiece Wuthering Heights "a fiend of a book". This full-throttled, unfettered and

SOURCE: The Stage Registration at 6:24am on February 13, 2020[SHARE]

Sound designer Alexandra Faye Braithwaite: 'I like it when things go wrong. That's when I'm learning' by Chris Bartlett

"I like change," says Alexandra Faye Braithwaite. In a career spanning seven years as a sound designer and composer, the 29-year-old Lancastrian

SOURCE: The Stage Registration at 11:45am on February 10, 2020[SHARE]

My Night With Reg review at the Lowry, Salford " 'an underwhelming revival' by Chris Bartlett

Kevin Elyot's comedy about a close-knit group of gay male friends living their lives in the shadow of the Aids crisis in

SOURCE: The Stage Registration at 9:23am on January 27, 2020[SHARE]

Dr Seuss' How the Grinch Stole Christmas! the Musical review at the Lowry, Salford " 'confident stage adaptation' by Chris Bartlett

This musical adaptation of Dr Seuss' festive classic wasn't exactly greeted with Christmas cheer when it transferred to Broadway in 2006. But

SOURCE: The Stage Registration at 8:07am on December 23, 2019[SHARE]

Snow White and Seven Dwarfs review at the Opera House, Manchester " 'sumptuous sets and spectacular stage effects' by Chris Bartlett

Qdos is known for pulling out all the stops with its pantos. Big names, sumptuous sets and spectacular stage effects have almost

SOURCE: The Stage Registration at 6:09am on December 12, 2019[SHARE]

Manchester Royal Exchange's Lee Gower-Drinkwater: 'People need someone safe in the workplace that they can talk to' by Chris Bartlett

Lee Gower-Drinkwater has built a 22-year career in stage management, with half that time spent at Manchester's Royal Exchange. He speaks to

SOURCE: The Stage Registration at 12:00pm on December 9, 2019[SHARE]

Gypsy review at Royal Exchange Theatre, Manchester " 'a spectacularly staged revival' by Chris Bartlett

There aren't many better roles in musical theatre than Gypsy's indomitable Mama Rose. Any production of Arthur Laurents, Jule Styne and Stephen

SOURCE: The Stage Registration at 9:50am on December 7, 2019[SHARE]

The Astonishing Times of Timothy Cratchit review, Hope Mill, Manchester " 'ambitious' by Chris Bartlett

It's ambitious enough to mount a new musical, let alone to revisit some of English literature's best-loved characters and effectively pick up

SOURCE: The Stage Registration at 7:11am on November 28, 2019[SHARE]

Jack and the Beanstalk review at Coliseum Theatre, Oldham " 'entertaining, contemporary pantomime' by Chris Bartlett

The Coliseum's Christmas show traditionally heralds the start of panto season. But that's where the traditions end. Because while this production has

SOURCE: The Stage Registration at 11:00am on November 18, 2019[SHARE]

Curtains review at Palace Theatre, Manchester " 'Jason Manford is in his element' by Chris Bartlett

Curtains was the last show John Kander and Fred Ebb worked on together before Ebb's death in 2007. The most notable thing

SOURCE: The Stage Registration at 5:52am on October 10, 2019[SHARE]

Mame review at Hope Mill Theatre, Manchester " 'Tracie Bennett rises to the challenge spectacularly' by Chris Bartlett

It's a bold move to revive a musical not seen on these shores for 50 years. But Manchester's Hope Mill Theatre has

SOURCE: The Stage Registration at 10:24am on October 6, 2019[SHARE]

Under Three Moons review at the Lowry, Salford " 'strikingly performed' by Chris Bartlett

The durability of male friendship is explored to persuasive effect in this modest two-hander from Manchester-based new writing company Box of Tricks.

SOURCE: The Stage Registration at 7:30am on September 27, 2019[SHARE]

Macbeth review at Royal Exchange, Manchester " 'Lucy Ellinson gives an arresting performance' by Chris Bartlett

Three years on from the Donmar's all-female Shakespeare trilogy and five years after Maxine Peake became the latest in a long line

SOURCE: The Stage Registration at 5:33am on September 19, 2019[SHARE]

9 to 5 The Musical review at Palace Theatre, Manchester " 'breezily entertaining' by Chris Bartlett

It really should be 9 to 5's moment. In the almost 40 years since the blockbuster comedy about three secretaries turning the

SOURCE: The Stage Registration at 6:31am on September 18, 2019[SHARE]

Jerry Springer " The Opera review at Hope Mill, Manchester " 'briskly entertaining revival' by Chris Bartlett

It's been almost three decades since The Jerry Springer Show first graced " or rather, disgraced " our TV screens and 16

SOURCE: The Stage Registration at 7:11am on August 14, 2019[SHARE]

There Is a Light That Never Goes Out review at Royal Exchange Theatre, Manchester " 'vividly realised' by Chris Bartlett

What stands out about this arresting retelling of a turbulent period in Manchester's industrial history is the restraint in its staging. The

SOURCE: The Stage Registration at 5:34am on July 30, 2019[SHARE]

Tuesday review at Saint Augustine's Church, Manchester " 'a warm, witty rumination on love and loss' by Chris Bartlett

This is the second time that Belgian site-specific specialist Studio ORKA has been invited to contribute to the Manchester International Festival. If

SOURCE: The Stage Registration at 7:46am on July 23, 2019[SHARE]

Tao of Glass review at Royal Exchange Theatre, Manchester " 'a love letter to a pioneering composer' by Chris Bartlett

There's a point during Tao of Glass, Phelim McDermott's heartfelt collaboration with Philip Glass, when the Improbable co-founder explains the Japanese art

SOURCE: The Stage Registration at 7:44am on July 16, 2019[SHARE]

The King and I review at Manchester Opera House " 'pitch-perfect performances' by Chris Bartlett

Rodgers and Hammerstein's copper-bottomed audience pleaser, The King and I, stands as one of the best-loved but most problematic musicals of the

SOURCE: The Stage Registration at 6:50am on May 1, 2019[SHARE]

Visitors review at Oldham Coliseum Theatre " 'lovingly crafted' by Chris Bartlett

First seen at London's Arcola Theatre in 2014, Barney Norris' play about a couple facing up to the fact that they can no

SOURCE: The Stage Registration at 7:59am on April 23, 2019[SHARE]

West Side Story's Jason Carr: 'Bernstein's music can bypass your brain and go straight to the gut' by Chris Bartlett

Arranging West Side Story for Manchester Royal Exchange has been an emotional experience for Jason Carr, who learned piano playing Leonard Bernstein's

SOURCE: The Stage Registration at 7:30am on April 9, 2019[SHARE]

From Shore to Shore review at Yang Sing Restaurant, Manchester " 'an engaging portrait of British-Chinese life' by Chris Bartlett

Three stories shedding light on various aspects of the British-Chinese experience are cleverly interwoven in this production that combines dining with verbatim

SOURCE: The Stage Registration at 11:59am on March 13, 2019[SHARE]
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