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772 stories by "Lyndsey Winship"

'I'm up for big crazy ideas!' Carlos Acosta's plans for Birmingham Royal Ballet by Lyndsey Winship

New artistic director aims to attract younger audiences and promises more than 20,000 tickets for £20 or less as company reveals 2020 programme Carlos Acosta has pledged to transform Birm…

SOURCE: The Guardian at 10:54am on February 7, 2020

Mám review " spellbinding gathering of music and memories by Lyndsey Winship

Sadler's Wells, LondonMichael Keegan-Dolan's new dance work is steeped in the landscape and culture of the Dingle Peninsula It starts out like a sinister cult: the mask of a black ram, a cur…

SOURCE: The Guardian at 11:18am on February 6, 2020

Black Waters: the dance exposing Britain's colonial horror by Lyndsey Winship

Phoenix Dance Theatre's show looks back to the Zong slave ship massacre and the Kālā PānÄ« prison torture. Three choreographers explain how they created it together How many peopl…

SOURCE: The Guardian at 4:06am on February 5, 2020

Aisha and Abhaya review " modern fairytale driven by dark techno by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonThis experiment by film-maker Kibwe Tavares and choreographer Sharon Eyal brims with talent but is frustrating Two young women in heavy robes and el…

SOURCE: The Guardian at 7:06am on January 24, 2020

Raven review " roll up, roll up to the circus of modern parenting by Lyndsey Winship

Jacksons Lane, LondonIn this acrobatic theatre show, the Berlin circus trio Still Hungry juggle roles and wrestle with all the anxieties and expectations that come with child-rearing A disc…

SOURCE: The Guardian at 8:12am on January 22, 2020

Movin' on up: five dazzling dancers to watch by Lyndsey Winship

From the soulful Jemima Brown to BBC Young Dancer champ Nafisah Baba, these dynamos have a stellar year ahead This Northern Irish dancer starts the year nominated for two Critics Circle danc…

SOURCE: The Guardian at 7:36am on January 20, 2020

Onegin review " Natalia Osipova thrills with ecstatic, lovestruck obsession by Lyndsey Winship

Royal Opera House, LondonThe Russian ballerina is exhilarating to watch in John Cranko's 1965 take on Pushkin's novel, partnered by Reece Clarke in the title role There are few dancers who l…

SOURCE: The Guardian at 5:03am on January 20, 2020

Cirque du Soleil: Luzia review " sometimes bigger really is better by Lyndsey Winship

Royal Albert Hall, LondonThe Canadian company's colourful Mexican-flavoured show is full of heart-stopping skill, dreamy lyricism and visual whimsy Many contemporary circus groups sell thems…

SOURCE: The Guardian at 7:03am on January 16, 2020

Rooman review " kangaroo love in dreamlike oddball tale by Lyndsey Winship

The Pit, LondonFleur Elise Noble's fantasy show at the London international mime festival is highly original and unsettling The London international mime festival (43 years old and stronger …

SOURCE: The Guardian at 6:18am on January 15, 2020

This Time review " a trapeze show light in touch but deep in meaning by Lyndsey Winship

Shoreditch Town Hall, LondonAerial theatre company Ockham's Razor deftly and poignantly explore age and innocence There is a wonderful warmth in the work of aerial theatre company Ockham's R…

SOURCE: The Guardian at 8:54am on January 10, 2020

'Dance is not a museum': how ballet is reimagining problematic classics by Lyndsey Winship

Historical ballets are rife with offensive colonial politics but choreographers and dancers are finding creative ways to change them for today's audiences A 19th-century worldview informs mu…

SOURCE: The Guardian at 3:24pm on January 9, 2020

English National Ballet: Le Corsaire review " firecracker dancing by Lyndsey Winship

Coliseum, LondonWhile its story of slavery and exotica is dubious, ENB's virtuoso dancers sparkle as much as the fake jewels Perhaps because ballet as an art form is so unreal, it's easy to…

SOURCE: The Guardian at 11:24am on January 9, 2020

Singalong or keep stumm … what's the etiquette for musicals? by Lyndsey Winship

As karaoke versions of musicals take off, we chat to punters at two West End shows " strictly during the interval, of course " to gauge opinion on audience participation 'It'll have them sin…

SOURCE: The Guardian at 9:33am on December 27, 2019

Circus 1903 review " Christmas offering oozes old-school charm by Lyndsey Winship

Royal Festival Hall, London In a culture of special effects, it is the moments of connection, creativity and wonder that matter Circus 1903 " in pictures Playing its second year as an altern…

SOURCE: The Guardian at 9:54am on December 22, 2019

Radio & Juliet / Faun / MсGregor + Mugler review " Radiohead, gangs and OTT dazzle by Lyndsey Winship

London ColiseumEdward Clug strips back Shakespeare, Sidi Larbi Cherkaoui riffs on Nijinsky and Wayne McGregor teams up with Manfred Thierry Mugler in this rich Russian triple bill What do y…

SOURCE: The Guardian at 10:06am on December 8, 2019

Svetlana Zakharova review " Bolshoi ballerina cuts chic shapes as Chanel by Lyndsey Winship

Coliseum, LondonA stylish riff on Coco Chanel's place in ballet history and a regal mocking of Handel make a double bill where style outshines insight The indomitable Boshoi ballerina Svetla…

SOURCE: The Guardian at 1:54pm on December 4, 2019

Royal Ballet: Coppélia review " hello, dolly! by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward sparkles in this twee revival, a luminous presence in an inconsequential story about a lifesize doll There are ballets of magical otherworldliness,…

SOURCE: The Guardian at 9:48am on November 29, 2019

Alston at Home review " master of dance creates a world of grace by Lyndsey Winship

The Place, LondonOn their final tour, Richard Alston Dance Company take it back to where it all began with a moving survey of their 25-year history It is a season of farewells for the Richar…

SOURCE: The Guardian at 7:48pm on November 28, 2019

Balletboyz's Romeo and Juliet film takes star-cross'd lovers to the street by Lyndsey Winship

Shot on location with lashings of fighting and flirting, Romeo and Juliet: Beyond Words is a vibrant, up-close take on one of the Royal Ballet's best-loved gems It's been an ongoing quandary…

SOURCE: The Guardian at 1:33pm on November 26, 2019

Blackface and Fu Manchu moustaches: does ballet have a race problem? by Lyndsey Winship

From the Chinese scene in Nutcracker to the Moor in Petrushka, are some ballets now offensively outdated? We ask big names in dance if they should be preserved, changed " or binned It's Chri…

SOURCE: The Guardian at 11:48am on November 20, 2019

Acosta Danza review " Cuba moves in a new direction by Lyndsey Winship

Sadler's Wells, LondonCarlos Acosta's Havana-based troupe makes no wrong steps in charming, evocative and sharply technical mixed bill It's only three years since Cuban ballet star Carlos Ac…

SOURCE: The Guardian at 8:42am on November 20, 2019

Dorrance Dance review " tip-top tap gets into the groove by Lyndsey Winship

Sadler's Wells, LondonMichelle Dorrance's superb pieces range from rubber-legged slapstick to brilliantly musical moves Michelle Dorrance may be a dancer, but musicianship is the bedrock of …

SOURCE: The Guardian at 7:33am on November 15, 2019

Emanuel Gat: Works review " moving, mysterious dance is a delight by Lyndsey Winship

Sadler's Wells, LondonRelationships between the Israeli choreographer's idiosyncratic dancers play out on stage in a surreal and touching show There's a man in a dress, another wearing a kil…

SOURCE: The Guardian at 8:33am on November 12, 2019

Ballet Cymru review " fuelled by sheer positivity by Lyndsey Winship

Lilian Baylis Studio, LondonIt's hard not to warm to this bright Welsh company, but some of the more experimental works were confused in design and execution It takes a lot of grit and pluck…

SOURCE: The Guardian at 9:42am on November 11, 2019

The Sleeping Beauty review " the Royal Ballet take your breath away by Lyndsey Winship

Royal Opera House, LondonYasmine Naghdi conquers physics in a fairytale production with intricate and intense performances What is the appeal to adults of an old-fashioned fairytale? This on…

SOURCE: The Guardian at 11:06am on November 8, 2019
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