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210 stories by "Jeremy M. Barker"

Season Preview: FIAF's Crossing the Line (with Bastille Day Notes) by Jeremy M. Barker

DD Dorvillier, Brian Rogers, Faustin Linyekula, and David Levine join us for the 2012 Crossing the Line Festival, this September

SOURCE: Culturebot at 12:25am on July 18, 2012

Hoi Polloi Debuts Its New Space JACK With Bertolt Brecht's "Baal" by Jeremy M. Barker

Alec Duffy & co. tackle Bertolt Brecht's juvenilia in their first show at their recently opened Clinton Hill art space

SOURCE: Culturebot at 9:37pm on July 17, 2012

Bruce High Quality Foundation's "Art History With Labor" by Jeremy M. Barker

The subversive arts collective appropriates the frame of Luther's 95 Theses in a video on art workers, art-making, and class

SOURCE: Culturebot at 11:24am on July 12, 2012

Thoughts on Why We Must Talk About Art and Class by Jeremy M. Barker

Or, things I learned from several months' consideration of Everywhere Theater Group's "Flying Snakes in 3d!!"

SOURCE: Culturebot at 12:29am on July 9, 2012

The End is the Beginning Is the End by Jeremy M. Barker

Austin's Rude Mechs return to the roots by reviving Richard Shechner's seminal "Dionysus in '69" this fall at NYLA

SOURCE: Culturebot at 4:44pm on June 11, 2012

Were Temporary Distortion's Designs and Concepts Stolen by Another Company? by Jeremy M. Barker

A controversy has erupted over whether a Washington, DC theater company made inappropriate use of the widely-toured 2009 piece "Americana Kamikaze"

SOURCE: Culturebot at 10:31am on June 6, 2012

Looking Back on Culturebot's "Ephemeral Evidence" by Jeremy M. Barker

In April, the editorial team behind Culturebot spend a week occupying part of Exit Art with a team of performing artists; here the artists recount their experiences

SOURCE: Culturebot at 10:25pm on May 29, 2012

What Marina Abramović's Institute Tells Us About How the Art World Contextualizes Performance by Jeremy M. Barker

And where we can look for alternative presentational aesthetics, with reference to Michael Kliën and Steve Valk

SOURCE: Culturebot at 4:49pm on May 14, 2012

The Digest: May 10, 2012 by Jeremy M. Barker

Claudia la Rocco talks her practice, Yussef el Guindi explains why he forsakes NYC for Seattle, & a Québécois theater-maker makes art out of conservative programming at big houses

SOURCE: Culturebot at 10:16pm on May 10, 2012

Can Un-Licensed Therapy Be Performance Art? Can Prostitution? by Jeremy M. Barker

An artist(?) toying with concepts of erotica and therapy gets rejected by the art world, a whole lot of free publicity, and raises some very interesting questions about the nature of art

SOURCE: Culturebot at 10:37pm on May 9, 2012

Join the Petition to Support Sotheby's Locked-Out Art Handlers by Jeremy M. Barker

Help support the 43 unionized art workers currently struggling to defend their right to collective bargaining against one of the leading auction houses in the world

SOURCE: Culturebot at 11:40pm on May 6, 2012

You Can Call Me Frances'"Undenuck" by Jeremy M. Barker

Four Dublin-based dancers have formed a hypnotically catch art-pop band

SOURCE: Culturebot at 10:39pm on May 6, 2012

Culturebot's Fusebox Diary by Jeremy M. Barker

Friday, May 4 12:56 p.m. I’m sitting in the drowse-inducing warmth of the Festival Hub, about 10 minutes into Andy’s panel discussion on performance in context, and decided to ta…

SOURCE: Culturebot at 2:11pm on May 4, 2012

TR Warszawa's Stage Version of "Festen" Rocks St. Ann's by Jeremy M. Barker

Director Grzegorz Jarzyna delivers an emotionally shaking experience in his adaptation of the Dogme 95 film

SOURCE: Culturebot at 7:14pm on April 28, 2012

Culturebot's "Ephemeral Evidence" Live by Jeremy M. Barker

Live video from your iPhone using Ustream Welcome to Culturebot’s “Ephemeral Evidence” live, streaming part of each day from Exit Art, where we’re in residence April …

SOURCE: Culture Bot at 11:36am on April 17, 2012

Super Secret Queer Performance Fest You're Not Supposed to (But Def' Should) Know About by Jeremy M. Barker

Earl Dax and Zvonimir Dobrovic bring a mind-blowing exploration of queer performance to NYC this June

SOURCE: Culture Bot at 6:39pm on April 15, 2012

Big Art Group's "Broke House" at Abrons Arts by Jeremy M. Barker

Caden Manson and Jemma Nelson talk about the company's newest work, which returns to Abrons after a brief run in January at American Realness 2012

SOURCE: Culture Bot at 4:08pm on April 12, 2012

Seattle's zoe | juniper Comes to NYLA by Jeremy M. Barker

Come early opening night and watch Culturebot's own Jeremy Barker mime his prior coverage of this exciting company during the coffee talk

SOURCE: Culture Bot at 6:00pm on March 30, 2012

One-Eyed Men In the Kingdom of the Blind by Jeremy M. Barker

The trio of magicians who perform "Elephant Room" on working in community theater, performing in broken Japanese, and their upcoming appearance at Satan's Warehouse in Brooklyn

SOURCE: Culture Bot at 3:26pm on March 23, 2012

Post-Dramatic Stress Disorder by Jeremy M. Barker

Forty years later, "performance" remains a dangerous concept

SOURCE: Culture Bot at 1:24am on March 14, 2012

Alec Duffy Talks Secret Societies & Hoi Polloi's New Show by Jeremy M. Barker

In "All Hands," opening this week at IAP, the Obie-winning company stages its largest exploration of how Americans stage community yet

SOURCE: Culture Bot at 12:39am on March 9, 2012

A Nice Video for Your Eyes to Be Looking At by Jeremy M. Barker

Because. Just because. (Your friends at Culturebot)

SOURCE: Culture Bot at 11:08pm on March 7, 2012

Mircea Cantor, Marten Spangberg, Bad Critics, Books & Thoughts by Jeremy M. Barker

Franco-Romanian artist Mircea Cantor defends his right not make a point, while Swedish choreographer Marten Spangberg demands we re-think art entirely

SOURCE: Culture Bot at 6:43pm on March 6, 2012

A Poorly Edited Stew Of Half-Baked Thoughts by Jeremy M. Barker

A logorrheic response to writer's block wandering through craft beer, personal histories, Tanja Liedtke's legacy, the Deschanel sisters' TV shows, & Theresa Rebeck's gender problems

SOURCE: Culture Bot at 10:15pm on March 2, 2012

Choreographer Crystal Pite Makes Dance About Us by Jeremy M. Barker

The Vancouver-based dance company Kidd Pivot Frankfurt RM makes its New York debut with a limited engagement at the Baryshnikov Arts Center

SOURCE: Culture Bot at 2:27pm on February 23, 2012
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