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1,485 stories by "Matt Wolf"

'The Comeback' at the Noel Coward Theatre is a madcap respite by Matt Wolf

Comic double-act reviewed the night before performances were suspended indefinitely

SOURCE: LondonTheatre.co.uk at 7:17am on December 21, 2020

Mischief Movie Night is a hilarious, 75-minute improv delight by Matt Wolf

The 'Goes Wrong' team brings their irrepressible improv show to the West End

SOURCE: LondonTheatre.co.uk at 7:24pm on December 15, 2020

A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too by Matt Wolf

Dickens redux, noisily but with brio The twelve days of Christmas have nothing on the flotilla of Christmas Carols jostling for view this season, each of which is substantially different eno…

SOURCE: The Arts Desk at 7:12am on December 15, 2020

'Nine Lessons and Carols' at the Almeida is a mixed bag of vignettes by Matt Wolf

The Almeida Theatre reopens for the first time since March.

SOURCE: LondonTheatre.co.uk at 6:31pm on December 10, 2020

The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirth by Matt Wolf

Taut Pinter revival sacrifices the play's darkly comic underlay Add the Hampstead Theatre to the swelling ranks of playhouses opening its doors this month, in this case with a revival well i…

SOURCE: The Arts Desk at 6:48am on December 10, 2020

'A Christmas Carol' at the Bridge Theatre is holiday magic by Matt Wolf

Simon Russell Beale and Patsy Ferran in fresh adaptation of Dickens

SOURCE: LondonTheatre.co.uk at 6:25pm on December 9, 2020

GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll by Matt Wolf

Paul Harvard's ambitious debut play needs further focus A 35-year-old gay man has to figure out which way to turn in GHBoy, the Paul Harvard play whose connection to the chemsex world is emb…

SOURCE: The Arts Desk at 6:36am on December 8, 2020

This Lockdown, England's Theaters Know What to Do Online by Matt Wolf

The first coronavirus shutdown caught playhouses unawares, but they learned lessons that stood them in good stead when the shutters came down again.

SOURCE: The New York Times Subscription at 3:32am on November 26, 2020

32 YEARS WITH LONDON THEATRE NEWS: PERFORMANCES EVERLASTING by Matt Wolf

Our critic looks back on 32 years with a publication he was with from its very first issue, in 1988.

SOURCE: www.theaternewsonline.com at 5:59am on November 20, 2020

Charlie Stemp on 'Mary Poppins,' the pandemic, and a safe theatre reopening by Matt Wolf

Interview with MARY POPPINS leading man Charlie Stemp

SOURCE: LondonTheatre.co.uk at 5:52pm on November 6, 2020

Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel by Matt Wolf

Opening and closing night were the same for vital solo show Broadway tends to be the Darwinian environment where a show's opening night can also mark its closing.

SOURCE: The Arts Desk at 10:42am on November 5, 2020

Partying Like It's 1925 as London's Theaters Go Dark (Again) by Matt Wolf

Two long-running immersive theater productions " "The Murdér Express" and "The Great Gatsby"" offered some much-needed merriment just before a new lockdown hit England.

SOURCE: The New York Times Subscription at 4:18am on November 5, 2020

2020 Olivier Awards: Better late than never as Dear Evan Hansen and Tom Stoppard win top awards by Matt Wolf

Review of 2020 Olivier Awards

SOURCE: LondonTheatre.co.uk at 7:10am on October 26, 2020

Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season by Matt Wolf

Sparky solo play leaves you wanting yet more Call him Ishmael, and the Zimbabwe-born, UK-based writer Zodwa Nyoni has done just that. That's the name of the solo character in Nyoni's slight…

SOURCE: The Arts Desk at 6:24am on October 26, 2020

Politics, Poems and Charm in Two London Monologues by Matt Wolf

Two young Black playwrights chronicle tales of the Nigerian diaspora in performances at the Bridge Theater, but only one digs deep.

SOURCE: The New York Times Subscription at 4:54am on October 15, 2020

Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith by Matt Wolf

Capacious biography pins down an elusive subject "The older he got, the less he cared about self-concealment," or so it is said of Sir Tom Stoppard, somewhere deep into the 865 pages …

SOURCE: The Arts Desk at 8:32am on October 7, 2020

'The Last Five Years' at Southwark Playhouse soars even higher after shutdown by Matt Wolf

'The Last Five Years' revival is itself revived at Southwark Playhouse

SOURCE: LondonTheatre.co.uk at 4:00pm on October 6, 2020

Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedy by Matt Wolf

Essential series of Alan Bennett stage pairings comes to an end Stillness works like a stealth bomb in Nights in the Garden of Spain, in which Tamsin Greig further confirms her status as on…

SOURCE: The Arts Desk at 5:54am on October 4, 2020

Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over by Matt Wolf

Masterclasses make up a mighty hour of theatre "Getting dark," or so comments Irene Ruddock (a pitch-perfect Imelda Staunton) in passing midway through A Lady of Letters, and, boy, ain't th…

SOURCE: The Arts Desk at 5:24am on October 1, 2020

Solo Plays for Anxious Times by Matt Wolf

The Bridge theater in London has resumed performances after the coronavirus shutdown with a series of monologues by David Hare and Alan Bennett.

SOURCE: The New York Times Subscription at 6:18am on September 24, 2020

Michael Sheen, David Threlfall, Indira Varma 'mesmerise' in Old Vic 'Faith Healer' by Matt Wolf

review of Old Vic In Camera presentation of the late Brian Friel's 1979 play 'Faith Healer'

SOURCE: LondonTheatre.co.uk at 5:22pm on September 21, 2020

Intimate 'Pippin' at Garden Theatre invokes the past and present by Matt Wolf

Alfresco 'Pippin' revival at south London pub theatre

SOURCE: LondonTheatre.co.uk at 6:18am on September 19, 2020

Rose, Hope Mill Theatre online review - a performer at her peak by Matt Wolf

Maureen Lipman in fearless form in Martin Sherman's discursive solo play Solo plays and performances are, of necessity, the theatrical currency of the moment, whether across an entire seaso…

SOURCE: The Arts Desk at 7:03am on September 10, 2020

Showstopper! The (Socially Distanced) Improvised Musical, review: Whimsical and witty by Matt Wolf

The sheer brio of the endeavour proved irresistible, and one wasn't surprised to see the performers' eyes misting over

SOURCE: inews.co.uk at 7:50pm on September 4, 2020

Review - C-o-n-t-a-c-t at various locations by Matt Wolf

C-o-n-t-a-c-t " the letters are aptly distanced to suit the times " marks the English-language premiere of an alfresco theatre piece that premiered in Paris during lockdown.

SOURCE: LondonTheatre.co.uk at 7:50pm on September 4, 2020
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