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456 stories by "Mark Lawson"

How to write a bestselling play by Mark Lawson

In search of theatrical immortality? You could get your play on the school syllabus, like Tom Stoppard, mention the US elections or Christmas, like Gore Vidal and Alan Ayckbourn " or just wr…

SOURCE: The Guardian at 8:27am on August 22, 2012[SHARE]

Why the Olympic opening ceremony was a triumph of agitprop theatre by Mark Lawson

You thought it was innocent family entertainment? Wrong. Danny Boyle's political production would have made Joan Littlewood and the leftwing Theatre Workshop proudDuring the era of agitprop …

SOURCE: The Guardian at 10:17am on July 31, 2012[SHARE]

Can you see the same play too many times? by Mark Lawson

I've somehow notched up 15 different Julius Caesars, 12 Pinter Betrayals, and who knows what else. Where do you stand on seeing shows more than once?Audiences sometimes experience the unfort…

SOURCE: The Guardian at 9:21am on July 24, 2012[SHARE]

Stage direction: why don't more visual artists do theatre? by Mark Lawson

Picasso, Munch and Gormley have all dabbled, but imagine the inspired collaborations that could result if more major artists turned their talents to stage designThe artists Gilbert & George,…

SOURCE: The Guardian at 11:01am on July 17, 2012[SHARE]

Timing is everything: how plays find their moments by Mark Lawson

Whether it's coalition government, banking or war, scenes or subjects " even apparently inconsequential " can take on a new resonance for audiences in the light of current eventsA director o…

SOURCE: The Guardian at 8:06am on July 11, 2012[SHARE]

Fake members only: why theatre should handle realism with care by Mark Lawson

The sight of Stephen Mangan's prosthetic penis in Joe Penhall's Birthday was too much for preview audiences, who thought it was real. Why can't theatre cope with too much reality?A few weeks…

SOURCE: The Guardian at 8:22am on July 3, 2012[SHARE]

Fake members only: why theatre should handle realism with care by Mark Lawson

The sight of Stephen Mangan's prosthetic penis in Joe Penhall's Birthday was too much for preview audiences, who thought it was real. Why can't theatre cope with too much reality? Continue r…

SOURCE: The Guardian at 8:22am on July 3, 2012[SHARE]

Spoiler alert: the tough task of keeping a play's plot secret by Mark Lawson

Too much publicity threatens the surprise and suspense of narrative art. That is why the Royal Court and the National Theatre have tried to keep quiet the entire content of a playIn the stor…

SOURCE: The Guardian at 6:59am on June 26, 2012[SHARE]

Baby-bust: new dramas focus on wealth gulf between parents and children by Mark Lawson

Julie Walters returns to National stage in The Last of the Haussmans as baby boomer confronted by her adult childrenSubsidised theatres have been under pressure from governments and funding …

SOURCE: The Guardian at 11:18am on June 21, 2012[SHARE]

Endurance performances: Why length matters in the theatre by Mark Lawson

The idea of the epic theatre marathon isn't new " but it raises fascinating questions about how much an audience is prepared to put up withIn Tom Stoppard's one-acter The Real Inspector Houn…

SOURCE: The Guardian at 3:23am on June 19, 2012[SHARE]

Farce is everywhere on stage " but why? by Mark Lawson

From One Man, Two Guvnors to Noises Off and What the Butler Saw, trouser-dropping and door-slamming is back with a vengeance in the West End and on Broadway. How come?On radio phone-ins at t…

SOURCE: The Guardian at 1:30pm on June 10, 2012[SHARE]

The theatre preview system may have passed its use-by date by Mark Lawson

Long test periods for shows are driven by the neurosis of producers. In any case, these days bloggers and tweeters are sharing their verdicts long before the official opening nightIt's rare …

SOURCE: The Guardian at 9:18am on June 4, 2012[SHARE]

A 360-degree history of the theatre revolve by Mark Lawson

This specialised weapon in a theatre's armoury must be used with care " but the benefits are revolutionaryOn two consecutive nights last week, I saw examples of revolutionary theatre. Neithe…

SOURCE: The Guardian at 5:09am on May 29, 2012[SHARE]

Why a late entrance can recast a play by Mark Lawson

Programmes can give a clue to game-changing last-minute appearances " which is why some writers have gone to great lengths to conceal crucial surprisesThe actor Christian Rodska has an impre…

SOURCE: The Guardian at 10:02am on May 21, 2012[SHARE]

Is it curtains for the theatre curtain? by Mark Lawson

Audiences know the action kicks off on stage when the curtain goes up " so why are so many directors dispensing with the idea?The tradition that performances are punctuated by the rise and …

SOURCE: The Guardian at 7:57am on May 14, 2012[SHARE]

Let's face it: Shakespeare had help by Mark Lawson

Several of the Bard's plays, as was common in Elizabethan drama, incorporated the efforts of other writers " so why are we reluctant to acknowledge it?The depressingly predictable decision t…

SOURCE: The Guardian at 5:17am on May 1, 2012[SHARE]

Comedy of errors: theatre's fascination with disaster by Mark Lawson

From David Suchet's broken shoelace to the tumbling barometer in Noel Coward's Hay Fever, theatre is always playing with the threat " and the thrill " of things going wrong for realThe tale …

SOURCE: The Guardian at 9:12am on April 23, 2012[SHARE]

The King's Speech impediment: when films don't work on stage by Mark Lawson

The King's Speech is struggling to make anywhere near the same impact on stage as it did on the big screen. Can cinematic and theatrical versions of the same piece happily co-exist?Two newsp…

SOURCE: The Guardian at 6:56am on April 17, 2012[SHARE]

French connection: have I cracked the code for a successful musical? by Mark Lawson

The Phantom of the Opera, Les Misérables and Blood Brothers all have links to French literature and have been going strong for around 25 years. The plot thickens ...Working on a radio docum…

SOURCE: The Guardian at 8:24am on April 9, 2012[SHARE]

When stage actors really do break a leg by Mark Lawson

In the first of a new series that puts theatre's hidden stories in the spotlight, Mark Lawson looks at the dramatic effect that an awkward fall or twanged hamstring can have on a productionO…

SOURCE: The Guardian at 7:48am on March 30, 2012[SHARE]

Was Mike Daisey wrong to make fiction from fact? by Mark Lawson

Mike Daisey's campaigning monologue about Apple may have succeeded as a play, but it failed as journalism. Does it matter if theatre based on real-life material takes dramatic licence?Some t…

SOURCE: The Guardian at 1:29pm on March 23, 2012[SHARE]

Dame Edna Everage: farewell possums by Mark Lawson

Barry Humphries' announcement that he is to retire Dame Edna Everage is sad news for all fans of the housewife superstarOne of Dame Edna Everage's shows was called, in a characteristically c…

SOURCE: The Guardian at 1:05pm on March 19, 2012[SHARE]

Joely Richardson: back in at the deep end by Mark Lawson

Her mother was a celebrated Ellida. So was her sister. Is that why Joely Richardson is marking her return to the stage by playing Ibsen's difficult heroine?One day last year, Joely Richards…

SOURCE: The Guardian at 4:30pm on February 14, 2012[SHARE]

Playwright David Eldridge: The only way is Essex by Mark Lawson

With his plays about heroin addicts and barrow boys, David Eldridge has swung the wrecking ball at class bias in theatre. But his biggest conflict is with himselfOver the last 15 years, Davi…

SOURCE: The Guardian at 4:31pm on February 6, 2012[SHARE]

How the arts risk-takers reaped their rewards | Mark Lawson by Mark Lawson

From The King's Speech to the Great British Bake Off, this year's arts winners ignored the safety-first rules of surviving a downturnThe year began and now ends with an odd little movie, sho…

SOURCE: The Guardian at 5:00pm on December 23, 2011[SHARE]
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