321 stories by "Jason Zinoman"
This play, set in London, is adapted from an Edinburgh Festival Fringe show and will begin a run at the Fourth Street Theater.
Ms. Pinkins plays the title role of Brecht's "Mother Courage and her Children" in a Classic Stage Company production.
Ms. Sun makes a long-awaited return with a focus on a family whose daughter has a mystery illness.
The glorious, entertaining, phony, doomed reign of Broadway reporter Michael Riedel.
Terry Kinney, a Steppenwolf Theater Company founder, has started Mix Tape Productions, infusing rock with the razzmatazz of the theater.
In this company's latest project, child actors will not only pretend to be young, middle-age and older adults: But audiences will also see videos of younger versions of these performers.
The last time the Roundabout Theater staged this drama, in 1984, Pinter himself came to rehearsal to offer help to the cast.
Ed Schmidt, a playwright who is also a varsity coach at the Trinity School on the Upper West Side, portrays dynamics of the team and the game.
The playwright's new work at the Signature Theater examines the late-in-life introspection of a wealthy widow determined to give away all her worldly possessions.
In a monologue directed by Jerry Seinfeld, Mr. Quinn laments the city's positive attitude.
Mr. Diggs steps into a new Broadway role on Wednesday, replacing Darren Criss in "Hedwig and the Angry Inch."
Thursday is June 25
At the Beacon Theater, Ms. Schumer was joined by Judd Apatow, Mike Birbiglia and other comedians to promote her coming movie through stand-up.
This Tony nominee for best play stitches together comedy and horror with the help of Tyrone, the hand puppet that acts as the main character's angry id.
The Pearl Theater’s modest staging of Molière’s “Misanthrope” believes in the material’s comic power.
Steven Banks brings his secret life out of hiding with a new play, “Looking at Christmas,” at the Flea Theater.
An impressive amount of melodrama, activity and funny voices is packed into “Being Sellers,” a solo biographical play by Carl Caulfield about the actor Peter Sellers.
What happens when “actor’s actors” run amok? Not much. Which is the point of the sly and sloppy experiment called “Brandywine Distillery Fire.”
Talk of witches and spirits is woven into the fabric of Heidi Schreck’s sturdy dining-room drama “There Are No More Big Secrets.”
As “Radio Macbeth” unfolds in a kind of theatrical alchemy, this play within a play becomes simply the play — the Scottish one.
The “Radio City Christmas Spectacular” feels like an entertainment throwback, which is part of the appeal.
The musical “Border Towns” mixes Bob Dylan’s music with Americana.
Is the most ambitious new musical of the Broadway season racist? You could get that impression from reading the press coverage of The Scottsboro Boys, a wildly entertaining coda to the rich.…
In a revival of Stephen Adly Guirgis's dark comedy "Den of Thieves," stealing from mobsters leads to its own moral dilemma.
Absent from the theatrical menu are original holiday dramas that are entertaining, accessible and even sentimental.
