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2,436 stories by "Michael Billington"

The Nightmares of Carlos Fuentes review an Iraqi's identity crisis by Michael Billington

Arcola, LondonThis story of a Sunni man who flees sectarian Iraq for a life in Britain is more striking in individual scenes than as a whole Continue reading...

SOURCE: The Guardian at 7:19am on July 30, 2014

A Streetcar Named Desire review Powerful insight into incomplete people by Michael Billington

Young Vic, LondonAlthough this modern update of Tennessee Williams's play isn't always plausible, Gillian Anderson's performance is stellar Continue reading...

SOURCE: The Guardian at 7:33pm on July 28, 2014

The Nether review disturbingly sensationalist digital dreamlands by Michael Billington

Royal Court, LondonJennifer Haley's prizewinning play triggers a fascinating debate about online fantasy it's just a shame she sets out to shock us Continue reading...

SOURCE: The Guardian at 9:04am on July 25, 2014

Nicholas Hytner: 'No one's filling my shoes, I'm taking them with me' by Michael Billington

The National Theatre's director steps down next year, after introducing live broadcasts, cheap tickets and a wealth of new writing. How does he reflect on his tenure? Continue reading...

SOURCE: The Guardian at 7:01am on July 25, 2014

Shakespeare in Love review a heady celebration of the act of theatre by Michael Billington

Noël Coward theatre, LondonMany of the best lines may come from the film, but the play manages to be a warm and witty paean to life on the stage Continue reading...

SOURCE: The Guardian at 7:25pm on July 23, 2014

The Two Gentlemen of Verona review delightful dip into the power of love by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDirector Simon Godwin eagerly explores the light and dark sides of romance in a striking RSC debutIt is astonishing to think it is 45 years sinc…

SOURCE: The Guardian at 8:03am on July 23, 2014

Galway arts festival, where dragons roam the streets by Michael Billington

Mythical creatures and Frasier's dad jostle with the crowds enjoying a surprising mix of art, music and new Irish playsThe Galway international arts festival is full of surprises. On Sunda…

SOURCE: The Guardian at 9:33am on July 22, 2014

Medea review Carrie Cracknell's play is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success wth Ibsen's A Doll's House, Carrie Crac…

SOURCE: The Guardian at 8:37am on July 22, 2014

Ballyturk review " Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54am on July 21, 2014

Ballyturk review Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54am on July 21, 2014

Amadeus review Rupert Everett's Salieri darkly rages at God by Michael Billington

Chichester Festival TheatrePeter Shaffer's spectacle of Mozart's mediocre rival distorts historical reality but remains compelling and stylishly presentedFew living dramatists write big star…

SOURCE: The Guardian at 6:05pm on July 18, 2014

The Importance of Being Earnest review trivialises sublime Wilde by Michael Billington

Harold Pinter, LondonIf it stripped away the daft framing, this staging could capture Wilde's deft commentary on class, money, marriage and moralsIf visitors to Paris's Père Lachaise …

SOURCE: The Guardian at 6:00pm on July 17, 2014

In Lambeth review Blake v Paine in lively imaginary encounter by Michael Billington

Southwark Playhouse, LondonIn this well-acted revival, the poet and the philosopher face off in a slow-moving but stimulating debateDid William Blake ever meet Thomas Paine? It is not imposs…

SOURCE: The Guardian at 8:44am on July 15, 2014

Miss Julie/Black Comedy review sprightly Strindberg, sublime Shaffer by Michael Billington

Minerva theatre, Chichester Strindberg's Miss Julie is well directed, but it's Shaffer's dark comedy that illuminates in this contrasting double billAugust Strindberg's tragedy Miss Julie an…

SOURCE: The Guardian at 7:04am on July 11, 2014

Laurence Olivier: still the actor's actor 25 years after his death by Michael Billington

He was one of theatre's most daring stars, whose best films bear witness to a talent many never had the chance to see on stageIt's a shock to realise that it is 25 years since the death of L…

SOURCE: The Guardian at 7:41pm on July 10, 2014

Perseverance Drive review first-rate family drama tackles modern religion by Michael Billington

Bush theatre, LondonRobin Soans's play about a Pentecostal family at odds with each other shows the power of faith while exposing the failings of its followers Bush theatre's Madani Younis: …

SOURCE: The Guardian at 6:00pm on July 10, 2014

Richard III review Martin Freeman accomplished, but it's not quite enough by Michael Billington

Trafalgar Studios, LondonJamie Lloyd's latest Shakespearean staging is inventive, but it's missing the monarch's lurid sexiness and demonic exuberance Before Richard III: Martin Freeman on s…

SOURCE: The Guardian at 6:00pm on July 9, 2014

The Crucible review full of raw, visceral power by Michael Billington

Old Vic, LondonYaël Farber's extraordinary production of Arthur Miller's tale of the Salem witch hunt retains its disturbing relevance todayProductions of Arthur Miller's re-creation of t…

SOURCE: The Guardian at 6:44am on July 4, 2014

Julius Caesar review robustly energetic by Michael Billington

Dominic Dromgoole's lively production, with Elizabethan costume and Roman accessories, delivers Shakespeare with great clarity, but the main roles are unevenly castBefore you enter the theat…

SOURCE: The Guardian at 8:14am on July 3, 2014

Wonderland review Scargill, strikes, solidarity and scars by Michael Billington

Hampstead theatre, London Beth Steel's recreation of the 1984 strikes exposes the divisions between miners and the destruction of a defiant communityOnce identified with domestic drama, Hamp…

SOURCE: The Guardian at 10:04am on July 2, 2014

Great Britain review from phone hacking to MPs' expenses by Michael Billington

Lyttelton, LondonRichard Bean's satire has a go at press, police and politicians and what he sees as the corrupt chain binding them togetherRichard Bean doesn't do things by halves. His new …

SOURCE: The Guardian at 7:21pm on June 30, 2014

Twelfth Night review a touch of true Shakespearean magic by Michael Billington

Regent's Park, LondonAudience participation is intelligently used in this family-friendly production that still tackles the play's sexual complexitiesEach summer this precious theatre offers…

SOURCE: The Guardian at 10:12am on June 30, 2014

The Colby Sisters of Pittsburgh, Pennsylvania review by Michael Billington

Tricycle, LondonFor all its style, this still seems more like a New Yorker short story than a substantial playGlamour is a quality we rarely associate with modern theatre. It positively ooze…

SOURCE: The Guardian at 8:35am on June 26, 2014

Who's Afraid of Virginia Woolf? review marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 8:23am on June 25, 2014

The Valley of Astonishment review a sensory meditation on the human brain by Michael Billington

Young Vic, LondonPeter Brook and Marie-Hélène Estienne's tale of synaesthesia is an astonishing look at the miracles of the mindNervous theatre-makers strain every nerve to get our attenti…

SOURCE: The Guardian at 8:05am on June 24, 2014
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