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1,485 stories by "Matt Wolf"

Dawn Sievewright on Rocking Out in the Olivier-Winning Our Ladies of Perpetual Succour & More by Matt Wolf

Scottish actress Dawn Sievewright made her West End debut in 2010 in Legally Blonde and is now starring as the blowsy, take-no-prisoners Fionnula at the Duke of York’s Theatr…

SOURCE: Broadway.com at 3:06pm on May 30, 2017

James McArdle on Being the 'Baby' in London's Angels in America and Working with Andrew Garfield & Nathan Lane by Matt Wolf

James McArdle has been gradually hitting the big-time ever since the he co-starred first on the West End in Chariots of Fire, then at the National Theatre in both The James Plays&n…

SOURCE: Broadway.com at 2:48pm on May 24, 2017

James McArdle on Being the 'Baby' in London's Angels in America and What He Loves About Working with Andrew Garfield & Nathan Lane by Matt Wolf

James McArdle has been gradually hitting the big-time ever since the he co-starred first on the West End in Chariots of Fire, then at the National Theatre in both The James Plays&n…

SOURCE: Broadway.com at 3:12pm on May 23, 2017

London Theater Reviews: Once Cryptic, 'The Treatment' Now Proves Trenchantly Funny by Matt Wolf

A London revival makes a strong case for Martin Crimp's play, while versions of "Arturo Ui" and "Salomé" fall short.

SOURCE: The New York Times Subscription at 5:06am on May 19, 2017

Amber Riley on Finding Her Inner Beltress, Losing the Constraints of Glee & Broadway Plans for London's Dreamgirls by Matt Wolf

Onetime Glee star Amber Riley has caused a sensation in her first major theatrical role, winning this year's musical actress Olivier Award for her performance as Effie White in…

SOURCE: Broadway.com at 4:54pm on May 11, 2017

Sophie Okonedo on Throwing Props, Why Damian Lewis Is a 'Titan' & the Humor and Tragedy of Edward Albee's The Goat, or Who Is Sylvia? by Matt Wolf

British actress and 2005 Oscar nominee Sophie Okonedo has cut a major swath through Broadway in recent years, winning a 2014 Tony for A Raisin in the Sun and a nomination last year…

SOURCE: Broadway.com at 12:12pm on May 9, 2017

Giving 'The Philanthropist' an Infusion of Youth by Matt Wolf

Two premieres in London put foreboding at center stage.

SOURCE: The New York Times Subscription at 4:48am on May 8, 2017

West End Star Craige Els on His Long Run in Matilda and the Idea of a Trunchbull Fitness Video by Matt Wolf

Craige Els has appeared at the National and Chichester Festival Theatres as well as in the West End in the musicals Spamalot and Never Forget and is currently enjoying an…

SOURCE: Broadway.com at 7:18pm on May 1, 2017

London Theater Reviews: Adultery With a Difference on the London Stage by Matt Wolf

Portraying marriages under siege, Nina Raine's blistering "Consent" and Edward Albee's "The Goat" aim to shake up audiences.

SOURCE: The New York Times Subscription at 5:12am on April 24, 2017

Duncan Sheik on London's Whisper House, Being Pissed Off About American Psycho & a Spring Awakening Movie by Matt Wolf

Tony-winning Spring Awakening composer Duncan Sheik is no stranger to opening shows in London before New York. That was the path taken in 2013 by American Psycho, which had its world pr…

SOURCE: Broadway.com at 2:31pm on April 20, 2017

Rosencrantz & Guildenstern Are Dead's Joshua McGuire on 'Spiraling Around' Co-Star Daniel Radcliffe & the Idea of Trading London for L.A. by Matt Wolf

Joshua McGuire has lit up the London stage in plays ranging from James Graham’s Privacy to Laura Wade’s Posh, but the 29-year-old actor is currently sharing marquee billing with …

SOURCE: Broadway.com at 6:54pm on April 12, 2017

Tony Winner Lillias White on Revisiting The Life, Advice for Effies in Dreamgirls & Making Her London Stage Debut in This Joint is Jumpin' by Matt Wolf

It has been 20 years since Broadway powerhouse Lillias White won a Tony Award for her performance as the seen-it-all hooker Sonja in The Life and now here she is in London, frontli…

SOURCE: Broadway.com at 3:36pm on April 10, 2017

Masters of Seduction, Pumped-Up and Multiplied in London by Matt Wolf

Patrick Marber directs his own "Don Juan in Soho"; Dorothea Myer-Bennett brings grace and gravitas to "The Lottery of Love"; and "The Kid Stays in the Picture" has a too-brief run.

SOURCE: The New York Times Subscription at 10:18am on April 7, 2017

West End Dreamgirls Star Adam J. Bernard on Finding His Moves and Prepping for the Olivier Awards by Matt Wolf

Adam J. Bernard has appeared on the London stage in Thriller Live and I Can’t Sing! The X Factor Musical but is having a breakout year with his thunderous…

SOURCE: Broadway.com at 5:12pm on March 31, 2017

Weaving Politics and Passion in 'Love in Idleness' and 'Limehouse' by Matt Wolf

Trevor Nunn presents an uneasy hybrid of the Terence Rattigan work, while a new play about the origins of the S.D.P. is punchy and vibrantly directed by Polly Findlay.

SOURCE: The New York Times Subscription at 8:54am on March 24, 2017

42nd Street's Clare Halse on Being as Starry-Eyed as Peggy Sawyer, Her Wicked Dream Role & Working with Sheena Easton in the West End by Matt Wolf

The West End’s dance-heavy spring began with the U.K. premiere of An American in Paris and continues with a revival of 42nd Street, returning to the …

SOURCE: Broadway.com at 3:54pm on March 23, 2017

An American in Paris Star Robert Fairchild on Returning to a Role That's in His Bones & Sharing the Show with London by Matt Wolf

S'marvelous indeed: there's no other way to describe the grace, panache and irresistible ease that ballet star Robert Fairchild is bringing to his starring part in the West End&rsquo…

SOURCE: Broadway.com at 3:36pm on March 17, 2017

In London, a Ferocious 'Virginia Woolf' by Matt Wolf

A cast led by Imelda Staunton and Conleth Hill, under the direction of James Macdonald, gives Edward Albee's 1962 masterwork an unforgettable production.

SOURCE: The New York Times Subscription at 11:32am on March 11, 2017

Don Juan in Soho's Adrian Scarborough on Hitting It Off with David Tennant, Returning to the Stage & More by Matt Wolf

The Olivier Award-winning actor Adrian Scarborough was last on the London stage early in 2014 when he played the Fool to Simon Russell Beale's King Lear and will soon be seen as the side…

SOURCE: Broadway.com at 4:32pm on March 10, 2017

In London, a Ferocious "Virginia Woolf" by Matt Wolf

A cast led by Imelda Staunton and Conleth Hill, under the direction of James Macdonald, gives Edward Albee's 1962 masterwork an unforgettable production.

SOURCE: The New York Times Subscription at 12:17pm on March 10, 2017

Donna McKechnie, Star of London's The Wild Party on Working with Triple Threats, A Chorus Line Memories & More by Matt Wolf

Donna McKechnie is that increasing rarity: a Broadway legend whose vitality defies the years (was A Chorus Line really four decades ago?). She can now be seen back on the London st…

SOURCE: Broadway.com at 12:36am on March 4, 2017

The Wild Party Gets a Frenetic Revival in London by Matt Wolf

The staging of the Broadway musical from 2000 can suggest "Follies" or "Chicago" on speed, but the score by Michael John LaChiusa remains treasurable.

SOURCE: The New York Times Subscription at 1:09pm on February 24, 2017

Game of Thrones Star Conleth Hill on His Leap to London's Who's Afraid of Virginia Woolf? by Matt Wolf

Conleth Hill may be best known as the manipulative eunuch Lord Varys on the international TV hit Game of Thrones, but the gifted Northern Irish actor has two Olivier Awards and a 2001 Tony n…

SOURCE: Broadway.com at 11:48am on February 23, 2017

West End Travesties Star Freddie Fox on How Stoppard Makes You Smarter, John Hurt's Words of Wisdom & Not Going Hollywood by Matt Wolf

Freddie Fox has appeared on the London stage opposite Lindsay Duncan in Hay Fever and Rupert Everett in The Judas Kiss, among many other credits. but is currently giving …

SOURCE: Broadway.com at 9:54am on February 17, 2017

A Thunderous 'White Devil' at Shakespeare's Globe by Matt Wolf

The director Annie Ryan turns up the volume in her production of the John Webster gore-fest from 1612. Two contemporary plays seem tepid.

SOURCE: The New York Times Subscription at 10:24am on February 13, 2017
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