Diana Damian Martin: The industry must support migrants working in the cultural sector
I am a migrant working in the cultural sector. I moved to the UK more than 12 years ago as a mixed-ethnicity
I am a migrant working in the cultural sector. I moved to the UK more than 12 years ago as a mixed-ethnicity
Dr Diana Damian Martin and Dr Margherita Laera introduce their new research project, a survey which will explore who writes about theatre and performance, and map the conditions they work un…
Performance artist Ultimate Dancer makes work that mingles choreography and spirituality. Here, she talks healing rituals, movement, and the power of darkness. The post Ultimate Dancer: R…
Uplift and downfall: Diana Damian Martin reviews Yasmine Hugonnet, as part of London International Mime Festival. The post Review: Le Récital des postures at London International Mime Fest…
Winter wonderland: the egg and Travelling Light Theatre Company create a sensory world of snow. The post Review: Snow Mouse at the Barbican appeared first on Exeunt Magazine.
Slow criticism: Diana Damian and Anette Therese Pettersen consider a meditative seaside performance created by Norwegian artist Ingri Fiksdal. The post Diorama for Shoalstone Pool appeared f…
Dance in the age of climate change: Diana Damian Martin discusses this year's Ravnedans festival in Norway. The post Ravnedans appeared first on Exeunt Magazine.
Diana Damian Martin writes on how Porto's international theatre festival FITEI explores ideas of community, memory, and the past. The post FITEI: Community and Memory appeared first on Exeu…
Poetics of the uncanny. The post The Body appeared first on Exeunt Magazine NYC.
(This post is part of the 2014 TCG National Conference: Crossing Borders {Art | People} blog salon, curated by Caridad Svich.) In The New Way of the World: On Neoliberal So…
A dedicated space for live art and performance. The post Tate Tanks at the Tate Modern appeared first on Exeunt Magazine.