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456 stories by "Mark Lawson"

Wolf Hall/Bring Up the Bodies review a familiar tale infused with thrilling originality of storytelling by Mark Lawson

Aldwych Theatre, LondonPoulton has created two darkly comic plays that have learned from those earlier masters but will also not disappoint fans of modern political dramas such as House of C…

SOURCE: The Guardian at 8:38am on May 18, 2014[SHARE]

Paying to play: the rise and risks of audience participation by Mark Lawson

From Privacy to Eat Pray Laugh, getting theatregoers on stage is growing in popularity. Does participation always add value to a theatre production, or can it be a laborious distraction? Rea…

SOURCE: The Guardian at 11:35am on May 12, 2014[SHARE]

Alan Bennett at 80: everything but a national treasure by Mark Lawson

The writer remains nationally visible and professionally treasured, just don't be fooled into using the obvious label B is for Betty's, S is for splother ... An A-Z of Alan BennettAlan Benne…

SOURCE: The Guardian at 1:19am on May 9, 2014[SHARE]

Why Wicked still casts a spell by Mark Lawson

While musicals are closing, Wicked marches on and is about to start a 10th anniversary tour of Australia. So what's its secret?The recent closure of three big-budget West End musicals after…

SOURCE: The Guardian at 12:38am on May 6, 2014[SHARE]

I Can't Sing closure: why Harry Hill's X Factor musical was voted off by Mark Lawson

The popularity of Simon Cowell's TV talent shows peaked a couple of years ago. Harry Hill and Steve Brown's show was staged too late and felt conflicted. We were asked to laugh at the vacuo…

SOURCE: The Guardian at 3:55am on April 28, 2014[SHARE]

Jeeves and Wooster in Perfect Nonsense review - Robert Webb and Mark Heap are unflappably farcical by Mark Lawson

This clever PG Wodehouse tribute reproduces the manners of the Edwardian English upper classes, while cunningly sending them up Bertie Wooster or Jez from Peep Show? Take our quiz Mark Heap …

SOURCE: The Guardian at 6:00pm on April 23, 2014[SHARE]

Why the Almeida is a little wonder by Mark Lawson

In the week the Almeida won eight Oliviers, Mark Lawson traces the turbulent history of one of the leading lights of London studio theatre The Almeida theatre's top 10 productions in pictur…

SOURCE: The Guardian at 9:30am on April 18, 2014[SHARE]

London theatre has become a Tussauds of characters by Mark Lawson

From the Queen and Margaret Thatcher to the Prince of Wales and Simon Cowell, contemporary personalities are currently rife on stage and sometimes the subject of a bio-play will be sitting …

SOURCE: The Guardian at 11:06am on April 16, 2014[SHARE]

The Michael McIntyre Chat Show: where did it go wrong? by Mark Lawson

The producers of the comedian's ailing show are clearly trying to revamp it to play to the comedian's strengths. What do Graham Norton and Jonathan Ross have that he doesn't?Last night's thi…

SOURCE: The Guardian at 10:57am on March 25, 2014[SHARE]

Word play: do theatre titles matter? by Mark Lawson

From Urinetown to Cat on a Hot Tin Roof via Other Desert Cities and Betty Blue Eyes " does a title become famous because of a play or a play become famous because (or despite) of its title?O…

SOURCE: The Guardian at 3:30am on March 19, 2014[SHARE]

Is there something rotten in taking Hamlet to North Korea? by Mark Lawson

The Globe's Hamlet tour has been criticised by Amnesty for stopping off at North Korea. But theatre does not always legitimise its hosts " it can be a weapon against oppressionDoubts about t…

SOURCE: The Guardian at 1:38pm on March 11, 2014[SHARE]

The revival of the mid-show walkout by Mark Lawson

Theatregoers are being brought to their feet " but not in a good way " in numbers not seen since the 1950s. But what is provoking today's outraged early exits?Theatrical sound effects have b…

SOURCE: The Guardian at 7:43am on March 5, 2014[SHARE]

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014[SHARE]

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014[SHARE]

Musicals we love: London Road by Mark Lawson

In the latest in our series on writers' favourite shows, Mark Lawson explains his potentially controversial choice of this verbatim musical about the Ipswich serial murdersFavourite musicals…

SOURCE: The Guardian at 3:00am on February 10, 2014[SHARE]

Students can read Mogadishu without copying its storyline by Mark Lawson

Parents criticising the use of Vivienne Franzmann's play as a set text forget one thing: Waiting for Godot never caused us to take to the road as trampsThe latest of the periodic spats over …

SOURCE: The Guardian at 8:10am on February 3, 2014[SHARE]

King Lear at the National Theatre: the understudy arises by Mark Lawson

When Paapa Essiedu stepped up at the National Theatre, it was like seeing a football team go on to win after having a star player sent offOne of the pleasures and perils of live theatre is i…

SOURCE: The Guardian at 10:28am on January 27, 2014[SHARE]

Globe's Sam Wanamaker Playhouse casts new light on Jacobean staging by Mark Lawson

As well as creating pools of sweat and candlewax, the 'authentic' theatre shows us how daylight, or lack of it, influenced the writingSome of the best classical music of recent decades has c…

SOURCE: The Guardian at 11:18am on January 20, 2014[SHARE]

From page to stage: the rise of the 'acted book' by Mark Lawson

Adaptations of Hilary Mantel's Wolf Hall and Bring Up the Bodies are running to sell-out audiences at the RSC. Do they disprove the rule that theatre and literature make fractious companions…

SOURCE: The Guardian at 9:00am on January 16, 2014[SHARE]

When Keeley met Sheila … why clashes between stars are a fact of theatre life by Mark Lawson

Keeley Hawes has left the play Barking in Essex early after reported rows with co-star Sheila Hancock. Such creative tensions have always lurked in the wingsAlthough heavily sandbagged with …

SOURCE: The Guardian at 8:08am on January 3, 2014[SHARE]

What we liked in 2013: musical by Mark Lawson

'The Book Of Mormon proved too much for frontline British critics, but a younger audience has made it a huge hit'The Book Of Mormon, a musical that lampoons a faith founded in 19th-century S…

SOURCE: The Guardian at 4:00am on December 28, 2013[SHARE]

Best theatre of 2013, No 7: Ghosts by Mark Lawson

Richard Eyre's production modernised the pacing of Ibsen and in the process made it yet more pertinent to our times' Read Michael Billington's review of Ghosts' Read more from the Best theat…

SOURCE: The Guardian at 6:54am on December 23, 2013[SHARE]

Why this is the West End's Year of the Three Hitlers by Mark Lawson

The appearance of Hitler in Andrew Lloyd Webber's musical Stephen Ward marks the Führer's third on the London stage this year " but his presence is as shocking as everWhen the Vatican suffe…

SOURCE: The Guardian at 1:07pm on December 20, 2013[SHARE]

What's the secret to running a successful regional theatre? by Mark Lawson

The first-season choices of James Dacre, artistic director of Northampton's Royal & Derngate theatres, embody the possibilities and challenges of drawing local theatregoersRunning one of Bri…

SOURCE: The Guardian at 9:06am on December 9, 2013[SHARE]

What's the secret to Morecambe & Wise's staying power? by Mark Lawson

With a new tribute on the West End and a BBC1 documentary, Eric and Ernie rival comedy duos Laurel and Hardy or the Marx Brothers for their afterlife. Why do they continue to inspire?Morecam…

SOURCE: The Guardian at 11:35am on November 26, 2013[SHARE]
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