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1,004 stories by "Judith Mackrell"

This week's new dance by Judith Mackrell

English National Ballet: Romeo & Juliet | Rock The BalletENB's Albert Hall season has become one of the company's key showcases, its popular in-the-round productions of the ballet classi…

SOURCE: The Guardian at 7:00am on June 6, 2014

Ballet Ireland Carmen review lacks a compelling tragic arc by Judith Mackrell

Lilian Baylis Studio, LondonChoreographer Morgann Runacre-Temple makes the most of limited resources, but key parts of the ballet sag and lose focusBallet Ireland is a fledgling institution …

SOURCE: The Guardian at 12:00pm on June 5, 2014

Bruno Beltrão Crackz review hip-hop meets digital-age logic by Judith Mackrell

Sadler's Wells, LondonBeltrão's innovative use of technology is an interesting attempt to add theatricality to hip-hop, but it's the old toprocking crowd-pleasers that really hit the spot…

SOURCE: The Guardian at 9:15am on June 4, 2014

Royal Ballet review Connectome is a scientific breakthrough on stage by Judith Mackrell

Royal Opera House, LondonAlastair Marriott's neuroscience-themed work holds its own against revivals of The Concert and The Dream Continue reading...

SOURCE: The Guardian at 7:47am on June 2, 2014

This week's new dance by Judith Mackrell

Royal Ballet Mixed Bill | Bruno Beltrão: CrackzComedy is the dominant key of this new triple bill, with revivals of two 20th-century classics, Frederick Ashton's The Dream and Jerome Robb…

SOURCE: The Guardian at 1:00am on May 31, 2014

Repetition in dance: mindbending and mesmerising, or just plain maddening? by Judith Mackrell

In the right hands, repeated phrases and movements can work a bewitching alchemy but when choreographers get it wrong, they risk sparking a scramble for the exitLucinda Childs is one of tho…

SOURCE: The Guardian at 7:27am on May 30, 2014

Rosas and Ictus: Vortex Temporum review moving outside the music by Judith Mackrell

Sadler's Wells, LondonAnne Teresa De Keersmaeker doesn't so much interpret Grisey's score through dance as mash it all together into a relationship all of her own fearless imaginationWhen we…

SOURCE: The Guardian at 10:00am on May 28, 2014

Wendy Houstoun: the death that made me question everything by Judith Mackrell

She is a maverick of modern dance, still bagging awards in her 50s. Wendy Houstoun talks about her latest work a tribute to choreographer Nigel Charnock, a man so full of life that even ter…

SOURCE: The Guardian at 2:30am on May 26, 2014

This week's new dance by Judith Mackrell

Rosas: Vortext Temporum | Dublin Dance FestivalThe extraordinary Belgian company returns with the UK premiere of Anne Teresa De Keersmaeker's Vortex Temporum. The work reflects De Keersmaeke…

SOURCE: The Guardian at 7:00am on May 23, 2014

Hetain Patel: American Boy review a superfan's superhero tribute by Judith Mackrell

Lilian Baylis studio, LondonAdopting the alter egos of movie and comic-book characters, the performance artist shapeshifts with delicious dexterity Hetain Patel: 'I'm 33 should I still want…

SOURCE: The Guardian at 11:53am on May 22, 2014

Digging deep: Dance Umbrella re-invents itself under new director by Judith Mackrell

Experimental ice-dance at Alexandra Palace, Rocío Molina outside her 'flamenco' niche, hip-hop's Harlem history and fresh, child-friendly choreography: Emma Gladstone has Dance Umbrella m…

SOURCE: The Guardian at 11:39am on May 21, 2014

Rambert: Dutiful Ducks, Four Elements, Rooster, Sounddance review 'mind-tingling complexity' by Judith Mackrell

Sadler's Wells, LondonRambert's programme of revivals is full of rich pickings from Merce Cunningham to Christopher Bruce's take on the StonesWhen Marie Rambert founded her company in 1926,…

SOURCE: The Guardian at 10:42am on May 21, 2014

Alexander Whitley double bill review 'brilliantly unstable choreography' by Judith Mackrell

Linbury Studio, LondonWhitley's creativity is seen best in his piece for dancers of the Royal Ballet, where the focus remains tautAlexander Whitley is the second choreographer to appear at t…

SOURCE: The Guardian at 9:14am on May 19, 2014

Bending dance definitions: Osipova and Vasiliev's leap forward by Judith Mackrell

Natalia Osipova and Ivan Vasiliev's new project is further proof that the ballet world is increasingly relying on contemporary choreographersIt started off as a novelty and now it's becoming…

SOURCE: The Guardian at 7:45am on May 19, 2014

This week's new dance by Judith Mackrell

Rambert | Birmingham Royal BalletChristopher Bruce choreographed Rooster back in 1991 and even then this Rolling Stones tribute came with a brooding dollop of rock'n'roll nostalgia. Now the…

SOURCE: The Guardian at 7:00am on May 16, 2014

Royal Ballet: Sweet Violets/Serenade/ DGV review modernist snap and romantic melt by Judith Mackrell

Royal Opera House, LondonThe Royal's engaging mixed programme spans work by Liam Scarlett, George Balanchine and Christopher Wheeldon, with music by Rachmaninov, Tchaikovsky and Michael Nyma…

SOURCE: The Guardian at 10:59am on May 15, 2014

Northern Ballet mixed bill review inventive shocks to larky Mozart leaps by Judith Mackrell

Linbury studio, LondonHans van Manen's Concertante is the mesmerising highlight of Northern's programme of short, mixed balletsAs ballet companies become smooshed into an increasingly global…

SOURCE: The Guardian at 12:04pm on May 12, 2014

This week's new dance by Judith Mackrell

Brighton festival | Royal Ballet: Mixed BillUnder guest director Hofesh Shechter, Brighton festival has a strong dance element this year. Highlights include Belgian dance-theatre veteran Wim…

SOURCE: The Guardian at 1:00am on May 10, 2014

Olivier Dubois: Tragédie review 18 naked dancers swarm the stage by Judith Mackrell

Sadler's Wells, LondonStamina-sapping repetition mars a piece that falls just short of saying something interesting about the human conditionOlivier Dubois describes his 2012 work Trag&eacut…

SOURCE: The Guardian at 8:58am on May 9, 2014

Akram Khan and Israel Galván's dance duel headed for Sadler's Wells by Judith Mackrell

Kathak-flamenco fusion, dancing on ice and a Scandinavian season are the highlights in new programmeOne of the headlining events of the Sadler's Wells autumn-winter season was actually annou…

SOURCE: The Guardian at 12:07pm on May 8, 2014

How Ingrid Bugge uses technology to bring her ballet images to life by Judith Mackrell

The Danish photographer's interactive ibook The Essence of Ballet showcases the possibilities of the digital future of dance photography Ingrid Bugge's The Essence of Ballet in picturesBack…

SOURCE: The Guardian at 12:47pm on May 7, 2014

Breakin' Convention krumping, waacking, gender-bending hip-hop by Judith Mackrell

Sadler's Wells, LondonThe indoor hip-hop block party is so disciplined, so exhilarating it could stand comparison to any classical corps de balletIt's 11 years since Breakin' Convention was …

SOURCE: The Guardian at 12:10pm on May 6, 2014

Rites of War review dance-theatre show gives a Pinterest version of combat by Judith Mackrell

Stratford Circus, LondonThis aerial-dance collaboration by Darshan Bhuller and Lindsey Butcher about soldiers then and now has too few high pointsDance has already made its mark on the first…

SOURCE: The Guardian at 8:41am on May 5, 2014

This week's new dance by Judith Mackrell

Breakin' Convention | Northern Ballet: Mixed BillNow in its 11th year, the Wells' annual festival of hip-hop dance-theatre has become one of the key fixtures of the calendar, one that embrac…

SOURCE: The Guardian at 7:00am on May 2, 2014

Ex Nihilo/The Human Edge dancing hymns of creation by Judith Mackrell

Linbury Studio, LondonMayuri Boonham brings together Hindu holy texts and Cern recordings to evoke the big bang, and there is playful eroticism in the dance of the goddess SatiSouth Asian ch…

SOURCE: The Guardian at 12:19pm on April 30, 2014
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