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2,444 stories by "Michael Billington"

Khandan (Family) review Sikh suburban drama confronts home truths by Michael Billington

Birmingham Repertory studioGurpreet Kaur Bhatti's piece about a widowed matriarch and her reckless son plays on the tensions and tenacity of family tiesTen years ago, Gurpreet Kaur Bhatti's …

SOURCE: The Guardian at 7:45am on May 28, 2014☆⚑

Bakersfield Mist review Kathleen Turner dazzles but art tale is no masterpiece by Michael Billington

Duchess, LondonKathleen Turner is great as a boozy working-class wit, but this tale of fakes both people and paintings - fails to convince Quiz: Kathleen Turner's greatest linesA desiccated…

SOURCE: The Guardian at 6:00pm on May 27, 2014☆⚑

John Ferguson review Irish farmers face tragedy on a biblical scale by Michael Billington

Finborough theatre, LondonSt John Ervine's 1915 play about a victimised rural family is a powerful portrait of the pros and cons of an iron faithIf you want to understand the Ulster Protesta…

SOURCE: The Guardian at 6:53am on May 23, 2014☆⚑

Fings Ain't Wot They Used T'Be review EastEnder's knees-up in shabby Soho by Michael Billington

Theatre Royal Stratford East, LondonJessie Wallace and Gary Kemp star in this revival of Frank Norman's nostalgic musical, set in London's shady underworldYou have to abandon all notions of …

SOURCE: The Guardian at 7:18am on May 22, 2014☆⚑

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical…

SOURCE: The Guardian at 7:44pm on May 21, 2014☆⚑

Michael Gambon interview: 'I should have been a dancer' by Michael Billington

From Harold Pinter to Harry Potter, Michael Gambon has worked with all the greats. He nearly joined the Royal Ballet too. He talks about crying on cue, his dodgy memory, and the job that got…

SOURCE: The Guardian at 10:52am on May 20, 2014☆⚑

In the Heights review lively Latino West Side Story-cum-East Enders by Michael Billington

Southwark Playhouse, LondonThis Tony award-winning musical makes up for what it lacks in the story department with an exuberant score and outstanding choreographyWhen seen on Broadway in 200…

SOURCE: The Guardian at 10:16am on May 18, 2014☆⚑

Hope Place review Liverpool's hidden history reveals secrets of our own by Michael Billington

Everyman, LiverpoolMichael Wynne's lively slice of Mersey life, seen through one family, prompts us to examine difficult home truthsYou could hardly have a more localised piece than this. Mi…

SOURCE: The Guardian at 7:57am on May 16, 2014☆⚑

The Last Days of Troy review modern flourishes and striking visuals by Michael Billington

Royal Exchange, ManchesterSimon Armitage's modern mastery of Homer is impressive even if Lily Cole's Helen is not but this production lacks a personal touch You have to admire the skill and…

SOURCE: The Guardian at 10:32am on May 14, 2014☆⚑

The Pajama Game review uplifting musical where passion collides with politics by Michael Billington

Shaftesbury theatre, LondonRichard Eyre's joyous production of this 1954 show has an exuberance comparable to that of his National Theatre Guys and DollsIt's a big leap from the Minerva in C…

SOURCE: The Guardian at 5:59pm on May 13, 2014☆⚑

Best Shakespeare productions: what's your favourite Henry VIII? by Michael Billington

The play that burned down the Globe theatre in 1613, after a stage cannon ignited the thatch, is a potent farewell to this seriesIt seems strange to end this series of favourite Shakespeare …

SOURCE: The Guardian at 6:26am on May 13, 2014☆⚑

Yellow Face review a probing, political satire on racial identity by Michael Billington

The Shed, LondonChinese-American playwright David Henry Hwang uses humour to look at the implications of being racially hyphenated in this peach of a playWhat exactly is racial identity? Doe…

SOURCE: The Guardian at 12:43pm on May 12, 2014☆⚑

Best Shakespeare productions: what's your favourite Tempest? by Michael Billington

This stormy staple of the Shakespeare canon has appeared in many guises. But the great Giorgio Strehler's Italian version is our critics's top pick. What's your favourite version?I've experi…

SOURCE: The Guardian at 6:34am on May 12, 2014☆⚑

Tonight at 8.30 review unexpectedly nourishing Noel Coward marathon by Michael Billington

Nuffield, SouthamptonThree Noel Coward triple bills in one day might sound daunting, and some of his less admirable attitudes are all too apparent, but this epic show still contains some mas…

SOURCE: The Guardian at 12:44pm on May 11, 2014☆⚑

The Testament of Mary review Fiona Shaw's five-star conjuring act by Michael Billington

Barbican, LondonFiona Shaw is brilliant as the mother of Jesus, and juggles other characters, in an ingenious adaptation of Colm Tóibín's novella Fiona Shaw on the power of tragedyI ca…

SOURCE: The Guardian at 9:08am on May 8, 2014☆⚑

Best Shakespeare productions: The Winter's Tale by Michael Billington

This is a searing study of jealousy and a moving account of transformative magic. What's your favourite version?Where to start? The modern theatre loves The Winter's Tale, most recently seen…

SOURCE: The Guardian at 7:24am on May 8, 2014☆⚑

Arden of Faversham review Elizabethan tragedy goes modern by Michael Billington

Swan theatre, Stratford-upon-AvonLaudable performances and stage design save the RSC's contemporary makeover of this 16th-century true-crime dramaMuch as I welcome the idea of a Swan season …

SOURCE: The Guardian at 8:12am on May 7, 2014☆⚑

Best Shakespeare productions: what's your favourite Cymbeline? by Michael Billington

The 2001 staging at Shakespeare's Globe, with Mark Rylance tackling a trio of roles, gave clarity to this convoluted playNot a play for rationalists. Dr Johnson wrote of its "unresistin…

SOURCE: The Guardian at 5:58am on May 7, 2014☆⚑

Best Shakespeare productions: Pericles by Michael Billington

This once-unloved play has become both a study of asylum seekers and a show for kids. It still has a potent theatrical magicBen Jonson thought Pericles "a mouldy tale", and few hav…

SOURCE: The Guardian at 7:44am on May 6, 2014☆⚑

Best Shakespeare productions: what's your favourite Coriolanus? by Michael Billington

Laurence Olivier on stage and Ralph Fiennes on film are Michael Billington's favourite versions of this magnificent playI've loved this play ever since I was a revolting Roman citizen in a p…

SOURCE: The Guardian at 5:24am on May 5, 2014☆⚑

Best Shakespeare productions: what's your favourite Timon of Athens? by Michael Billington

Nicholas Hytner's production in 2012 turned this unfashionable play into a bitter fable about our credit cultureTimon, wrote Quentin Letts in the Daily Mail, "tends to be dismissed as o…

SOURCE: The Guardian at 6:00am on May 3, 2014☆⚑

Best Shakespeare productions: what's your favourite Antony and Cleopatra? by Michael Billington

Judi Dench and Anthony Hopkins impressed as lovers embroiled in the sex and politics of this play. But which other double acts have ruled as Shakespeare's power couple?I've been accused of n…

SOURCE: The Guardian at 2:00am on May 2, 2014☆⚑

Best Shakespeare productions: what's your favourite King Lear? by Michael Billington

Paul Scofield, Derek Jacobi and John Wood all excelled in what Kenneth Tynan called a "flawed pyramid of a play". Which other actors have been every inch a king?I have a confession to make. …

SOURCE: The Guardian at 12:50pm on April 30, 2014☆⚑

Best Shakespeare productions: what's your favourite Othello? by Michael Billington

From Willard White to Adrian Lester, modern theatre has yielded some terrific Othellos but none more so than Chiwetel EjioforWho should play Othello? In Britain, the last white men to do so…

SOURCE: The Guardian at 2:00am on April 29, 2014☆⚑

Best Shakespeare productions: what's your favourite Measure for Measure? by Michael Billington

Once regarded as salacious, Shakespeare's tale of seduction and the abuse of power has proved a natural fit for modern timesThere was a time when this play was considered too indecent for mo…

SOURCE: The Guardian at 8:36am on April 28, 2014☆⚑
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