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456 stories by "Mark Lawson"

All the world's a stage: how theatre fell in love with itself by Mark Lawson

From Gypsy to Harlequinade and The Moderate Soprano, London's theatres are awash with shows about showbiz. Are they a valid celebration of the power of art, or just for self-indulgent luvvie…

SOURCE: The Guardian at 7:13am on November 12, 2015[SHARE]

From the West End to Westminster: which playwrights should run Britain? by Mark Lawson

Chancellor Caryl Churchill, foreign secretary Gore Vidal, defence minister David Greig … Ahead of the National Theatre's revival of Harley Granville Barker's explosive play, Waste, Mark La…

SOURCE: The Guardian at 9:44am on November 6, 2015[SHARE]

Lawrence and Chekhov: reimagined or violated? by Mark Lawson

New projects at the National Theatre and Chichester Festival theatre substantially rework the material of two great authors, raising questions of fidelity and freedomIf there is an afterlife…

SOURCE: The Guardian at 9:48am on November 3, 2015[SHARE]

The power of shame: why Measure for Measure is more relevant than ever by Mark Lawson

Measure for Measure has been staged three times in London this year. It goes to show just how resonant its themes of sexual licentiousness and twisted democracy are today " especially in Rus…

SOURCE: The Guardian at 11:36am on October 27, 2015[SHARE]

Dame Angela Lansbury marks 90th birthday with Oscar Hammerstein award by Mark Lawson

Lifetime achievement in music theatre acknowledges Lansbury's prolific career in theatre and film spanning seven decadesPeople like to pass landmark birthdays in meaningful places, so it see…

SOURCE: The Guardian at 4:16am on October 16, 2015[SHARE]

Are these the 10 best Shakespeare screen adaptations? by Mark Lawson

Macbeth, starring Michael Fassbender and Marion Cotillard, joins Kenneth Branagh's Hamlet and Orson Welles's Chimes at Midnight in my top 10 films based on the Stratford playwright's worksPr…

SOURCE: The Guardian at 5:13am on October 9, 2015[SHARE]

Variety's last hurrah: Des O'Connor and Jimmy Tarbuck at the Palladium by Mark Lawson

The jokes were dated and non-PC, the delivery perfectly timed: for one night only, the showbiz survivors teamed up to create a piece of theatre historyWith the two performers having a combin…

SOURCE: The Guardian at 12:50pm on October 5, 2015[SHARE]

You Me Bum Bum Train: my trip with the Kafkaesque theatrical cult by Mark Lawson

The secretive immersive-theatre sensation is back for another sellout run. It's an uplifting and unsettling experience " think Disneyland meets DismalandAt the curtain call for Agatha Christ…

SOURCE: The Guardian at 12:37pm on September 23, 2015[SHARE]

Lyndsey Turner, Hamlet theatre director who shuns the limelight by Mark Lawson

Tipping the Velvet has opened to less fanfare than her Benedict Cumberbatch production, but Turner seems to prefer it that wayThe last time the theatre director Lyndsey Turner opened a produ…

SOURCE: The Guardian at 2:18pm on September 18, 2015[SHARE]

Abi Morgan and Mike Bartlett are our new superstar dramatists by Mark Lawson

Doctor Foster, Suffragette, Game, Splendour … hits keep on coming for Abi Morgan and Mike Bartlett. The success of these British playwrights comes from transcending the limits of both stag…

SOURCE: The Guardian at 1:30pm on September 17, 2015[SHARE]

Islamic State replaces SNP as hot topic at Edinburgh festival fringe by Mark Lawson

Last year, with the referendum imminent, playwrights turned their hand to the subject of Scottish independence. This year the big issue is IsisIn Scotland, Labour has largely been replaced b…

SOURCE: The Guardian at 11:37am on August 14, 2015[SHARE]

Blair, Boris and Thatcher: the politicians providing material at this year's fringe by Mark Lawson

Edinburgh festival has a long tradition of taking on leaders and legislation as dramatic subject matter and this year sees performers' satire as sharp as everWho is the odd one out among Ton…

SOURCE: The Guardian at 8:09pm on August 13, 2015[SHARE]

Echoes at Edinburgh festival review " dark and daring look at colonial cruelty by Mark Lawson

Gilded Balloon, EdinburghHenry Naylor's impressive work tells the story of a modern-day British jihadi bride in Syria and a Victorian bluestocking in Afghanistan " and manages to conjure com…

SOURCE: The Guardian at 8:00am on August 12, 2015[SHARE]

Angel in the Abattoir at Edinburgh festival review " a dark and uneasy monologue by Mark Lawson

Gilded BalloonAn amoral anti-love story about the sexual abuse of a Spanish immigrant in Scotland is challenging, and begs the question: what shall we as viewers do?The title will make Anglo…

SOURCE: The Guardian at 9:28pm on August 11, 2015[SHARE]

Edinburgh festival review: Impossible " a duel between Houdini and Conan Doyle by Mark Lawson

Pleasance Dome, EdinburghBizarre miscasting and stodgy dialogue scupper this account of a meeting between the master illusionist and the Sherlock Holmes creatorIn the teeming marketplace of …

SOURCE: The Guardian at 11:45am on August 9, 2015[SHARE]

Jim Cartwright's RAZ at Edinburgh festival review " a real night on the town by Mark Lawson

Assembly George Square Studios, EdinburghJim Cartwright's raucous, lively study of living for the weekend has the feel of another crossover work from the author of the Rise and Fall of Littl…

SOURCE: The Guardian at 9:31am on August 9, 2015[SHARE]

Man to Man five-star review at Edinburgh festival " a world of shadows and shape-shifting by Mark Lawson

Underbelly Potterow, EdinburghMargaret Ann Bain sculpts her body and voice to become a cast of dozens in this story of an East German woman forced to take over her dead husband's identity Re…

SOURCE: The Guardian at 8:52am on August 8, 2015[SHARE]

Are British theatres falling out of love with bricks and mortar? by Mark Lawson

From radical reinventions of the proscenium arch, to productions that march outside of the theatre altogether, the boards of the British stage are dissolving under a wave of innovationFootba…

SOURCE: The Guardian at 10:33am on July 24, 2015[SHARE]

Bold, versatile and fiercely democratic: an ode to Maxine Peake by Mark Lawson

Actor defied early rejections from drama schools to become one of Britain's most exciting stage names, winning plaudits for her roles as well as her personalityIt is a mark of the boldness a…

SOURCE: The Guardian at 3:12pm on July 10, 2015[SHARE]

Want to lift your spirits? Try four hours of Greek tragedy by Mark Lawson

The Oresteia starts with a child sacrifice " and then gets darker. But it managed to cheer me up even more than the tremendously funny Rules for LivingDoes theatre, as the Greeks believed, h…

SOURCE: The Guardian at 1:26pm on July 2, 2015[SHARE]

Lion King director Julie Taymor: 'it's so much harder for women to get the opportunity' by Mark Lawson

After a painful failure with Spider-Man, Taymor has bounced back with stage and now film versions of A Midsummer Night's Dream. Here she talks about why there are still few female directors,…

SOURCE: The Guardian at 1:56pm on June 19, 2015[SHARE]

Theatre of dreams: the best 11 plays about football by Mark Lawson

Patrick Marber has scored a hit with The Red Lion at the National Theatre. Here's a first XI of stage dramas inspired by the beautiful gameAlthough football is England's most popular team ga…

SOURCE: The Guardian at 10:38am on June 18, 2015[SHARE]

Tony awards 2015: how the Brits won Broadway's vote by Mark Lawson

New York's theatre community put aside tribal loyalties to crown British stars Helen Mirren, Richard McCabe and Alex Sharp at this year's Tonys' Alex Sharp and Helen Mirren head roll-call of…

SOURCE: The Guardian at 1:02pm on June 8, 2015[SHARE]

Theatre history as told by the Tony awards by Mark Lawson

A Streetcar Named Desire is one of several landmark works that failed to win best play at past Tonys ceremonies. Which other classics have been snubbed at prizegivings?A remarkable 34 of the…

SOURCE: The Guardian at 9:18am on June 5, 2015[SHARE]

To curse or not to curse: the problems of publicising a potty-mouthed play by Mark Lawson

Both the National and Bush theatres are putting on plays with sweary titles this year. But how will they promote them? And what should journalists call them? Continue reading...

SOURCE: The Guardian at 7:25am on May 28, 2015[SHARE]
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