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2,436 stories by "Michael Billington"

Best Shakespeare productions: The Two Gentlemen of Verona by Michael Billington

Productions of Shakespeare's early play on love and rivalry should be commonplace: in practice, Crab the dog is the best thing in it. Help Michael Billington find the best productionsI reall…

SOURCE: The Guardian at 3:00am on April 4, 2014

Kingston 14 review Goldie dominates in study of police corruption by Michael Billington

Roy Williams has returned to the theatre where he started his career and produced a compelling dramaRoy Williams, who has written many fine plays, including Fallout and Sucker Punch, has ret…

SOURCE: The Guardian at 6:00pm on April 3, 2014

Best Shakespeare productions: The Taming of the Shrew by Michael Billington

It's the 'barbaric, disgusting play' that Michael Billington once demanded never be performed again. But, as well as its characters, is there a chance of redemption for the play itself?I onc…

SOURCE: The Guardian at 3:00am on April 3, 2014

Fatal Attraction review " illicit passion makes for hollow experience by Michael Billington

Theatre Royal HaymarketThe actors do all they can within the script's limits, but a film that was at least a brutally effective psychological thriller has become a modern morality playThere …

SOURCE: The Guardian at 9:19pm on March 25, 2014

Other Desert Cities review " a tense family portrait with Sinéad Cusack by Michael Billington

Old Vic, LondonJon Robin Baitz's Christmas-set drama uses fractured nuclear families to examine the broken American psycheI was arguing with a friend the other day about whether plays should…

SOURCE: The Guardian at 8:37am on March 25, 2014

The Dead Dogs review " 'Violent undercurrents in Norwegian coastal life' by Michael Billington

The Print Room, LondonJon Fosse's tale of one man's grief over the loss of his dog is well-acted, yet the play lacks dramatic tensionIn the past, I've eagerly championed the work of the Norw…

SOURCE: The Guardian at 8:18am on March 21, 2014

Two Into One review " 'An orgy of door-slamming' by Michael Billington

Menier Chocolate Factory, London Ray Cooney's production achieves the correct delirious momentum and gets good performances from everyone, including the playwrightWhen I first saw Ray Cooney…

SOURCE: The Guardian at 7:59am on March 20, 2014

Blithe Spirit review: The play's the thing in a fine Noël Coward revival by Michael Billington

Gielgud, LondonAngela Lansbury is back on a London stage after nearly 40 years, but her presence has a faintly distorting effectGood as it is to see Angela Lansbury back on a London stage af…

SOURCE: The Guardian at 7:00pm on March 18, 2014

Invincible review " Torben Betts' latest perceptive social commentary by Michael Billington

Orange Tree, RichmondThis abrasive comedy about the UK's recent economic belt-tightening suggests writer Torben Betts should be a bigger nameClass is the engine driving much British drama. I…

SOURCE: The Guardian at 10:21am on March 16, 2014

The Big Meal review " a helter-skelter family saga, from soup to nuts by Michael Billington

Ustinov Studio, BathAll of life's big dramas take place around the dining table in Dan LeFranc's madcap look at love and marriageMichael Boyd, after a decade with the Royal Shakespeare Compa…

SOURCE: The Guardian at 9:27am on March 14, 2014

Radio 2 broadcast helps Oh What a Lovely War go out with a whizzbang by Michael Billington

Stratford East's musical will be broadcast tonight, proving radio is still doing more for the stage than TVTonight Oh What a Lovely War could be said to be coming home. The current Theatre R…

SOURCE: The Guardian at 8:34am on March 14, 2014

Twelfth Night review " a charming start for the cracking new Everyman by Michael Billington

Everyman, Liverpool The reborn theatre's first production boasts a superb Malvolio in Nicholas Woodeson and Matthew Kelly as Sir Toby Belch, but could do with speeding up a bit"We want to cr…

SOURCE: The Guardian at 9:23am on March 13, 2014

Urinetown " review: 'Flawed, but with a welcome satirical bounce' by Michael Billington

St James's, LondonA formidable cast saves this musical pastiche from undermining its own messageFlushed with success on Broadway, where it ran for three years, this bizarre show finally make…

SOURCE: The Guardian at 7:00pm on March 11, 2014

Olivier awards 2014: where are the great new plays? by Michael Billington

Lucy Kirkwood's Chimerica stands head and shoulders above the other nominees. This year's lineup confirms that British theatre's current success lies more in interpretation than in original …

SOURCE: The Guardian at 8:42am on March 10, 2014

Visitors review " 'Infinitely touching' by Michael Billington

Playwright Barney Norris's first full-length work for the stage sensitively captures a married couple's descent into old ageBarney Norris is a young man in his mid‑20s. I mention this…

SOURCE: The Guardian at 2:16pm on March 9, 2014

Do I Hear a Waltz? review " 'rare revival exudes a pleasant, watery charm' by Michael Billington

Park theatre, LondonThis Stephen Sondheim-Richard Rodgers holiday-romance musical isn't perfect, but is put across with convictionThe fiercest critic of this 1964 American musical is one of …

SOURCE: The Guardian at 9:17am on March 7, 2014

Good People review " 'Imelda Staunton fills a cracking lead role to perfection' by Michael Billington

Hampstead theatre, LondonDavid Lindsay-Abaire's tale of a working-class single mum explores social mobility in the US with compelling resultsI sometimes fret at the Americanisation of Britis…

SOURCE: The Guardian at 6:47am on March 6, 2014

Five theatre flops that deserve a revival by Michael Billington

Whether too avant garde, too shocking or simply unlucky, sometimes a great play doesn't find favour with the public. I'd like to see these given another run " how about you?CE Montague, a fa…

SOURCE: The Guardian at 3:00am on March 6, 2014

We Are Proud to Present… review " 'A Pirandellian take on a little-known genocide' by Michael Billington

Bush, LondonArtifice and art overlap in this self-referential piece about a theatrical group trying to stage a show about an African genocideHow do you tackle a subject such as genocide in e…

SOURCE: The Guardian at 6:00pm on March 5, 2014

Variation on a Theme review " first revival of Rattigan's take on Dumas by Michael Billington

Finborough, LondonPanned when it was first produced, this piece has no hint of the inequality of passion that normally drives Rattigan's playsCritically hammered on its debut in 1958, Terenc…

SOURCE: The Guardian at 8:29am on March 3, 2014

Musicals we love: Sweeney Todd by Michael Billington

Stephen Sondheim's serial-killing barber may be an unsavoury hero, but the musical skilfully mixes savagery, tragedy and comedy to create a work of art that leaves one in aweThere are musica…

SOURCE: The Guardian at 6:43am on March 3, 2014

Versailles review " five stars for Peter Gill's new play by Michael Billington

Donmar Warehouse, LondonWelsh playwright Peter Gill tracks the damage done to the English middle classes by the first world war in this taut and passionate dissection of the doomed 1919 peac…

SOURCE: The Guardian at 7:00am on February 28, 2014

The Knight of the Burning Pestle review " 'A spirited romp by candlelight' by Michael Billington

Sam Wanamaker Playhouse, London This boisterous production brings Francis Beaumont's 1607 burlesque of citizen drama and chivalric romance to lifeThis dashing new theatre has already proved …

SOURCE: The Guardian at 8:58am on February 27, 2014

The Full Monty " review by Michael Billington

Noel Coward Theatre, LondonSimon Beaufoy's stage version of the iconic film is well directed but feels like a missed opportunity to address any of the degradation of unemploymentIn the end, …

SOURCE: The Guardian at 8:10pm on February 25, 2014

The A-Z of Mrs P review " Isy Suttie in a witty musical that loses its way by Michael Billington

Southwark Playhouse, LondonIsy Suttie is perkily determined, but this musical about the woman who mapped London lacks dramatic tensionIt is rare to find a new British musical that is not by …

SOURCE: The Guardian at 11:45am on February 25, 2014
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