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1,498 stories by "Matt Wolf"

London Bat Out of Hell Star Jordan Luke Gage on Taking over the Leading Role in the Rock Extravaganza and His Surprising Tattoo by Matt Wolf

Jordan Luke Gage was already doing several performances a week as the ever-young Strat in the Jim Steinman-scored rock extravaganza Bat Out of Hell at the Dominion Theatre, but when original…

SOURCE: Broadway.com at 6:32pm on November 1, 2018

London Theater Reviews: A Gender Swap Makes Sondheim's 'Company' Soar by Matt Wolf

The commitment-phobic bachelor Bobby becomes Bobbie in a new production in London.

SOURCE: The New York Times Subscription at 6:18am on October 25, 2018

The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant by Matt Wolf

Robert Icke reaches a new career plateau with his Ibsen adaptation Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned in…

SOURCE: The Arts Desk at 9:12pm on October 24, 2018

Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form by Matt Wolf

Angela Carter adaptation strains to sustain its high spirits"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed b…

SOURCE: The Arts Desk at 10:06am on October 19, 2018

Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting by Matt Wolf

Shakespeare at the Donmar, in double visionShakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic di…

SOURCE: The Arts Desk at 8:48am on October 16, 2018

London Company Star Jonathan Bailey on Revering Patti LuPone, Texting Samantha Barks and Not Getting Married Today by Matt Wolf

Jonathan Bailey’s credits range from Gavroche in Les Miz when he was a child actor to the most recent London revival of The Last Five Years, opposite Samantha Barks, and the Almeida Th…

SOURCE: Broadway.com at 3:48pm on October 15, 2018

The Inheritance's Kyle Soller on Bringing the Two-Part Epic to the West End, Vanessa Redgrave's Surprise & More by Matt Wolf

West End transfers rarely come as keenly anticipated as the upgrade currently being afforded the Young Vic production of The Inheritance, Matthew Lopez’s seven-hour, two-part play chro…

SOURCE: Broadway.com at 1:36pm on October 11, 2018

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art by Matt Wolf

Florian Zeller puzzle-play benefits from two potent starsIf you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses…

SOURCE: The Arts Desk at 7:32pm on October 10, 2018

Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home by Matt Wolf

Shakespeare sings in buoyant if sometimes strenuous UK premiere What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical ve…

SOURCE: The Arts Desk at 7:18am on October 9, 2018

London Theater Reviews: Epic Shakespeare and Bite-Size Pinter Command the London Stage by Matt Wolf

There is much to enjoy in a production of "Antony and Cleopatra" and a season of Pinter's one-act plays in London, our critic says.

SOURCE: The New York Times Subscription at 1:48am on October 5, 2018

Harry Reid on Making the Leap from TV's EastEnders to the London Stage in Witness for the Prosecution by Matt Wolf

Harry Reid spent three and a half years making a name for himself in the popular British TV soap opera EastEnders and now the 25-year-old performer can be seen in the crucial role of Leonard…

SOURCE: Broadway.com at 7:18pm on October 1, 2018

Book Your Flight! Five Can't-Miss Shows to See in London This Fall by Matt Wolf

Fall brings with it shorter days but always more exciting nights as the London theater season kicks into gear, bringing with it the promise of excitement across the spectrum, whether on or o…

SOURCE: Broadway.com at 4:48pm on September 21, 2018

London Stage Star Kirsty Bushell on Playing the Fierce and Feral Regan Opposite Ian McKellen in King Lear by Matt Wolf

Kirsty Bushell has played Shakespeare’s Juliet as well as Olivia in Twelfth Night and has been earning praise, and eliciting gasps, for her no-holds-barred portrayal of the venomous Re…

SOURCE: Broadway.com at 12:24am on September 19, 2018

London Theater Reviews: Women Push the Envelope, in Different Ways by Matt Wolf

Alexis Zegerman's "Holy __" is a lively, if overheated, cautionary tale; while Clare Barron's "Dance Nation" looks at troubles that come from within.

SOURCE: The New York Times Subscription at 7:48am on September 14, 2018

Foxfinder, Ambassadors Theatre review - too ponderous by half by Matt Wolf

Onetime fringe success flounders in West End upgradeA sizable Off West End success nearly eight years ago looks more than a little exposed in a new, scaled-up production that is one of sever…

SOURCE: The Arts Desk at 5:32am on September 14, 2018

Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture by Matt Wolf

A year after his death, the great director was honoured by the stars at Westminster Abbey and the National TheatreSir Peter Hall had no ordinary life, as might be expected from the director …

SOURCE: The Arts Desk at 6:06am on September 12, 2018

London Heathers Star Carrie Hope Fletcher on Balancing Her Role with Being a YouTube Sensation & More by Matt Wolf

Les Miz alumna Carrie Hope Fletcher spent much of the summer headlining an in-town production of Heathers: The Musical that wasn’t open to the press: a somewhat-tweaked version of the …

SOURCE: Broadway.com at 3:06pm on September 10, 2018

Aladdin Star Michael James Scott on Playing the Genie in London and All Over the World by Matt Wolf

Michael James Scott has traveled far and wide with the hit Disney musical Aladdin, both on tour and in Australia, where last year he won the prestigious Helpmann Award for his performance as…

SOURCE: Broadway.com at 1:36pm on August 27, 2018

London Star Sophie Thompson on Tackling Lady Bracknell in The Importance of Being Earnest & Her Two Other Careers by Matt Wolf

Sophie Thompson has a diverse and distinguished list of credits ranging from the Harry Potter screen franchise to Celebrity MasterChef and the popular U.K. TV soaps, EastEnders and Coronatio…

SOURCE: Broadway.com at 1:24pm on August 21, 2018

Theater Review: In Edinburgh, the Plays Are Short (and Some Are Sweet) by Matt Wolf

There are hundreds of shows to see in the Edinburgh International Festival and its ancillary Fringe event. But finding the good ones can be hard work.

SOURCE: The New York Times Subscription at 7:42am on August 16, 2018

West End Chicago Star Alexandra Burke on Brandy, Cartwheels and The Bodyguard by Matt Wolf

Alexandra Burke has had a busy time of it in the decade since she became an overnight British sensation on X Factor. She has played Rachel Marron on the West End in The Bodyguard, a show she…

SOURCE: Broadway.com at 12:12am on August 14, 2018

£¥â‚¬$ (LIES), Almeida Theatre review - financial frolics at the gaming table by Matt Wolf

Ontroerend Goed's latest offers a cunningly immersive take on capitalismTheatre critics tend not to experience an 140 percent increase in their financial assets within 21 minutes. So on…

SOURCE: The Arts Desk at 8:36pm on August 5, 2018

h.club 100 Awards: Theatre and Performance - excellence and inclusion across the map by Matt Wolf

If the theatre is buoyant and alive, we have these artists to thank Amidst ever-uncertain times, one thing is for sure: this country's ability to regenerate and renew itself theatrically rem…

SOURCE: The Arts Desk at 7:04am on August 4, 2018

The Lieutenant of Inishmore's Chris Walley on Working with Poldark's Aidan Turner & Making a Splashy Debut by Matt Wolf

Professional stage debuts rarely come more auspicious than the bravura turn of 23-year-old Irishman Chris Walley in the current West End revival at the Noel Coward Theatre of The Lieutenant …

SOURCE: Broadway.com at 12:36am on August 3, 2018

Home, I'm Darling, National Theatre review - Katherine Parkinson in career-best form by Matt Wolf

Laura Wade play needs trimming but offers a bravura acting opportunity Add Katherine Parkinson to the top rank of theatre performers in a town where talent abounds. As Judy, the retro-minded…

SOURCE: The Arts Desk at 8:06am on August 1, 2018
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