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115 stories by "Chris Bartlett"

Mountains: The Dreams of Lily Kwok review at Royal Exchange, Manchester " 'vividly realised' by Chris Bartlett

Based on Helen Tse's family memoir recounting the inspiration behind her Sweet Mandarin Chinese restaurant in Manchester and the three generations of

SOURCE: The Stage Registration at 10:12am on March 27, 2018[SHARE]

East Is East review at Octagon Theatre, Bolton " 'a high-spirited revival' by Chris Bartlett

Ayub Khan Din's much-loved East Is East, first performed at Birmingham Rep in 1996 and adapted successfully for the screen in 1999,

SOURCE: The Stage Registration at 9:21am on March 23, 2018[SHARE]

Whisky Galore review at Coliseum Theatre, Oldham " 'enjoyably bright and breezy' by Chris Bartlett

In some ways you can't really go wrong with Whisky Galore, Compton Mackenzie's cheery wartime tale of wily Outer Hebrides islanders banding

SOURCE: The Stage Registration at 8:42am on March 19, 2018[SHARE]

Sherbet review at Octagon Theatre, Bolton " 'an unflinching depiction of life in care' by Chris Bartlett

This pithy two-hander was one of the winners of the Octagon's annual prize for new writing, which last year asked for submissions

SOURCE: The Stage Registration at 11:20am on March 6, 2018[SHARE]

Vincent River review at Hope Mill Theatre, Manchester " 'a fantastic cast' by Chris Bartlett

Philip Ridley's play " first staged at Hampstead Theatre in 2000 " offers a searing look at the lives of two people

SOURCE: The Stage Registration at 11:31am on March 2, 2018[SHARE]

Frost/Nixon review at Crucible Theatre, Sheffield " 'vital and timely' by Chris Bartlett

Though set in 1977 and concerning a dereliction of duty that happened more than 45 years ago, Peter Morgan's gladiatorial depiction of

SOURCE: The Stage Registration at 5:54am on February 27, 2018[SHARE]

Jonathan Hyde: 'I tend to be attracted to flawed characters like Nixon' by Chris Bartlett

Having played the lead role in Sheffield Crucible's Julius Caesar last year, Jonathan Hyde is returning to the venue to play the

SOURCE: The Stage Registration at 7:30am on February 26, 2018[SHARE]

Hard Times review at Viaduct Theatre, Halifax " 'visually arresting' by Chris Bartlett

Hard Times has always been a bit of a hard sell. Its dour tone and uncharacteristically disjointed narrative makes it one of

SOURCE: The Stage Registration at 5:59am on February 21, 2018[SHARE]

Still Alice review at West Yorkshire Playhouse, Leeds " 'quietly devastating' by Chris Bartlett

This adaptation of neuroscientist Lisa Genova's novel, Still Alice, about a Harvard professor with early-onset Alzheimer's disease has one obvious challenge "

SOURCE: The Stage Registration at 8:58am on February 15, 2018[SHARE]

The Kitchen Sink review at Coliseum Theatre, Oldham " 'vividly written and very funny' by Chris Bartlett

The family at the heart of Tom Wells' semi-autobiographical slice of northern life " first performed at London's Bush Theatre in 2011

SOURCE: The Stage Registration at 9:20am on February 12, 2018[SHARE]

The ToyBoy Diaries review at Hope Mill Theatre, Manchester " 'frivolous escapism' by Chris Bartlett

A new musical based on the real adventures of a 50-something woman in dating much younger men has " in the present

SOURCE: The Stage Registration at 5:43am on January 25, 2018[SHARE]

Jane Eyre review at Octagon Theatre, Bolton " 'bruising and visceral' by Chris Bartlett

The Octagon follows up last year's brilliantly atmospheric retelling of The Tenant of Wildfell Hall with another visit to Bronte country. The

SOURCE: The Stage Registration at 5:32am on January 23, 2018[SHARE]

Peter Pan review at Winter Gardens, Blackpool " 'visually impressive' by Chris Bartlett

Any seasonal production of Peter Pan has something of a struggle on its hands, torn between honouring JM Barrie's original stage version

SOURCE: The Stage Registration at 7:05am on December 20, 2017[SHARE]

Dick Whittington review at Manchester Opera House " 'a sumptuous showcase' by Chris Bartlett

The Opera House's Qdos-produced pantos are known for being lavish, big-money affairs. And this year's offering, boasting retina-scorching lighting, all-encompassing sound and

SOURCE: The Stage Registration at 12:09pm on December 15, 2017[SHARE]

Aladdin review at Theatre Royal, Wakefield " 'roof-raising levels of noise' by Chris Bartlett

Sticking slavishly to the standard panto playbook, this in-house show doesn't offer much in the way of surprises. However, what it lacks

SOURCE: The Stage Registration at 8:14am on November 27, 2017[SHARE]

A Christmas Carol review at Octagon Theatre, Bolton " 'a faithful adaptation' by Chris Bartlett

It's hard to find fresh ways to stage Charles Dickens' evergreen Christmas fable. The Octagon creative team deserve credit for not trying

SOURCE: The Stage Registration at 10:20am on November 24, 2017[SHARE]

Dick Whittington review at the Coliseum, Oldham " 'perfectly pitched panto' by Chris Bartlett

The Coliseum's annual yuletide offering follows a now very well-established formula both on stage and off. Traditionally opening early in the festive

SOURCE: The Stage Registration at 6:12am on November 13, 2017[SHARE]

Parliament Square review at Royal Exchange Theatre, Manchester " 'thought-provoking' by Chris Bartlett

James Fritz's play, winner of the Bruntwood judges award in 2015, hangs on one shocking and incendiary act of seemingly inexplicable self-destruction.

SOURCE: The Stage Registration at 6:15am on October 23, 2017[SHARE]

The Threepenny Opera review at Octagon Theatre, Bolton " 'standout performances' by Chris Bartlett

Although its themes of corruption in high places and moral turpitude are perennially relevant, Brecht and Weill's densely packed hybrid of opera

SOURCE: The Stage Registration at 9:03am on October 20, 2017[SHARE]

Up 'n' Under review at Oldham Coliseum " 'kinship and camaraderie' by Chris Bartlett

In truth, John Godber's scrappy underdog of a sports comedy, Up 'n' Under, had its moment in 1984 when it kicked off

SOURCE: The Stage Registration at 11:37am on October 11, 2017[SHARE]

Edward and Eliza and the Smashing of the Van review at Hope Mill Theatre, Manchester " 'committed performances' by Chris Bartlett

The tragic events 150 years ago that inspired this modest two-hander happened only a few miles away from the Manchester venue in

SOURCE: The Stage Registration at 8:35am on October 6, 2017[SHARE]

We're Not Really Here: A Football Opera review at Contact, Manchester " 'quietly radical' by Chris Bartlett

Despite its subtitle, there is no opera and very little actual football contained in We’re Not Really Here, a quietly radical collaboration

SOURCE: The Stage Registration at 10:00am on September 22, 2017[SHARE]

For Love or Money review at Viaduct Theatre, Halifax " 'ribald wordplay and mucky jokes' by Chris Bartlett

This Northern Broadsides production has the whiff of another era about it. It might well be set in 1920s Yorkshire and adapted

SOURCE: The Stage Registration at 8:20am on September 20, 2017[SHARE]

The Tenant of Wildfell Hall review at Octagon Theatre, Bolton " 'a sure-footed adaptation' by Chris Bartlett

Youngest Bronte sister Anne is considered by many these days as a grittier and more radical writer than her older siblings. In

SOURCE: The Stage Registration at 8:20am on April 5, 2017[SHARE]

Jack and the Beanstalk review at the Forum Studio, Chester " 'enjoyably rough and ready' by Chris Bartlett

This seasonal offering from Tip Top Productions " only the second professional panto the company has presented in this bijou performance space

SOURCE: The Stage Registration at 9:54am on December 19, 2016[SHARE]
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