Photography as Multiplier of Atrocity by Jeremy M. Barker

Sibyl Kempson discusses photography as activism and voyeurism in her new play "Let Us Now Praise Susan Sontag"

SOURCE: Culture Bot at 9:13am on May 7, 2015☆⚑

Imagining Warhol Imagining Broadway by Jeremy M. Barker

In "Andy Warhol's 15 (Color Me, Warhol)," director/choreographer Raja Feather Kelly offers up Andy Warhol's take on "A Chorus Line"

SOURCE: Culture Bot at 2:06pm on April 20, 2015☆⚑

Dan Safer On Interpreting Charles Mee by Jeremy M. Barker

The director of Witness Relocation discusses staging an odyssey through a yard-sale in their third production of a new play by Charles Mee

SOURCE: Culture Bot at 9:43am on April 10, 2015☆⚑

Aya Ogawa Discussed "Ludic Proxy," the Latest From the Play Co. by Jeremy M. Barker

Video games as virtual disaster tourism and the liberation of memory in Ogawa's latest play

SOURCE: Culture Bot at 9:42am on April 10, 2015☆⚑

My Barbarian: Between the Black Box and the White Cube by Jeremy M. Barker

What happens when theater provocateurs in the art world return to the theater?

SOURCE: Culture Bot at 12:55pm on January 15, 2015☆⚑

"I Feel Like I'm Always Talking About Rape" by Jeremy M. Barker

The performance artist and comedian discusses her transgressive stand-up routine reclaiming the "rape joke"

SOURCE: Culture Bot at 1:26pm on January 7, 2015☆⚑

Andrew Schneider on "YOUARENOWHERE" at COIL 2015 by Jeremy M. Barker

A lesson in quantum mechanics with a detour through Craigslist's Missed Connections

SOURCE: Culture Bot at 9:41pm on January 5, 2015☆⚑

Moscow's Teatr.doc Raided By Police For Screening Ukraine Documentary by Jeremy M. Barker

Moscow's Teatr.doc , an independent theater and art space, is raided in a heavy-handed police action for showing documentary about Ukraine conflict

SOURCE: Culture Bot at 5:07pm on December 31, 2014☆⚑

Returning to Live Performance After a Decade by Jeremy M. Barker

Performance-maker Andrea Kleine returns after a ten-year hiatus with a piece inspired by a tendentious 1977 on-air interview with Yvonne Rainer

SOURCE: Culture Bot at 3:53pm on December 2, 2014☆⚑

Chatting With Andy Field, Co-Director of the Forest Fringe by Jeremy M. Barker

"I kind of see the Edinburgh Fringe Festival as the hideous and perfect mirror of late globalized capitalism," the British artist Andy Field told me in a recent Skype conversation. "It's nom…

SOURCE: Culture Bot at 11:09am on October 1, 2014☆⚑

Talking with the Creators of "Ubu Sings Ubu" by Jeremy M. Barker

Tony Torn and Dan Safer talk about how they out together the coolest show onstage this month

SOURCE: Culture Bot at 12:40pm on April 17, 2014☆⚑

Richard Maxwell Discusses "Isolde" by Jeremy M. Barker

In the company's newest show, Richard Maxwell comes closer than ever before to a conventional well-made play. But for him, it's all part of the process of interrogating our most basic assump…

SOURCE: Culture Bot at 2:47pm on April 10, 2014☆⚑

Mallory Catlett's "This Was the End" at the Chocolate Factory by Jeremy M. Barker

Jeremy M. Barker responds to Mallory Catlett's "This Was the End", playing through March 8 at The Chocolate Factory.

SOURCE: Culture Bot at 1:29pm on March 3, 2014☆⚑

Revisiting the "Black Male" Through Performance: A Conversation With Jaamil Olawale Kosoko by Jeremy M. Barker

The curator of this weekend's "Food for Thought" at Danspace talks about challenging the dominant representation of black masculinity

SOURCE: Culture Bot at 6:02pm on February 5, 2014☆⚑

Dystopian Cigar Factories on Rocks Hurtling Through Space by Jeremy M. Barker

Culturebot contributor Jeremy M. Barker discusses the new play "Muazzez" with Mac Wellman and the playwright's long collaboration with actor Steve Mellor.

SOURCE: Culture Bot at 12:24pm on January 7, 2014☆⚑

Kyle deCamp on "Urban Renewal," Part of Crossing the Line 2013 by Jeremy M. Barker

"In some ways it's very much about innocence and loss of innocence," the artist Kyle deCamp told me over tea a week and some ago, "and our collective complicity in this fantasy that we live …

SOURCE: Culture Bot at 4:25pm on October 10, 2013☆⚑

Crossing the Line 2013: At the Intersection of Social Practice and Inter-Disciplinary Art by Jeremy M. Barker

Jeremy M. Barker talks to the curators and artists of FIAF's Crossing The Line Festival, that begins today.

SOURCE: Culture Bot at 11:00am on September 19, 2013☆⚑

Season Preview: Crossing the Line Festival 2013 by Jeremy M. Barker

Jeremy M. Barker previews the upcoming Crossing The Line Festival.

SOURCE: Culture Bot at 1:04pm on July 27, 2013☆⚑

I Don't Care What You Say, I Say Hello by Jeremy M. Barker

Jeremy M. Barker....On moving on from Culturebot

SOURCE: Culture Bot at 8:52am on May 3, 2013☆⚑

Culturebot Comes Home to Seattle Thurs., Mar. 7 by Jeremy M. Barker

"Everyone's a Critic" at On the Boards is our latest iteration of live critical interventions

SOURCE: Culturebot at 1:22pm on February 23, 2013☆⚑

W.A.G.E. Criticizes Documenta 13 Curator Over Unpaid Artists by Jeremy M. Barker

Amazingly, artists don't always respond to the chance to work for free with gratitude

SOURCE: Culturebot at 4:30pm on February 13, 2013☆⚑

A Return to Performance by Jeremy M. Barker

Looking anew at unconventional performance through the work of Arturo Vidich, Claude Wampler and Harrison Atelier

SOURCE: Culturebot at 4:15pm on February 10, 2013☆⚑

A Return to "Performance" by Jeremy M. Barker

Looking anew at unconventional performance through the work of Arturo Vidich, Claude Wampler and Harrison Atelier

SOURCE: Culture Bot at 4:15pm on February 10, 2013☆⚑

"Ephemeral Evidence" Alums Presenting Work by Jeremy M. Barker

Back in April, Culturebot was invited to curate a week of events as part of Exit Art’s grand closing-down retrospective; our exhibit, “Ephemeral Evidence,” granted one-day …

SOURCE: culturebytes.org at 1:58pm on January 26, 2013☆⚑

Responses in Brief to Under the Radar 2013 by Jeremy M. Barker

As January festival season wraps up, I want to touch on a few of the pieces I’ve caught at the Public’s Under the Radar Festival that I haven’t yet had a chance to. Belarus…

SOURCE: culturebytes.org at 4:01am on January 20, 2013☆⚑