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84 stories by "Jane Howard"

The James Plays Trilogy review " high-stakes historical soap proves addictive by Jane Howard

Festival Theatre, Adelaide Festival CentreA trio of stories from Scottish royalty blend historical power struggles with contemporary dialogueThe history of Scottish nobility, as told through…

SOURCE: The Guardian at 9:45pm on February 29, 2016

Plexus review " body morphs with sculpture in astonishing stage illusions by Jane Howard

Heath Ledger Theatre, Perth international arts festivalFrench theatre director Aurélien Bory manipulates light and space in this warping and at times overindulgent star vehicle for Japanese…

SOURCE: The Guardian at 1:24am on February 23, 2016

Claire Cunningham's Guide Gods review " disability and religion meet in dance by Jane Howard

Perth festival, St George's CathedralThe Scottish dancer's work asks: if disability is considered a test or punishment from God, what does that mean for disabled people?Claire Cunningham loo…

SOURCE: The Guardian at 9:00pm on February 21, 2016

Adelaide cabaret festival 2015 review " hits, misses and pure emotion by Jane Howard

A dark and powerful performance from Meow Meow, an insider look at the musical theatre industry but a disappointing first outing for My Vagabond BoatMeow Meow comes on to the stage laborious…

SOURCE: The Guardian at 1:46am on June 16, 2015

Adelaide cabaret festival 2015: eight top must-see shows by Jane Howard

Between the divas, the miniature horse and a man in a bear head, there's plenty of glitter, fun and champagne to be had, with or without Dame EdnaBarry Humphries on curating his first Adelai…

SOURCE: The Guardian at 3:31am on June 4, 2015

Madame: The Story of Joseph Farrugia review " an Adelaide legend celebrated by Jane Howard

Burnside Ballroom, AdelaideTorque Show's dance theatre work takes one of the city's most colourful characters and highlights the complex art of his adult entertainment Continue reading...

SOURCE: The Guardian at 1:46am on April 27, 2015

Fake It 'Til You Make It review " fringe love story about male depression by Jane Howard

Royal Croquet Club, Adelaide Fringe festivalKimmings and partner Tim Grayburn have made a darkly funny, beautifully painful show which takes as much care of its audience as its subject matte…

SOURCE: The Guardian at 11:15pm on March 8, 2015

La Merda review " a swelling scream of self-love and self-loathing by Jane Howard

Space theatre, Adelaide festivalSilvia Gallerano is utterly compelling in this one hour stream of consciousness about a woman who unapologetically takes up space in the world Continue readin…

SOURCE: The Guardian at 12:12am on March 7, 2015

Azimut review - Moroccan acrobatics speak darker truths by Jane Howard

Adelaide Festival theatre, Adelaide festivalAurélien Bory and the artists of Le Groupe Acrobatique de Tanger dance with illusion and politics in this intense showcase of circus skill Con…

SOURCE: The Guardian at 1:41am on March 1, 2015

Adelaide fringe 2015: eight shows to push your buttons by Jane Howard

From late night fringe Shakespeare where the actors get progressively drunker throughout the performance to Umit Bali, former illegal immigrant turned stand-up, here are the shows you won't …

SOURCE: The Guardian at 9:13pm on February 15, 2015

Adelaide fringe 2015: five key venues by Jane Howard

On the eve of the fringe we round up five festival hotspots, from the evergreen Garden of Earthly Delights to part-club, part-installation Surrender Continue reading...

SOURCE: The Guardian at 7:50pm on February 11, 2015

James Joyce's Ulysses retold over 10 hours in the theatre? Sign me up by Jane Howard

With a new version of the James Joyce classic in development, epically long theatre is back on the menu again " are you in for the long haul? Continue reading...

SOURCE: The Guardian at 12:56am on February 5, 2015

Othello review " a powerful and sickening parable of modern man by Jane Howard

Dunstan Playhouse, AdelaideNescha Jelk rips away from the familliar story of racism and jealousy, using Shakespeare's script to explore a masculinity that thrusts violence among men " and ag…

SOURCE: The Guardian at 7:08pm on November 18, 2014

Quiet Faith review Christian Australia in its infinite variety by Jane Howard

Waterside, Port Adelaide While the press focuses on conservative politics and religion, David Williams amplifies a variety of Christian voices in this subtly devised verbatim show Continue r…

SOURCE: The Guardian at 2:36am on October 27, 2014

Crack theatre festival review rough and ready for a wider audience by Jane Howard

This is Not Art, Newcastle, NSWThis festival of new performance in a gutted department store offered audiences a taster of new talent along with their toasties Continue reading...

SOURCE: The Guardian at 1:11am on October 7, 2014

Cinderella review: Australian Ballet's sublime ridiculousness by Jane Howard

Adelaide Festival TheatreGiant legs, bunny-hops and a fist pump bring out the surreal hilarity in the fairytale but the dancers are never outshone There is little about Alexei Ratmanskys Ci…

SOURCE: The Guardian at 10:38pm on July 6, 2014

Dangerous Liaisons review grand fun that's all too fleeting by Jane Howard

Lawler Studio, Neon festival, MelbourneMelbourne's leading independent theatre festival stages a high glitz and high camp adaptation of Dangerous Liaisons In 2013, Neon took Melbourne's thea…

SOURCE: The Guardian at 2:15am on June 4, 2014

Jesikah review  a vivid portrait of adolescent trauma by Jane Howard

Dunstan Playhouse, AdelaideA play about bullying comes across like a stage version of Mean Girls, and will resonate strongly with its young audienceJesikah (Kate Cheel) and Denise (Elizabeth…

SOURCE: The Guardian at 2:56am on May 28, 2014

White Face review: dance exploration of Indigenous identity by Jane Howard

Next Wave festival, Footscray Community Arts Centre, MelbourneThough plagued by technical issues, this powerful piece brings a new voice to dance Carly Sheppard stands under a spotlight. Sh…

SOURCE: The Guardian at 1:46am on May 9, 2014

Hex review: the Aids crisis revisited through dance by Jane Howard

Next Wave festival, fourtyfivedownstairs, MelbourneHex is a powerful work that looks at the Aids crisis from a generation away, and explores its legacy and impactJames Welsby was born the sa…

SOURCE: The Guardian at 2:19am on May 8, 2014

The Club 3.0 review: theatre troupe tries to get audience to fight each other by Jane Howard

Next Wave festival, Arts House, MelbourneA Belgian company's attempt to create a real-life fight club causes more embarrassment than insurrectionary fervour They tell us the whole story: Bel…

SOURCE: The Guardian at 3:18am on May 5, 2014

Maximum review: two performers push themselves to exhaustion by Jane Howard

Next Wave festival, Arts House, MelbourneA dancer and a bodybuilder run in circles around a stage in a show about the pleasure and pain of physical exertionDancer Natalie Abbott and bodybuil…

SOURCE: The Guardian at 1:57am on May 5, 2014

SEETHrough review: unfocused portrayal of masculinity in crisis by Jane Howard

Next Wave festival, Malthouse Theatre, MelbourneFluctuating between poetry, drama and physical theatre, this play needs to show rather than tellIn a small Australian town, young men Sean (Co…

SOURCE: The Guardian at 1:42am on May 5, 2014

Madonna Arms review feminist sci-fi parable misfires by Jane Howard

Next Wave festival, Arts House, MelbourneSet in a stylised version of the future, this show may be loud and fast, but its overall meaning is confused Madonna Arms, from theatre company Im Tr…

SOURCE: The Guardian at 12:15am on May 2, 2014

Wael Zuaiter: Unknown review  compelling story of an assassination by Jane Howard

Next Wave festival, Theatre Works, MelbourneTold by a radio producer taking the stage for the first time, the story of the Palestinian translator linked to the Munich massacre is gripping, e…

SOURCE: The Guardian at 1:02am on May 1, 2014
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