DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
955 stories by "Jesse Green"

'A Killer Party' Review: The Case of the Online Musical by Jesse Green

With broad winks to Agatha Christie and the limitations of remote theater, a serialized song-and-dance mystery goes on. Well, not so much dance.

SOURCE: The New York Times Subscription at 2:54pm on August 6, 2020[SHARE]

The (Virtual) Theatrical Fringe Moves Front and Center by Jesse Green

Expanding content and experimenting with form, the avant-garde finds a congenial new home online, as two recent offerings demonstrate.

SOURCE: The New York Times Subscription at 1:48pm on August 3, 2020[SHARE]

Review: A Sci-Fi Classic Featuring a Multiverse of Stooges by Jesse Green

In "The 7th Voyage of Egon Tichy," an experimental theater lab operating from a closet adapts a timely tale about the solitude of cramped quarters.

SOURCE: The New York Times Subscription at 2:24pm on July 31, 2020[SHARE]

Review: Reliving 'Private Lives,' This Time Mostly Women's by Jesse Green

Eight short plays take cues from the 1930 Noël Coward comedy " but now the stakes are different.

SOURCE: The New York Times Subscription at 2:48pm on July 21, 2020[SHARE]

The Time I Saw Angela Lansbury Instead of the Horse Show by Jesse Green

Not so long ago, top stars brought top musicals to suburban arenas that started their lives as tents.

SOURCE: The New York Times Subscription at 5:36pm on July 16, 2020[SHARE]

Review: Covid Responders Have Their Harrowing Say in 'The Line' by Jesse Green

A documentary play based on interviews with New York doctors, nurses and paramedics underlines the inequities of a medical system "flawed from its root."

SOURCE: The New York Times Subscription at 3:03pm on July 9, 2020[SHARE]

Hoping for a Theater Bailout? Better Head to London. by Jesse Green

The British government has promised $2 billion to save its cultural institutions, while the American theater, lacking meaningful leadership, is left to fend for itself.

SOURCE: The New York Times Subscription at 2:48pm on July 7, 2020[SHARE]

Review: Apple-Picking Time Again, in 'And So We Come Forth' by Jesse Green

Richard Nelson's fictional family returns, but for the first time this drama of connection in the age of American bewilderment feels smaller than life.

SOURCE: The New York Times Subscription at 2:18pm on July 2, 2020[SHARE]

Review: When 'Tartuffe' Meets Trump, It's Revolutionary by Jesse Green

A streaming production of the Molière comedy, with allusions to the White House as well as Black Lives Matter, tears down walls to rebuild a classic.

SOURCE: The New York Times Subscription at 2:03pm on June 29, 2020[SHARE]

First the Play. Then the Soul Searching. But What Comes Next? by Jesse Green

An Atlanta theater company addresses racial inequity in a series of virtual dinners that mix drama with discussion.

SOURCE: The New York Times Subscription at 3:42pm on June 16, 2020[SHARE]

Larry Kramer, Prophet and Pussycat by Jesse Green

On the stage and on the page, his fury was fueled by an often-cloaked belief in the power of love.

SOURCE: The New York Times Subscription at 5:24pm on May 27, 2020[SHARE]

54% of the People. 12% of the Plays. Atlanta, Do We Have a Problem? by Jesse Green

One of the country's most racially diverse cities struggles, nicely, with representation and inclusion on its many bustling stages.

SOURCE: The New York Times Subscription at 12:02pm on March 18, 2020[SHARE]

Stephen Sondheim is Not Just a Great Composer. He's a Great Playwright. by Jesse Green

Let's not underrate Stephen Sondheim any longer: Theater's greatest songwriter is also one of theater's greatest playwrights. Here's why.

SOURCE: The New York Times Subscription at 7:06am on March 12, 2020[SHARE]

Review: In 'Endlings,' the Pain of Swimming Between Worlds by Jesse Green

What do Korean divers and Manhattan playwrights have in common? A new play looks for the connection.

SOURCE: The New York Times Subscription at 11:03pm on March 9, 2020[SHARE]

Review: In 'The Perplexed,' Moral Gridlock on Fifth Avenue by Jesse Green

Richard Greenberg's overstuffed new play about family feuds and ethical choices turns a wedding comedy into a crisis.

SOURCE: The New York Times Subscription at 10:18pm on March 3, 2020[SHARE]

Review: In 'We're Gonna Die,' Pop Songs for the Reaper by Jesse Green

Young Jean Lee offers upbeat tunes about downbeat lives and inevitable ends.

SOURCE: The New York Times Subscription at 1:03am on February 26, 2020[SHARE]

Review: 'The Headlands' Nods to San Francisco Noir by Jesse Green

A cold case. An amateur sleuth. A new clue. But sometimes the murder isn't the real mystery.

SOURCE: The New York Times Subscription at 10:03pm on February 24, 2020[SHARE]

Is Broadway Stuck on Replay? by Jesse Green

With this season promising so many revivals and touring productions, our critic wonders whether it's possible for audiences to treat them as exciting arrivals.

SOURCE: The New York Times Subscription at 4:03pm on February 24, 2020[SHARE]

Review: Camp and Compassion in 'The Confession of Lily Dare' by Jesse Green

Charles Busch's mash-up of mother-love weepies finds both pathos and hilarity in the tough talk of Hollywood divas.

SOURCE: The New York Times Subscription at 11:03pm on January 29, 2020[SHARE]

Review: In 'Grand Horizons,' Marriage Is a Long-Running Farce by Jesse Green

Bess Wohl's new play puts a Neil Simonesque spin on the story of a couple considering divorce after 50 years.

SOURCE: The New York Times Subscription at 10:36pm on January 23, 2020[SHARE]

Review: In 'A Soldier's Play,' an Endless War Against Black Men by Jesse Green

The Broadway premiere of Charles Fuller's 1981 drama finds premonitions of today in the story of a 1944 murder.

SOURCE: The New York Times Subscription at 10:48pm on January 21, 2020[SHARE]

Review: Shakespeare's 'Timon' Gets an Occupy Athens Makeover by Jesse Green

Kathryn Hunter stars as the fabulously rich Greek who understands the corrupting value of money only after she loses it.

SOURCE: The New York Times Subscription at 10:24pm on January 19, 2020[SHARE]

Review: Staging a Movie Melodrama in 'The Conversationalists' by Jesse Green

Music (and eventually emotion) cuts through the alienating layers of abstraction in this new work by the musician-storytellers James & Jerome.

SOURCE: The New York Times Subscription at 2:12pm on January 15, 2020[SHARE]

When Disability Isn't a Special Need but a Special Skill by Jesse Green

Two productions at the Under the Radar Festival ask if the theater is ready to embrace the artistry of autism and other once disqualifying conditions.

SOURCE: The New York Times Subscription at 2:24pm on January 13, 2020[SHARE]

Is Theater Ridiculous? Movies, TV and Books Seem to Think So by Jesse Green

Four recent works put plays and the people who make them in a weird spotlight.

SOURCE: The New York Times Subscription at 1:18pm on December 31, 2019[SHARE]
« Previous 25   Page 15 of 39   Next 25 »