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2,444 stories by "Michael Billington"

The Crucible review full of raw, visceral power by Michael Billington

Old Vic, LondonYaël Farber's extraordinary production of Arthur Miller's tale of the Salem witch hunt retains its disturbing relevance todayProductions of Arthur Miller's re-creation of t…

SOURCE: The Guardian at 6:44am on July 4, 2014☆⚑

Julius Caesar review robustly energetic by Michael Billington

Dominic Dromgoole's lively production, with Elizabethan costume and Roman accessories, delivers Shakespeare with great clarity, but the main roles are unevenly castBefore you enter the theat…

SOURCE: The Guardian at 8:14am on July 3, 2014☆⚑

Wonderland review Scargill, strikes, solidarity and scars by Michael Billington

Hampstead theatre, London Beth Steel's recreation of the 1984 strikes exposes the divisions between miners and the destruction of a defiant communityOnce identified with domestic drama, Hamp…

SOURCE: The Guardian at 10:04am on July 2, 2014☆⚑

Great Britain review from phone hacking to MPs' expenses by Michael Billington

Lyttelton, LondonRichard Bean's satire has a go at press, police and politicians and what he sees as the corrupt chain binding them togetherRichard Bean doesn't do things by halves. His new …

SOURCE: The Guardian at 7:21pm on June 30, 2014☆⚑

Twelfth Night review a touch of true Shakespearean magic by Michael Billington

Regent's Park, LondonAudience participation is intelligently used in this family-friendly production that still tackles the play's sexual complexitiesEach summer this precious theatre offers…

SOURCE: The Guardian at 10:12am on June 30, 2014☆⚑

The Colby Sisters of Pittsburgh, Pennsylvania review by Michael Billington

Tricycle, LondonFor all its style, this still seems more like a New Yorker short story than a substantial playGlamour is a quality we rarely associate with modern theatre. It positively ooze…

SOURCE: The Guardian at 8:35am on June 26, 2014☆⚑

Who's Afraid of Virginia Woolf? review marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 8:23am on June 25, 2014☆⚑

The Valley of Astonishment review a sensory meditation on the human brain by Michael Billington

Young Vic, LondonPeter Brook and Marie-Hélène Estienne's tale of synaesthesia is an astonishing look at the miracles of the mindNervous theatre-makers strain every nerve to get our attenti…

SOURCE: The Guardian at 8:05am on June 24, 2014☆⚑

Midsummer Mischief review RSC's radical billing is witty and inventive by Michael Billington

The Other Place, Stratford-on-AvonFour new plays by women that invite the current generation to rediscover the radical past are uneven but invigoratingI can't think of a finer tribute to Buz…

SOURCE: The Guardian at 7:44am on June 23, 2014☆⚑

Adler and Gibb review a high-concept satire on the cult of the artist by Michael Billington

Royal Court theatre, LondonTim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message Playwright Tim Crouch: 'Avoiding the sta…

SOURCE: The Guardian at 9:08am on June 20, 2014☆⚑

Dream of Perfect Sleep review compassionate but evasive dementia play by Michael Billington

Finborough theatre, LondonKevin Kautzman doesn't fully get to grips with the big issue at the heart of his O'Neill-esque family dramaKevin Kautzman, an American playwright here making his Br…

SOURCE: The Guardian at 6:00pm on June 19, 2014☆⚑

Skylight review Nighy and Mulligan in moving mixture of politics and love | Michael Billington by Michael Billington

Wyndham's, London The combination of private pain and public rage in this revival of David Hare's play hits you straight between the eyes Quiz: Bill Nighy's greatest lines In pictures: Skyli…

SOURCE: The Guardian at 6:00pm on June 18, 2014☆⚑

Hobson's Choice review sex and shoemaking in 60s Salford by Michael Billington

Regent's Park Open Air theatre, LondonHarold Brighouse's 1916 classic doesn't always fit the era of miniskirts, but this update is nicely acted in a warm productionI vividly recall seeing Ha…

SOURCE: The Guardian at 11:00am on June 18, 2014☆⚑

Let's stop pretending that theatre can't be captured on screen by Michael Billington

An intimate filmed production of the Almeida's Ghosts disproves the idea that theatre is an irreducible experienceI recall a Punch cartoon of the late 1950s showing two moviegoers gazing in …

SOURCE: The Guardian at 2:00am on June 18, 2014☆⚑

Fever/District 6 review insights into South Africa's past traumas by Michael Billington

Jermyn Street, LondonBoerish brutality in the Victorian era and the story of a writer torn between cultures illuminate the country's troubled historyTwenty years after the formal dismantling…

SOURCE: The Guardian at 9:47am on June 17, 2014☆⚑

Painting the stage red: top five plays about art by Michael Billington

As Tim Crouch's Adler & Gibb hits the Royal Court, here are the finest portraits of artists on stage, from John Logan's study of Rothko to Yasmina Reza's ArtHow do you put visual art on …

SOURCE: The Guardian at 2:30am on June 17, 2014☆⚑

Orange Tree theatre festival review pure puppetry and black comedy by Michael Billington

Orange Tree, RichmondAn exemplary champion of new works, Sam Walters has curated an ambitious, wide-ranging festivalAs a climax to his extraordinary 42-year tenure at the Orange Tree, which …

SOURCE: The Guardian at 11:55am on June 13, 2014☆⚑

Mr Burns review - rebuilding America on fragments of pop culture by Michael Billington

Almeida, LondonStrange but never boring, this post-apocalyptic fantasy suggests US TV comedy will be the last relic of western civilisationA pattern is beginning to emerge at the Almeida und…

SOURCE: The Guardian at 7:45pm on June 12, 2014☆⚑

Fathers and Sons review excellent production of Brian Friel's play by Michael Billington

Donmar Warehouse, LondonFriel's piece, based on Turgenev's novel, yields a rich gallery of performances as it meditates on change, tradition and the power of friendshipIt is significant that…

SOURCE: The Guardian at 7:56am on June 11, 2014☆⚑

Hotel review Polly Stenham aims high but misses by Michael Billington

National Theatre, LondonThe ideas get lost in this violent thriller that explores the political legacy of colonialismBe careful what you wish for. Reviewing Polly Stenham's last play, No Qua…

SOURCE: The Guardian at 7:26am on June 6, 2014☆⚑

The Confessions of Gordon Brown review reinforces myth of tragic figure by Michael Billington

Ambassadors theatre, London Ian Grieve captures the former leader's moral seriousness, but this one-man show never questions received wisdomEven four years after his electoral defeat, we sti…

SOURCE: The Guardian at 6:06am on June 5, 2014☆⚑

Clarence Darrow review - Kevin Spacey shines in barnstorming performance by Michael Billington

Old Vic, LondonWhat emerges clearly in Spacey's magnificent performance as the famed American lawyer, is Clarence Darrow's renegade spiritKevin Spacey's webchat: 10 things we learnedKevin Sp…

SOURCE: The Guardian at 7:28pm on June 4, 2014☆⚑

Between Us review a provocative mix of sex, standup and social malaise by Michael Billington

Arcola, LondonSarah Daniels tackles the world of therapy in a production marked by some striking performancesSarah Daniels made a big impact in the 1980s with plays including Masterpieces an…

SOURCE: The Guardian at 9:04am on June 3, 2014☆⚑

Cameron Mackintosh: 'I'm a billionaire, but I've never forgotten queueing for the cheap seats' by Michael Billington

Producer Cameron Mackintosh turned the West End musical into a global franchise. And he's not finished yet. New shows are opening round the world, new theatres are being purchased ... the em…

SOURCE: The Guardian at 11:18am on May 30, 2014☆⚑

Antony and Cleopatra review Eve Best is restlessly sensual by Michael Billington

Shakespeare's Globe, London This Cleopatra kisses the audience and Clive Wood makes a ruffianly Antony What's your favourite Antony and Cleopatra? "Is this well done?" a character…

SOURCE: The Guardian at 7:41am on May 30, 2014☆⚑
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