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2,436 stories by "Michael Billington"

Midsummer Mischief review RSC's radical billing is witty and inventive by Michael Billington

The Other Place, Stratford-on-AvonFour new plays by women that invite the current generation to rediscover the radical past are uneven but invigoratingI can't think of a finer tribute to Buz…

SOURCE: The Guardian at 7:44am on June 23, 2014

Adler and Gibb review a high-concept satire on the cult of the artist by Michael Billington

Royal Court theatre, LondonTim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message Playwright Tim Crouch: 'Avoiding the sta…

SOURCE: The Guardian at 9:08am on June 20, 2014

Dream of Perfect Sleep review compassionate but evasive dementia play by Michael Billington

Finborough theatre, LondonKevin Kautzman doesn't fully get to grips with the big issue at the heart of his O'Neill-esque family dramaKevin Kautzman, an American playwright here making his Br…

SOURCE: The Guardian at 6:00pm on June 19, 2014

Skylight review Nighy and Mulligan in moving mixture of politics and love | Michael Billington by Michael Billington

Wyndham's, London The combination of private pain and public rage in this revival of David Hare's play hits you straight between the eyes Quiz: Bill Nighy's greatest lines In pictures: Skyli…

SOURCE: The Guardian at 6:00pm on June 18, 2014

Hobson's Choice review sex and shoemaking in 60s Salford by Michael Billington

Regent's Park Open Air theatre, LondonHarold Brighouse's 1916 classic doesn't always fit the era of miniskirts, but this update is nicely acted in a warm productionI vividly recall seeing Ha…

SOURCE: The Guardian at 11:00am on June 18, 2014

Let's stop pretending that theatre can't be captured on screen by Michael Billington

An intimate filmed production of the Almeida's Ghosts disproves the idea that theatre is an irreducible experienceI recall a Punch cartoon of the late 1950s showing two moviegoers gazing in …

SOURCE: The Guardian at 2:00am on June 18, 2014

Fever/District 6 review insights into South Africa's past traumas by Michael Billington

Jermyn Street, LondonBoerish brutality in the Victorian era and the story of a writer torn between cultures illuminate the country's troubled historyTwenty years after the formal dismantling…

SOURCE: The Guardian at 9:47am on June 17, 2014

Painting the stage red: top five plays about art by Michael Billington

As Tim Crouch's Adler & Gibb hits the Royal Court, here are the finest portraits of artists on stage, from John Logan's study of Rothko to Yasmina Reza's ArtHow do you put visual art on …

SOURCE: The Guardian at 2:30am on June 17, 2014

Orange Tree theatre festival review pure puppetry and black comedy by Michael Billington

Orange Tree, RichmondAn exemplary champion of new works, Sam Walters has curated an ambitious, wide-ranging festivalAs a climax to his extraordinary 42-year tenure at the Orange Tree, which …

SOURCE: The Guardian at 11:55am on June 13, 2014

Mr Burns review - rebuilding America on fragments of pop culture by Michael Billington

Almeida, LondonStrange but never boring, this post-apocalyptic fantasy suggests US TV comedy will be the last relic of western civilisationA pattern is beginning to emerge at the Almeida und…

SOURCE: The Guardian at 7:45pm on June 12, 2014

Fathers and Sons review excellent production of Brian Friel's play by Michael Billington

Donmar Warehouse, LondonFriel's piece, based on Turgenev's novel, yields a rich gallery of performances as it meditates on change, tradition and the power of friendshipIt is significant that…

SOURCE: The Guardian at 7:56am on June 11, 2014

Hotel review Polly Stenham aims high but misses by Michael Billington

National Theatre, LondonThe ideas get lost in this violent thriller that explores the political legacy of colonialismBe careful what you wish for. Reviewing Polly Stenham's last play, No Qua…

SOURCE: The Guardian at 7:26am on June 6, 2014

The Confessions of Gordon Brown review reinforces myth of tragic figure by Michael Billington

Ambassadors theatre, London Ian Grieve captures the former leader's moral seriousness, but this one-man show never questions received wisdomEven four years after his electoral defeat, we sti…

SOURCE: The Guardian at 6:06am on June 5, 2014

Clarence Darrow review - Kevin Spacey shines in barnstorming performance by Michael Billington

Old Vic, LondonWhat emerges clearly in Spacey's magnificent performance as the famed American lawyer, is Clarence Darrow's renegade spiritKevin Spacey's webchat: 10 things we learnedKevin Sp…

SOURCE: The Guardian at 7:28pm on June 4, 2014

Between Us review a provocative mix of sex, standup and social malaise by Michael Billington

Arcola, LondonSarah Daniels tackles the world of therapy in a production marked by some striking performancesSarah Daniels made a big impact in the 1980s with plays including Masterpieces an…

SOURCE: The Guardian at 9:04am on June 3, 2014

Cameron Mackintosh: 'I'm a billionaire, but I've never forgotten queueing for the cheap seats' by Michael Billington

Producer Cameron Mackintosh turned the West End musical into a global franchise. And he's not finished yet. New shows are opening round the world, new theatres are being purchased ... the em…

SOURCE: The Guardian at 11:18am on May 30, 2014

Antony and Cleopatra review Eve Best is restlessly sensual by Michael Billington

Shakespeare's Globe, London This Cleopatra kisses the audience and Clive Wood makes a ruffianly Antony What's your favourite Antony and Cleopatra? "Is this well done?" a character…

SOURCE: The Guardian at 7:41am on May 30, 2014

Khandan (Family) review Sikh suburban drama confronts home truths by Michael Billington

Birmingham Repertory studioGurpreet Kaur Bhatti's piece about a widowed matriarch and her reckless son plays on the tensions and tenacity of family tiesTen years ago, Gurpreet Kaur Bhatti's …

SOURCE: The Guardian at 7:45am on May 28, 2014

Bakersfield Mist review Kathleen Turner dazzles but art tale is no masterpiece by Michael Billington

Duchess, LondonKathleen Turner is great as a boozy working-class wit, but this tale of fakes both people and paintings - fails to convince Quiz: Kathleen Turner's greatest linesA desiccated…

SOURCE: The Guardian at 6:00pm on May 27, 2014

John Ferguson review Irish farmers face tragedy on a biblical scale by Michael Billington

Finborough theatre, LondonSt John Ervine's 1915 play about a victimised rural family is a powerful portrait of the pros and cons of an iron faithIf you want to understand the Ulster Protesta…

SOURCE: The Guardian at 6:53am on May 23, 2014

Fings Ain't Wot They Used T'Be review EastEnder's knees-up in shabby Soho by Michael Billington

Theatre Royal Stratford East, LondonJessie Wallace and Gary Kemp star in this revival of Frank Norman's nostalgic musical, set in London's shady underworldYou have to abandon all notions of …

SOURCE: The Guardian at 7:18am on May 22, 2014

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical…

SOURCE: The Guardian at 7:44pm on May 21, 2014

Michael Gambon interview: 'I should have been a dancer' by Michael Billington

From Harold Pinter to Harry Potter, Michael Gambon has worked with all the greats. He nearly joined the Royal Ballet too. He talks about crying on cue, his dodgy memory, and the job that got…

SOURCE: The Guardian at 10:52am on May 20, 2014

In the Heights review lively Latino West Side Story-cum-East Enders by Michael Billington

Southwark Playhouse, LondonThis Tony award-winning musical makes up for what it lacks in the story department with an exuberant score and outstanding choreographyWhen seen on Broadway in 200…

SOURCE: The Guardian at 10:16am on May 18, 2014

Hope Place review Liverpool's hidden history reveals secrets of our own by Michael Billington

Everyman, LiverpoolMichael Wynne's lively slice of Mersey life, seen through one family, prompts us to examine difficult home truthsYou could hardly have a more localised piece than this. Mi…

SOURCE: The Guardian at 7:57am on May 16, 2014
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