334 stories by "Gia Kourlas"
The season saw more farewells, from principals Teresa Reichlen and Gonzalo Garcia, along with a rush of talent from the recently promoted.
L-E-V, led by Sharon Eyal and Gai Behar, returns to the Joyce Theater with an evening-length work.
After 22 years, Teresa Reichlen, a "low-key" Hitchcock blonde, steps into her next chapter: motherhood and running a gallery.
Miami City Ballet's production of Alexei Ratmansky's enthralling "Swan Lake" brings a beloved work into crisp, clean and musical focus.
A new work by the Ailey veteran Jamar Roberts shared a program with revivals by Pam Tanowitz and Kyle Abraham.
For this choreographer, director and pioneer of postmodern dance, life was art and art was life.
Justin Peck's "Partita," set to Caroline Shaw's Pulitzer-Prize winning composition, opened New York City Ballet's winter season at Lincoln Center.
Some dancers recoiled at the prospect of volunteering their services at this year's Super Bowl halftime show: "You can't make a living off of exposure."
A crew of corps de ballet members, six women and one man, head into the delayed winter season with a new rank: soloist.
The Northern Irish choreographer Oona Doherty looks at despair through an ethereal lens at the Irish Arts Center.
The choreographer continues his research into African American worship and the Black Shakers in "Power" at the Brooklyn Academy of Music
Justin Peck takes over choreographic duties in the Steven Spielberg adaptation of the 1957 musical in which words, not bodies, rule the screen.
Darla Hoover is to be chair of faculty and Aesha Ash will fill the newly created position of associate chair at the New York City Ballet-affiliated academy.
Peter Anastos returns to the comedic troupe he helped found for "Nightcrawlers," a Jerome Robbins sendup at the Joyce Theater.
His days as a ballet prince are in the past. Now this regal member of Alvin Ailey American Dance Theater brings his own drama to the stage.
Alvin Ailey American Dance Theater returns to New York City Center with stage premieres by Robert Battle and Jamar Roberts and a stunning "Lazarus."
In the postponed premiere of "Wednesday" at New York Live Arts, Raja Feather Kelly asks: "Who has the right to tell anyone's story?"
The return of New York City Ballet's holiday classic will look a little different this season, with children 12 and above and new costumes for the party scene.
The choreographer returns to the East Village " and La MaMa " with "Petronio Punk Picks and Other Delights," landing in a place of nostalgia.
In "Twyla Now," a program of works featuring ballet stars and a youthful ensemble at New York City Center, Tharp merges the past with the present.
Luciana Achugar presents the premiere of "Puro Teatro: A Spell for Utopia" at the new, improved Chocolate Factory, but its pleasures feel one-sided.
Gina Gibney unveils an expanded company in three premieres by Sonya Tayeh, Alan Lucien Oyen and Rena Butler at the Joyce Theater.
In "Review," the choreographer Madeline Hollander reimagines months of unseen dance performances at the Hamilton Fish Pool in Manhattan.
American Ballet Theater's fall gala featured "ZigZag," an energetic yet dated premiere by Jessica Lang to songs sung by Tony Bennett.
The New York City Center festival presented exceptional works by Alexei Ratmansky and Ayodele Casel, including a captivating premiere.
