RHYTHMS OF THE HEART
Two one-acts based on stories by Chekhov and Tolstoy are presented together, thought they have little to do with each other.
Two one-acts based on stories by Chekhov and Tolstoy are presented together, thought they have little to do with each other.
This musical retelling isn t exactly intellectually stimulating, but it might resonate with anyone in the audience with FOMO.
This stunning work is one of the most original, entertaining and illuminating new pieces to come along in a long time.
By omitting parts of the text, this production finds a way to bring new gravitas to the 1897 drama.
CSC's minimalist staging of Shakespeare's spookiest play takes the slippage between stage and reality to whole new levels.
There is genius in this production that transcends the campiness of its plot and score.
Young women in Catholic schoolgirl garb take to the cursed play, diving deep into the shifting alliances and bloody frenzy.
Willy Holtzman's biopic celebrates the life of stage and screen star Judy Holliday.
The action unfolds backwards in this musical, as a group of friends rewind back to where their bond was strong.
This is a compelling portrayal of an honest, caring man working through a painstaking moral process.
Each of the many characters in Jez Butterworth s remarkable drama is drawn with distinct detail.
In this thoughtful production, Primary Stage presents three of A.R. Gurney s one-act plays.
Theresa Rebeck’s latest play takes on an interesting premise but fails to stick the landing.
Tom Stoppard’s 1917 tour-de-force can be a mess of historical and literary references, but it is handled deftly by this director and cast.
Replete with lush beauty and stellar performances, this version stays true to its origins.
Edward Albee’s two-hander works well today under Lila Neugebauer’s deft direction.
This show succeeds in getting the audience to empathize with the heartrending betrayals and unspeakable yearnings of these sideshow characters.
Lucy Kirkwood’s latest examines the decades-old relationship between three old friends.
Unfortunately, the characters in Dominique Morisseau s drama reach no real resolution or realization.
Modern innovations can t solve all the problems in Shakespeare’s notoriously problematic play.
Drawing parallels with Trump, this stylish production says as much about the public as it does about the president.
An excellent cast adds layers of nuance to this boisterous comedy.
This reclaimed relic from 1933 can still raise some eyebrows.
Sutton Foster shines in this striking, thoughtful, stripped-down production.
The action is light and lively in this production of Oliver Goldsmith’s classic comedy.