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1,004 stories by "Judith Mackrell"

This week's new dance by Judith Mackrell

The Royal Ballet: Giselle | Bartabas & Andrés MarinPepita's Giselle is the quintessential romantic classic, the story of a love affair that begins in the real world and continues beyond…

SOURCE: The Guardian at 9:04am on March 18, 2016[SHARE]

Motion captured: five of the best dance photographs by Judith Mackrell

From postcards of ballerinas to digital shots where the performers barely look human, the art of snapping dancers has had a dramatic evolutionPhotography created a revolution in the recordin…

SOURCE: The Guardian at 9:04am on March 18, 2016[SHARE]

Bartabas and Andrés Marín: Golgota review " a ceremony of flamenco horses by Judith Mackrell

Sadler's Wells, LondonThis beguiling new work by the equestrian-dance maverick is dense with religious imagery and finds a wordless connection between man and beastDuring Easter week in sout…

SOURCE: The Guardian at 9:15am on March 15, 2016[SHARE]

The Bolshoi Ballet: Spartacus | Dance review by Judith Mackrell

Royal Opera House, LondonA bad performance can make Spartacus feel like the worst kind of choreography-by-numbers. Grigorovich's 1968 ballet delivers its monumental effects by repeating ever…

SOURCE: The Guardian at 1:15am on March 14, 2016[SHARE]

This week's new dance by Judith Mackrell

British Dance Edition | Ballet Black: Triple BillBritish Dance Edition is one of the major events in the industry year, showcasing a huge range of work by UK-based choreographers and compani…

SOURCE: The Guardian at 12:07pm on March 11, 2016[SHARE]

Marc Brew Company: For Now, I Am… review " a dancer rediscovers his body by Judith Mackrell

Lilian Baylis Studio, LondonIn a powerful, poetic work, Marc Brew traces how he returned to performance and reinvented himself as a choreographer after being injured in an accidentMarc Brew …

SOURCE: The Guardian at 10:04am on March 11, 2016[SHARE]

Golden Hours (As You Like It) review " time drags in dance with Shakespeare by Judith Mackrell

Sadler's Wells, LondonAnne Teresa de Keersmaeker blends the Bard and Brian Eno in an abstract show, but despite some vivid choreography the results remain impenetrableMusic, rather than stor…

SOURCE: The Guardian at 8:51am on March 9, 2016[SHARE]

Kaash review " Akram Khan and Anish Kapoor conjure up the cosmos by Judith Mackrell

Sadler's Wells, LondonThe choreographer yokes Hindu theology to theoretical physics, creating a vast world against the drumming and chanting of Nitin Sawhney's scoreIn 2002, the premiere of …

SOURCE: The Guardian at 8:38am on March 4, 2016[SHARE]

This week's new dance by Judith Mackrell

Anne Teresa De Keersmaeker/Rosas: Golden Hours (As You Like It) | Protein Dance: May Contain FoodIn the past, De Keersmaeker has taken music as her main source of inspiration, but in Golden …

SOURCE: The Guardian at 8:38am on March 4, 2016[SHARE]

Mark Bruce Company: The Odyssey review " Homer on the dance floor by Judith Mackrell

Wilton's Music Hall, LondonBruce's adaptation of the epic tale has boogieing skeletons, an S&M disco queen and music from Mark Lanegan and MozartWith its dark monsters, fickle gods and s…

SOURCE: The Guardian at 10:51am on February 29, 2016[SHARE]

This week's new dance by Judith Mackrell

Akram Khan | Immortal TangoIt was back in 2002 that dancer and choreographer Akram Khan presented his first full-length work, Kaash, with designs by Anish Kapoor and a score by Nitin Sawhney…

SOURCE: The Guardian at 8:52am on February 26, 2016[SHARE]

This week's new dance by Judith Mackrell

De Nada Dance Theatre: Ham & Passion | TerraAfter setting up DeNada Dance Theatre in 2012, Spanish choreographer Carlos Pons Guerra fast-forwarded his way to a National Dance awards nomi…

SOURCE: The Guardian at 8:46am on February 19, 2016[SHARE]

Voces, Suite Flamenca review " Baras's virtuosity is trapped in the past by Judith Mackrell

Some thrilling footwork and extraordinary singing in Sara Baras's flamenco homage isn't enough to lift this bland production from its classic formatSo much of Sara Baras's dancing is all abo…

SOURCE: The Guardian at 8:15am on February 17, 2016[SHARE]

Wheeldon triple bill review " vividly evokes 1880s Paris, without getting beneath the surface by Judith Mackrell

Royal Opera House, LondonThis Christopher Wheeldon programme includes the premiere of one-act ballet Strapless, whose scandalous heroine Madam X is all attitude and frocks Christopher Wheeld…

SOURCE: The Guardian at 7:46am on February 15, 2016[SHARE]

This week's new dance by Judith Mackrell

Birmingham Royal Ballet: The Dream & A Month In The Country | Flamenco Festival LondonBirmingham Royal Ballet joins in 2016's Shakespeare celebrations with seven Bard-inspired ballets th…

SOURCE: The Guardian at 9:22am on February 12, 2016[SHARE]

This week's new dance by Judith Mackrell

Tanztheater Wuppertal Pina Bausch: Como El Musguito | The Royal Ballet: Christopher Wheeldon Triple BillThis is the last work created by Pina Bausch before her sudden death in 2009, and it's…

SOURCE: The Guardian at 8:54am on February 5, 2016[SHARE]

Benjamin Millepied and Paris Opera Ballet: a step too far by Judith Mackrell

Millepied's departure is a surprise: he was meant to revitalise a ballet institution, forcing it into the 21st centuryBenjamin Millepied's decision to quit his job as director of the Paris O…

SOURCE: The Guardian at 3:25am on February 5, 2016[SHARE]

Savour the last dance: Pina Bausch and Merce Cunningham's stylish swansongs by Judith Mackrell

Tanztheater Wuppertal's playful Como el Musguito… contrasts with the darkness of Bausch's early shows while Cunningham's later pieces hummed with a digital energy. Choreographers' final wo…

SOURCE: The Guardian at 3:06am on February 4, 2016[SHARE]

This week's new dance by Judith Mackrell

Mark Bruce Company: The Odyssey | Compagnie Yoann Bourgeois: Celui Qui Tombe (He Who Falls)In collaboration with the same team who worked on his darkly imagined Dracula, choreographer Mark B…

SOURCE: The Guardian at 9:10am on January 29, 2016[SHARE]

A nation of dancers: 10 years of the Big Dance in the UK by Judith Mackrell

The Big Dance has been getting the general public moving for a decade. But its greatest achievement is the way we have woven dance into the fabric of our livesTwo of the performances that ha…

SOURCE: The Guardian at 11:10am on January 27, 2016[SHARE]

National Dance awards: Rosie Kay and Crystal Pite lead the charge by Judith Mackrell

Kay's 5 Soldiers and Pite's Polaris are among the shows recognised in a strong year for women at the NDAs, but the distinctly white winners' list doesn't accurately represent the British dan…

SOURCE: The Guardian at 10:45am on January 25, 2016[SHARE]

This week's new dance by Judith Mackrell

Bolshoi Ballet: The Taming Of The Shrew | Sadler's Wells SampledJean-Christophe Maillot's production of the Shakespeare comedy " being broadcast from Russia to cinemas across the UK " is his…

SOURCE: The Guardian at 9:48am on January 22, 2016[SHARE]

Royal Ballet: Ashton double bill review " Osipova is regal and electric by Judith Mackrell

Royal Opera House, LondonThe Royal's revival of Rhapsody turns from pretty to thrilling, while Two Pigeons takes off in playful, touching styleThere are sections of Rhapsody that are as bril…

SOURCE: The Guardian at 8:56am on January 21, 2016[SHARE]

This week's new dance by Judith Mackrell

BalletLORENT: Snow White | Mr WonderfulChoreographer Liv Lorent joins forces with poet Carol Ann Duffy for the second of their clever, and illuminating fairytale collaborations. For Snow Whi…

SOURCE: The Guardian at 9:01am on January 15, 2016[SHARE]

English National Ballet: Le Corsaire review " Cesar Corrales ignites the fun by Judith Mackrell

Coliseum, LondonThe junior soloist dances like an international star in this luminous, outrageous, orientalist rompIn Le Corsaire, ballet often veers closer to music hall than art. Its pirat…

SOURCE: The Guardian at 8:00am on January 15, 2016[SHARE]
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