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772 stories by "Lyndsey Winship"

Landscapes review " Russell Maliphant's mesmeric, meditative works of dance and light by Lyndsey Winship

Sadler's Wells East, LondonRussell Maliphant Dance Company's arresting evening of three solos includes a spiritual offering performed by the choreographer himself Watching Daniel Proietto da…

SOURCE: The Guardian at 11:36am on March 18, 2026

Ballet de Lorraine: Acid Gems and a Folia review " clubby cool with a wild streak by Lyndsey Winship

Queen Elizabeth Hall, Southbank Centre, London Adam Linder delivers a zingy riff on Balanchine's Jewels while Marco da Silva Ferreira masses a raucous party crowd In 2008 Adam Linder won the…

SOURCE: The Guardian at 12:18pm on March 6, 2026

'Having 36 dancers waiting for me fills me with dread': choreographer Crystal Pite on her seminal productions by Lyndsey Winship

The Canadian dance director has created a dazzling body of work that tackles human relationships and the big questions of our times. She talks through pivotal moments in her career There are…

SOURCE: The Guardian at 6:42am on March 6, 2026

Phoenix Dance Theatre: Interplay review " mixed bill draws on hip-hop, classical greats and 2000s nostalgia by Lyndsey Winship

York Theatre RoyalFrom an ode to the pure goodness of the dancefloor to clapping rhythms, playful duets and retro classics Marcus Jarrell Willis wants us to rewind. Back to the good old days…

SOURCE: The Guardian at 6:42am on March 1, 2026

'It felt feral!' The dance dynamo behind The Testament of Ann Lee's sweat-soaked rituals by Lyndsey Winship

Spurred on by a vision of the Shakers' founding leader, Celia Rowlson-Hall masterminded the whirl of movement in Mona Fastvold's feverish film 'I'll tell you something I've not told anyone,"…

SOURCE: The Guardian at 6:36am on February 26, 2026

Matz Skoog obituary by Lyndsey Winship

Dancer and artistic director of English National Ballet who championed contemporary choreographers "I didn't start dancing out of burning desire for it. I did it because I was a well-behaved…

SOURCE: The Guardian at 4:24am on February 25, 2026

Pied Piper review " beatbox rewrite of the rat-infested fairytale by Lyndsey Winship

Derby theatreConrad Murray's family musical is serious about its commitment to community " but completely lacks dramatic thrust This is not the first time the tale of the Pied Piper has had …

SOURCE: The Guardian at 4:42pm on February 22, 2026

Tutu review " cheeky tribute to ballet has a disco Swan Lake and the Dirty Dancing lift by Lyndsey Winship

Sadler's Wells East, LondonThe all-male French troupe Chicos Mambo mix parody and pointework in a fast-paced comic celebration of dance's high art and sillier side When the curtain goes up h…

SOURCE: The Guardian at 3:42pm on February 12, 2026

The Monocle review " sultry celebration of Paris's secret Sapphic society by Lyndsey Winship

The Corn Exchange, NewburyThere are quirky, characterful dances, bodies melting together and understated charisma in this story of a famed 1920s lesbian club Le Monocle was a famed lesbian c…

SOURCE: The Guardian at 1:32am on February 12, 2026

Ockham's Razor: Collaborator review " roll up for a real circus power couple by Lyndsey Winship

The Place, LondonCharlotte Mooney and Alex Harvey deliver a mesmerising and intimate ode to their performing lives together Charlotte Mooney and Alex Harvey fell in love 24 years ago when th…

SOURCE: The Guardian at 7:06am on January 31, 2026

'At first I was horrified by it!': the Royal Ballet brings back 60s cult classic Pierrot Lunaire by Lyndsey Winship

Glen Tetley's fantastical ballet, set to an atonal Schoenberg score, is finally returning to Covent Garden. Dancers Marcelino Sambé and Joshua Junker discuss how they came under its spell M…

SOURCE: The Guardian at 4:42am on January 30, 2026

Paul Taylor Dance Company review " hail to the athletes of the gods! by Lyndsey Winship

Linbury theatre, LondonFull of postcard moments, Taylor's choreography harks back to a more straightforward, analogue age " and is all the better for that Paul Taylor is not a choreographer …

SOURCE: The Guardian at 9:12am on January 28, 2026

'Let's get raunchy!' Gentleman Jack, the TV hit about an audacious lesbian landowner, is back as a ballet by Lyndsey Winship

She has based ballets on Frida Kahlo, Coco Chanel and Eva Perón. So Annabelle Lopez Ochoa was well placed to take on the passionate, complicated figure of Anne Lister A couple dance acros…

SOURCE: The Guardian at 1:31pm on January 27, 2026

Sadiq Ali Company: Tell Me review " poignant tale of sex, revelry and glistening abs amid the 80s Aids crisis by Lyndsey Winship

The Place, LondonSadiq Ali's intimate dance piece follows a woman with an HIV diagnosis at a time when it was misunderstood and stigmatised In the programme note for Tell Me, its creator Sa…

SOURCE: The Guardian at 6:54am on January 26, 2026

Yorke Dance Project: Modern Milestones review " a bold and brilliant night by Lyndsey Winship

Linbury theatre, LondonThese gems, old and new, include an intense revival of Martha Graham's Deep Song and a new piece by Christopher Bruce set to Leonard Cohen songs Wow, the energy in a s…

SOURCE: The Guardian at 7:42am on January 20, 2026

'I've had to fight tooth and nail': Amber Davies on Strictly trolls, Love Island hunks " and her Legally Blonde no-brainer by Lyndsey Winship

She started out performing in her living room, charging £1.50 a ticket. Now, having blazed through Love Island and silenced her Strictly haters, the Welsh sensation is really hitting the …

SOURCE: The Guardian at 2:02am on January 19, 2026

Hans van Manen obituary by Lyndsey Winship

Pioneering Dutch choreographer who fused classical and modern ballet styles into stripped back movement The Dutch choreographer Hans van Manen, who has died aged 93, was a pioneering and pro…

SOURCE: The Guardian at 10:36am on January 9, 2026

New English Ballet Theatre: The Nutcracker review " Christmas favourite delivers magic in miniature by Lyndsey Winship

Sainsbury theatre, London Academy of Music and Dramatic ArtBoutique staging with just 12 dancers makes up for its small scale with inventive choreography by Valentino Zucchetti and a spirite…

SOURCE: The Guardian at 10:48am on December 19, 2025

Is it a Greek epic? A state-of-the-nation drama? No " it's Shaun the Sheep! by Lyndsey Winship

Who's that daring young farmyard animal on the flying trapeze? The creatures of Mossy Bottom have been put on stage by 'edgy' circus stars Circa " but the burlesque shearing had to go 'It's …

SOURCE: The Guardian at 5:06am on December 15, 2025

Protein Dance: The Magic Flute review " charming family show conjured out of Mozart opera by Lyndsey Winship

DanceEast, Ipswich This colourful quest story is stylishly simplified for a young audience and an energetic cast of just four, choreographed by Luca Silvestrini to a melodious Frank Moon sco…

SOURCE: The Guardian at 1:06pm on December 14, 2025

Ballet star Matthew Ball on gruelling roles and getting ogled on Instagram: 'I don't feel precious about my body' by Lyndsey Winship

Tall, handsome and used to receiving fire emojis on his social media posts, the dancer has, with his partner Mayara Magri, been called 'the Posh'n'Becks of ballet'. But there is suffering in…

SOURCE: The Guardian at 9:42am on December 4, 2025

Ebony Scrooge review " effervescent hip-hop Dickens with a Caribbean twist by Lyndsey Winship

Sadler's Wells East, LondonScrooge is a glam ice queen fashion maven until her heart is melted in ZooNation's delicious festive show " danced to a blisteringly high standard Who knew Bob Cra…

SOURCE: The Guardian at 9:42am on December 4, 2025

Emerald Storm review " a delirious bar-room dance-off with shots of showmanship by Lyndsey Winship

Emerald theatre, LondonA mashup of Irish dance, tap and talent-show sparkle, Adam Garcia's party wins you over with its energy and enthusiasm In the nicest possible way, this feels a bit lik…

SOURCE: The Guardian at 10:02am on December 3, 2025

Marking Time review " Nico Muhly inspires a brilliant night of beguiling dance by Lyndsey Winship

Sadler's Wells, LondonA trio of choreographers respond to Muhly's vivid scores with works that veer from the meditative to the macabre If you thought we had exhausted shows that were postpon…

SOURCE: The Guardian at 7:18am on November 21, 2025

The Royal Ballet: Perspectives review " intimate seduction, pure dance and enduring beauty by Lyndsey Winship

Royal Opera House, LondonIn an engaging triple bill, a new work from Cathy Marston explores the emotional charge of Britten's Violin Concerto, while works by Justin Peck and George Balanchin…

SOURCE: The Guardian at 7:06am on November 16, 2025
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