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955 stories by "Jesse Green"

Review: With Only Song and Dance, 'Don't Bother Me' Tells a Huge Story by Jesse Green

The 1972 Broadway musical, closing the Encores! Off-Center season, sketches the history of the resilience of black Americans in song and dance.

SOURCE: The New York Times Subscription at 2:18pm on July 26, 2018[SHARE]

Critic's Notebook: Which Show Is Good, Clean Fun: 'Rocky Horror' or 'The Music Man'? by Jesse Green

Playing in repertory at the Stratford Festival in Canada, these mirror-image musicals turn out to be part of the same conversation.

SOURCE: The New York Times Subscription at 2:54pm on July 25, 2018[SHARE]

Review: 'Straight White Men,' Now Checking Their Privilege on Broadway by Jesse Green

In Young Jean Lee's smart, thorny play, two brothers (Armie Hammer and Josh Charles) urge a third (Paul Schneider) to own his male prerogatives.

SOURCE: The New York Times Subscription at 10:06pm on July 23, 2018[SHARE]

Review: Taming 'The Taming of the Shrew' Under a Tent by Jesse Green

An hour north of New York City, a new production of Shakespeare's impossible comedy finds a sensible way to respond to the #MeToo moment.

SOURCE: The New York Times Subscription at 1:06pm on July 19, 2018[SHARE]

Review: At Stratford, 'Coriolanus' Is Riveting and Troubling by Jesse Green

The director Robert Lepage, recently criticized for cultural appropriation, finds in Shakespeare's tragedy a defense of Great Man prerogatives.

SOURCE: The New York Times Subscription at 1:18pm on July 18, 2018[SHARE]

Review: A Yiddish 'Fiddler on the Roof'? Sounds Crazy, Nu? by Jesse Green

A powerful new revival of the 1964 musical offers a kind of authenticity no other American "Fiddler" ever has: It's in Yiddish.

SOURCE: The New York Times Subscription at 2:18pm on July 17, 2018[SHARE]

Review: 'Mary Page Marlowe' Lives an Ordinary, Extraordinary Life by Jesse Green

In Tracy Letts's gripping play, it takes six actors (and a doll) to embody one steely, difficult woman, from infancy to the age of 69.

SOURCE: The New York Times Subscription at 10:06pm on July 12, 2018[SHARE]

Critic's Notebook: Onstage, the New Gay Agenda Involves Cake and Not Getting Fired by Jesse Green

In the Berkshires, plays by Bekah Brunstetter and Douglas Carter Beane consider equality in the bakery and the rise of the "wonder homo."

SOURCE: The New York Times Subscription at 2:18pm on July 8, 2018[SHARE]

Review: 'The Royal Family of Broadway,' This Time in Song by Jesse Green

A long aborning musical adaptation of the classic backstage comedy demotes a clan of highbrow actors to tacky vaudevillians.

SOURCE: The New York Times Subscription at 1:18pm on July 5, 2018[SHARE]

Review: Mary-Louise Parker, Resounding in 'The Sound Inside' by Jesse Green

Adam Rapp's new play, about a Yale professor and a freshman writing student, gets a stunning premiere at the Williamstown Theater Festival.

SOURCE: The New York Times Subscription at 3:48pm on July 3, 2018[SHARE]

Review: 'On a Clear Day,' Eternally Odd, Gets Yet Another Life by Jesse Green

The 1965 Lerner and Lane musical has been rewritten every which way to tell its tale of reincarnation. It never works, but oh, those songs!

SOURCE: The New York Times Subscription at 10:12pm on June 28, 2018[SHARE]

Review: In 'Log Cabin,' It's Gay vs. Trans as the Rainbow Crumbles by Jesse Green

A quippy Jesse Tyler Ferguson stars in Jordan Harrison's shapeless look at what happens when the L.G.B.T. alliance starts to turn on itself.

SOURCE: The New York Times Subscription at 10:12pm on June 25, 2018[SHARE]

Review: With 'Skintight,' Idina Menzel Takes On a Straight Play. Sort Of. by Jesse Green

Her father's in love with a 20-year-old boy toy. Her son is a queer studies major. In Joshua Harmon's new comedy, it's the middle-aged woman who feels left behind.

SOURCE: The New York Times Subscription at 10:06pm on June 21, 2018[SHARE]

Review: In a Teenage Take on 'Richard III,' Now Is the Prom of Our Discontent by Jesse Green

A new play transposes Shakespeare's tragedy to a modern high school, where a student with cerebral palsy has his eye on the senior-class presidency.

SOURCE: The New York Times Subscription at 10:04pm on June 20, 2018[SHARE]

Review: Waiting for Po-Po in a Searing 'Pass Over' by Jesse Green

A new play by Antoinette Nwandu puts the epidemic of violence against young black men in a theatrical and historical context.

SOURCE: The New York Times Subscription at 10:04pm on June 18, 2018[SHARE]

Review: In 'Wilder Gone,' the Pull of Soil, Soul and Preacher Sex by Jesse Green

Delightfully comic juxtapositions (with a serious undertow) make a new play by Angela Hanks perfect for the warming season.

SOURCE: The New York Times Subscription at 10:32pm on June 7, 2018[SHARE]

Review: 'Dan Cody's Yacht' Sells Upward Mobility for Dummies by Jesse Green

A private-equity manager gives a local schoolteacher and her finances a yuppie makeover in Anthony Giardina's new play.

SOURCE: The New York Times Subscription at 10:18pm on June 6, 2018[SHARE]

Review: Putting Arthur Miller on Trial in 'Fall' by Jesse Green

The great playwright's treatment of his son Daniel, born with Down syndrome, is the subject of a new and troubling play.

SOURCE: The New York Times Subscription at 2:18pm on June 1, 2018[SHARE]

5 Shows to See in New York: 'Othello,' 'Carmen Jones' and More by Jesse Green

A classic tragedy, a curious musical and three new of-the-moment plays open Off Broadway this month

SOURCE: The New York Times Subscription at 6:48am on June 1, 2018[SHARE]

Review: 'Jagged Little Pill' Breaks the Jukebox Musical Mold by Jesse Green

An intermittently thrilling new musical built around 22 Alanis Morissette songs seems to have 22 different themes, all worthy.

SOURCE: The New York Times Subscription at 3:04pm on May 30, 2018[SHARE]

Review: Alpha Male Romantic Problems in 'Devil of Choice' by Jesse Green

An English professor may have chosen the wrong role model for his love life in "Faust." Just ask his wife. And his mistress.

SOURCE: The New York Times Subscription at 10:18pm on May 28, 2018[SHARE]

Review: Will Death Never Come in 'Peace for Mary Frances'? by Jesse Green

Upstairs, the matriarch is ready to die. Downstairs, her adult children might kill each other first.

SOURCE: The New York Times Subscription at 7:48pm on May 23, 2018[SHARE]

Review: A Raucous Wake for 'Our Lady of 121st Street' by Jesse Green

Twelve angry men and women await the return of a missing corpse in a revival of Stephen Adly Guirgis's dark comedy.

SOURCE: The New York Times Subscription at 10:18pm on May 20, 2018[SHARE]

Review: Downtown Renewal Means Trouble in 'Paradise Blue' by Jesse Green

In Dominique Morisseau's new play, Detroit's mayor wants to clear "urban blight," but some black jazzmen say, "We the blight he talkin' about."

SOURCE: The New York Times Subscription at 10:18pm on May 14, 2018[SHARE]

Review: A Multiple-Exposure 'Me and My Girl' at Encores! by Jesse Green

A 2018 look at the 1986 Broadway version of a 1937 musical leaves some things blurry and others all too clear.

SOURCE: The New York Times Subscription at 3:18pm on May 10, 2018[SHARE]
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