DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,436 stories by "Michael Billington"

Dinner With Saddam review " farce and fart jokes with a sombre political point by Michael Billington

Menier Chocolate Factory, LondonSteven Berkoff plays the Iraqi dictator with virtuosic menace in Anthony Horowitz's admirable yet troubling comedyCan you have a comedy about tyranny? Chaplin…

SOURCE: The Guardian at 7:13pm on September 22, 2015

Mr Foote's Other Leg review " Simon Russell Beale at his supreme best by Michael Billington

Hampstead theatre, LondonRussell Beale is as coyly flirtatious as ever in a merry, if overstuffed, tale of a trailblazing Georgian comedianIan Kelly's play, based on his biography of the sam…

SOURCE: The Guardian at 6:58am on September 22, 2015

Hangmen review " Martin McDonagh returns with a savagely black comedy by Michael Billington

Royal Court, LondonDavid Morrissey and Reece Shearsmith give pitch-perfect performances in the theatrical maverick's first London premiere in 12 years Related: Martin McDonagh interview: 'Th…

SOURCE: The Guardian at 6:09am on September 21, 2015

Jane Eyre review " new staging is abridged too far by Michael Billington

Lyttelton, LondonA shortened version of the acclaimed Bristol Old Vic production has much to admire, but inevitably loses the fine detail of the great novelAcclaimed last year at the Bristol…

SOURCE: The Guardian at 7:10am on September 18, 2015

Old Times - review by Michael Billington

Harold Pinter Theatre, LondonKristin Scott Thomas and Lia Williams are currently alternating the two female roles in Harold Pinter's 1971 play with Rufus Sewell as the man in the middle. The…

SOURCE: The Guardian at 11:38pm on September 17, 2015

F*ck the Polar Bears review " drilling into the climate debate by Michael Billington

Bush, LondonTanya Ronder's play probes the clash between corporate career and private conscience via one conflicted familyYou can't accuse the British theatre of ignoring climate change: in …

SOURCE: The Guardian at 10:10am on September 17, 2015

Kinky Boots review " glamorously rebooted musical never drags by Michael Billington

Adelphi, LondonFrom Cyndi Lauper's score to impressive lead performances, this winsome men-in-frocks show puts its best foot forwardThis theatre seems to be specialising in factory-set music…

SOURCE: The Guardian at 6:15pm on September 15, 2015

Infidelity, vodka and gloom: Chekhov's stories lurch onto the stage by Michael Billington

Watching dramatisations of Chekhov's early short stories, Michael Billington finds the writer sketching out his caustic portrait of the Russian character " complete with drunken fishermen an…

SOURCE: The Guardian at 9:45am on September 15, 2015

Photograph 51 review " Nicole Kidman in the ecstasy of scientific discovery by Michael Billington

Noël Coward theatre, London Anna Ziegler's new play asserts the contribution of 1950s chemist Rosalind Franklin to the discovery of DNA and asks: is science still sexist?You could hardly …

SOURCE: The Guardian at 5:44pm on September 14, 2015

Sweet Bird of Youth " review by Michael Billington

Old Vic, LondonEverything that art can do to boost this revival of Tennessee Williams's 1959 play has been done. Marianne Elliott's production is first-rate. The cast, led by Kim Cattrall, i…

SOURCE: The Guardian at 2:12pm on September 14, 2015

HighTide festival review " an express train of sex, death and social outcasts by Michael Billington

Aldeburgh, Suffolk Ninth time round, the festival showcases three impeccable new plays using sharp writing to deal with testing topicsNow in its ninth year and transferred from Halesworth to…

SOURCE: The Guardian at 7:26am on September 13, 2015

Michael Billington talks to playwright Edward Bond by Michael Billington

He was one of Britain's most shocking, uncompromising playwrights. Then he fell out of favour. But now Edward Bond is back. He grants Michael Billington a rare interview'I'm an extremist,&qu…

SOURCE: The Guardian at 11:42pm on September 11, 2015

Future Conditional review " Rob Brydon delivers a seriously funny school lesson by Michael Billington

Old Vic, London Tamsin Oglesby's play dissecting the British education system packs a punch yet still has fun in the playgroundMatthew Warchus begins an ambitious, eight-play first season at…

SOURCE: The Guardian at 6:09pm on September 10, 2015

Hero's Welcome review " Alan Ayckbourn surprises us yet again by Michael Billington

Stephen Joseph theatre, ScarboroughThe playwright directs a well-acted and ruefully comic view of marital breakdown, mayhem and murderGiven that this is Alan Ayckbourn's 79th play, it is har…

SOURCE: The Guardian at 8:41am on September 9, 2015

When We Were Women review " meandering drama with a core of truth by Michael Billington

Orange Tree, RichmondA rare revival of Sharman Macdonald's quietly haunting play reveals uncomfortable truths about the oppressiveness of family life and sexual attitudes in wartime Scotland…

SOURCE: The Guardian at 8:49am on September 8, 2015

Hymn/Cocktail Sticks " review by Michael Billington

Lyttelton, LondonI sometimes feel I know Alan Bennett's family almost as well as my own. But, although these two "recollections" contain material that will be familiar to readers o…

SOURCE: The Guardian at 3:07am on September 7, 2015

Oresteia review " a vigorous, vivid, but inconsistent take on Aeschylus by Michael Billington

Shakespeare's Globe, LondonRory Mullarkey's adaptation is linguistically rich, but Adele Thomas's production can't seem to settle on a styleAfter Robert Icke's free adaptation of Aeschylus's…

SOURCE: The Guardian at 8:26am on September 4, 2015

Flare Path review " conflict and passion, tidily collided by Michael Billington

Richmond theatre, London A well put together production of Terence Rattigan's 1942 play about a love triangle among RAF bombersTerence Rattigan's 1942 play about wartime bomber crews enjoyed…

SOURCE: The Guardian at 8:38am on September 3, 2015

People, Places and Things review " a vivid tale of acting and addiction by Michael Billington

Dorfman, LondonDenise Gough is superlative as an actor who breaks down mid-show and is forced into recovery, in a vibrant play that draws parallels between theatre and rehabDuncan Macmillan …

SOURCE: The Guardian at 7:55am on September 2, 2015

My Eyes Went Dark review " unleashing the power of vengeance by Michael Billington

Finborough, London Matthew Wilkinson's play about the rage of a grieving man is given acute expression by Cal MacAninch and Thusitha JayasunderaWritten and directed by Matthew Wilkinson, thi…

SOURCE: The Guardian at 7:30am on September 1, 2015

You Won't Survive on Broadway If You Don't Have Any Jews review " the golden age turns to bronze by Michael Billington

St James's, London An anthology highlighting Jewish songwriters' contributions to the American musical, from the 1930s to the present, is at its most delightful in the first halfThe title de…

SOURCE: The Guardian at 11:48am on August 28, 2015

Our Country's Good review " dramatic redemption from Australian hell by Michael Billington

Olivier, LondonThe National production of Timberlake Wertenbaker's historical play shows convicts and captors alike escaping their colonial chains in shared expressionSince it is only two ye…

SOURCE: The Guardian at 8:30am on August 27, 2015

Mrs Henderson Presents review " a shot in the arm for the British musical by Michael Billington

Theatre Royal, BathTerry Johnson's adaptation of the 2005 film is a defiantly patriotic piece with a delightful score, rousing ensemble and first-rate performancesIt's a cliche that, ever si…

SOURCE: The Guardian at 7:07pm on August 26, 2015

Choosing my 101 greatest plays " and why I left out King Lear by Michael Billington

How do you even begin to pick the world's 101 greatest plays? The Guardian's theatre critic explains how he approached this controversial task for his new book " and admits he is already hav…

SOURCE: The Guardian at 2:34pm on August 26, 2015

Hamlet review " Benedict Cumberbatch is imprisoned by a dismal production by Michael Billington

Barbican, LondonCumberbatch has a gift for suggesting Hamlet's essential decency, but visual conceits take the place of textual investigation in this frustrating stagingAfter all the hype an…

SOURCE: The Guardian at 6:55pm on August 25, 2015
« Previous 25   Page 50 of 98   Next 25 »