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210 stories by "Jeremy M. Barker"

Under the Radar Festival Gets Shown the Door By the Public by Jeremy M. Barker

On the ambivalent legacy of January's premier festival

SOURCE: Culture Bot at 3:02pm on June 3, 2023

A Celebration of the Life & Art of Mikéah Ernest Jennings by Jeremy M. Barker

Livestream the Chocolate Factory's memorial event Monday, Feb. 6 at 5:30pm eastern

SOURCE: Culture Bot at 3:08pm on February 6, 2023

Ontroerend Goed's "Are we not drawn onward…" at Under the Radar 2023 by Jeremy M. Barker

Heading into BAM's Fishman Space for Ontroerend Goed, part of the Public's 2023 Under the Radar Festival, felt like finally getting to a long-delayed date. I'd been looking forward to catchi…

SOURCE: Culture Bot at 3:29pm on January 14, 2023

"Poor Players": The Most Entertaining Way to Do the Least Entertaining Part of Theater by Jeremy M. Barker

Edward Einhorn has gamified independent theater producing, in a fun but remarkable educational exercise is demystifying just what it takes to make a play

SOURCE: Culture Bot at 2:24pm on March 2, 2021

Live Updates " Monday, March 16 by Jeremy M. Barker

2:10 p.m. A quick update"the organizers of the Howlround panel this evening have also launched an online resource, COVID-19 Freelance Artist Resources, containing important information fo…

SOURCE: Culture Bot at 4:06pm on March 16, 2020

Thomas Ostermeier's Magnificent Adaptation of "History of Violence" at St Ann's Warehouse by Jeremy M. Barker

When the Gilets Jaunes ("Yellow Vest") protests broke out just a little over a year ago, the leaderless, populist movement was somewhat baffling " as with so much of French social life  "…

SOURCE: Culture Bot at 2:06pm on December 1, 2019

Everybody Hates a Tourist: Romeo Castellucci Visited America, and Makes Clear He's Picked Up Some of Our Worst Habits by Jeremy M. Barker

In summary: This should shouldn't have been put up, here or anywhere

SOURCE: Culture Bot at 3:42pm on May 13, 2019

The Children Will Show How It's Done by Jeremy M. Barker

Since it's often hard to explain a good piece of theater " as Milo Rau's Five Easy Pieces, which had its all-too-brief North American premier two weeks ago at the Skirball Center, certainly …

SOURCE: Culture Bot at 2:09pm on March 29, 2019

Juggalos Deserve Better by Jeremy M. Barker

A very telling moment occurs right at the top of American Juggalo, a new play produced by collective Unattended Baggage, at HERE Arts Center that closed March 3. After a projected slideshow …

SOURCE: Culture Bot at 1:25pm on March 4, 2019

Crocodile Tears: The Problem of Empathetic Art by Jeremy M. Barker

What controversies like Robert Lepage's "SLÄ€V" reveal about the shortcomings of art practices

SOURCE: Culture Bot at 2:54pm on July 31, 2018

On How Not to Adapt a Complicated Book by Jeremy M. Barker

Tone-deaf and half-baked, Ivo van Hove's adaptation of "The Fountainhead" flounders onstage

SOURCE: Culture Bot at 8:04pm on November 29, 2017

Technology Is Just a Tool by Jeremy M. Barker

Shaun Irons and Lauren Petty discuss "Why Why Always," a cine-performance

SOURCE: Culture Bot at 7:33pm on October 13, 2017

Weekend Reading: Oct. 6 by Jeremy M. Barker

Canada abandons the arts for "creative hubs"; exploring relevance in performance at Philly FringeArts; questioning the Guggenheim; and more.

SOURCE: Culture Bot at 5:18pm on October 6, 2017

Dickie Beau's Imagined Self-Portraits From the Soup of Culture by Jeremy M. Barker

The British artist discusses "Blackouts," at Crossing the Line 2017

SOURCE: Culture Bot at 1:24pm on October 5, 2017

The "Violent Ambiguity" of Roberto Bolano by Jeremy M. Barker

"Roberto Bolano's appearance in the world is great for Latin American literature, for Latin American writers," Javier Antonio Gonzalez, playwright and artistic director of the theater compan…

SOURCE: Culture Bot at 4:18pm on September 15, 2017

Target Margin's "Drunken With What" Tackles O'Neill's Take On Greek Drama by Jeremy M. Barker

David Herskovits's latest investigation into the art of theater kicks off with a pared down adaptation of "Mourning Becomes Electra"

SOURCE: Culture Bot at 11:21am on March 18, 2016

A Performance-Installation for the Antropocene Era by Jeremy M. Barker

findlay//sandsmark + pettersen offer a bleak take in "o' death"

SOURCE: Culture Bot at 3:33pm on January 21, 2016

Under the Radar 2016: 600 Highwaymen's "Employee of the Year" by Jeremy M. Barker

Working with a cast of fine young women to reveal the richness of personal identity

SOURCE: Culture Bot at 5:30pm on January 14, 2016

Identity as Action in Daniel Fish's "Who Left This Fork Here" by Jeremy M. Barker

The director offers his latest multi-disciplinary exercise in task-based performance

SOURCE: Culture Bot at 9:13am on December 12, 2015

Truth, Lies and Acting: Juliana Francis Kelly's "The Reenactors" by Jeremy M. Barker

In "The Reenactors," reality is theatrical realism is employed as deconstructionist technique

SOURCE: Culture Bot at 9:31am on December 8, 2015

Stepping Out From the Chorus by Jeremy M. Barker

A decade after he helped pioneer theater blogging, director Isaac Butler looks back

SOURCE: Culture Bot at 12:13pm on November 21, 2015

Ant Hampton and the Nightmare of Global Capitalism by Jeremy M. Barker

In the latest from the "autoteatro" auteur, Hampton delivers a stinging indictment of global capitalism that provides more symptoms than diagnosis

SOURCE: Culture Bot at 1:22pm on September 30, 2015

Jack Ferver Serves Up a Surprisingly Conservative Version of "The Maids" at the New Museum by Jeremy M. Barker

Despite the rich potential, "Chambre" replicates problematic interpretations of Genet's play dating back to the 1950s

SOURCE: Culture Bot at 1:04pm on September 29, 2015

Mass Live Arts, Made in the Berkshires by Jeremy M. Barker

From nearly accidental performer to emerging performance impresario, Ilan Bachrach reflects on the winding road

SOURCE: Culture Bot at 10:31am on July 7, 2015

Remembering, and Reviving, the Work of Jim Neu by Jeremy M. Barker

20 years after its premiere and 5 years after its author's death, an intergeneration collaboration seeks to reintroduce the work of a downtown legend

SOURCE: Culture Bot at 3:24pm on May 8, 2015
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