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2,444 stories by "Michael Billington"

Emil and the Detectives " review by Michael Billington

National Theatre, London Bijan Sheibani's play is at its best when it returns to the human values of Erich Kastner's storyThe National has set the bar high when it comes to family entertainm…

SOURCE: The Guardian at 7:17pm on December 4, 2013☆⚑

Henry V " review by Michael Billington

Jude Law's performance as Shakespeare's contradictory king brings to mind John Sutherland's provocative essayJude Law is the big draw in the fifth and final production of Michael Grandage's …

SOURCE: The Guardian at 6:00pm on December 3, 2013☆⚑

Candide " review by Michael Billington

Menier Chocolate Factory, LondonLeonard Bernstein's musical gets a restless, comic-strip production that has a jaunty ebullience and two outstanding leadsI suspect there are two ways to appr…

SOURCE: The Guardian at 7:02am on December 3, 2013☆⚑

Marathon '33 " review by Michael Billington

Guildhall School, LondonA beautifully staged show about the brutal Depression-era dance marathons is something of an endurance test for us as wellAvid fans of Gypsy will recall that Dainty J…

SOURCE: The Guardian at 9:29am on December 1, 2013☆⚑

The White Carnation " review by Michael Billington

Finborough, London There are strong performances in this entertaining revival of RC Sherriff's ghost story, but much of the play feels like paddingIt is the fate of RC Sherriff to be remembe…

SOURCE: The Guardian at 8:20am on November 29, 2013☆⚑

Once a Catholic " review by Michael Billington

Tricycle, LondonGuilty of the very intolerance it condemns, Mary O'Malley's 1977 convent school drama " here directed by Kathy Burke " is a jolly but nonetheless flawed affairTime has not b…

SOURCE: The Guardian at 12:23pm on November 28, 2013☆⚑

In the Next Room (Or the Vibrator Play) " review by Michael Billington

St James's, LondonSarah Ruhl's superb drama of female frustration and solitude is well served by director Laurence BoswellSarah Ruhl's brilliant play is, to put it mildly, an eye-opener. Set…

SOURCE: The Guardian at 8:11am on November 26, 2013☆⚑

Theatre Uncut " review by Michael Billington

Young Vic, LondonSix politically engaged playlets demonstrate that drama has extra bite and zest when it deals with big issuesDo we all get more rightwing in times of austerity? That's the p…

SOURCE: The Guardian at 10:52am on November 21, 2013☆⚑

Strangers On A Train " review by Michael Billington

Gielgud Theatre, LondonWhile the mechanics of the dual murders are moderately exciting, in the second half the tension deceleratesTheatre is theatre, film film. Right? Actually not any more …

SOURCE: The Guardian at 7:18pm on November 19, 2013☆⚑

No Place to Go " review by Michael Billington

Gate, LondonThis wryly resilient musical monologue about the corporate world is as New York as a triple-decker pastrami sandwichAn authentic piece of Manhattan has landed in west London. It …

SOURCE: The Guardian at 6:58am on November 19, 2013☆⚑

Eat Pray Laugh! Barry Humphries' Farewell Tour " review by Michael Billington

London PalladiumDame Edna's creator pushes the bad taste boundaries in this raucous show that confirms just what a rare bird he isIn a theatre shorn of outsize personalities, the idea of a B…

SOURCE: The Guardian at 8:58am on November 17, 2013☆⚑

Scenes from a Marriage " review by Michael Billington

Barbican, LondonThe audience become eavesdroppers in Ivo van Hove's gripping and inventive restaging of the Ingmar Bergman classicWho's afraid of Ingmar Bergman? Obviously not Ivo van Hove a…

SOURCE: The Guardian at 7:27am on November 15, 2013☆⚑

Mojo " review by Michael Billington

This revival of Jez Butterworth's play " a tale of rock'n'roll rivalry in gangland Soho " packs plenty of punchJez Butterworth's first play burst on the scene like a fireball in 1995, a…

SOURCE: The Guardian at 6:00pm on November 13, 2013☆⚑

Jeeves and Wooster in Perfect Nonsense " review by Michael Billington

Duke of York's, LondonMatthew Macfadyen is a fine Jeeves in this farce-fuelled dramatisation of PG Wodehouse's The Code of the WoostersHow do you dramatise a sublime novel like PG Wodehouse'…

SOURCE: The Guardian at 7:44am on November 13, 2013☆⚑

Twelve Angry Men " review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 8:20am on November 12, 2013☆⚑

King Lear " review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director's Shakespeare. This production, wh…

SOURCE: The Guardian at 7:00am on November 10, 2013☆⚑

Our Ajax " review by Michael Billington

Southwark Playhouse, LondonTimberlake Wertenbaker's modern interpretation produces anachronisms, but brings home the psychological ravages of warTimberlake Wertenbaker has been inspired by S…

SOURCE: The Guardian at 6:30pm on November 8, 2013☆⚑

Tartuffe " review by Michael Billington

Birmingham RepThis modern update of Molière's play tries too hard to keep the laughter coming, with comedy destroying any sense of dangerThe panto season has come early to Birmingham t…

SOURCE: The Guardian at 11:33am on November 7, 2013☆⚑

Nut " review by Michael Billington

The Shed, LondonDebbie Tucker Green achieves a compelling synthesis of poetry and drama in this charged cry of anguish recalling Sarah KaneI've always admired the distinctive voice of "debbi…

SOURCE: The Guardian at 9:42am on November 6, 2013☆⚑

National theatre's 50th birthday: what were your highlights? by Michael Billington

We got a brilliant, kaleidoscopic entertainment that evoked the National's past and opened up possibilities for the futureI count myself fortunate to have been part of the audience at Saturd…

SOURCE: The Guardian at 11:28am on November 4, 2013☆⚑

Unscorched " review by Michael Billington

Finborough, LondonThis impressive play takes an unsensational approach to the stresses of having to work professionally with abusive imagesHow do human beings cope with being exposed, profes…

SOURCE: The Guardian at 10:10am on November 1, 2013☆⚑

Children of Fate " review by Michael Billington

The Bussey Building, LondonWritten in Chile under the Pinochet dictatorship, this play offers a moving image of the desolation created by oppressive regimesThis play, by the Chilean writer J…

SOURCE: The Guardian at 10:35am on October 31, 2013☆⚑

Home " review by Michael Billington

Arcola, LondonDavid Storey's haunting, elegiac play reveals itself slowly but this production too often leaves the audience staring at actor's backsDavid Storey's beautiful 1970 play about o…

SOURCE: The Guardian at 6:43am on October 31, 2013☆⚑

The Scottsboro Boys " review by Michael Billington

Young Vic, LondonThis musical about racist bigotry in 1930s America is a strong show with a social conscience One of theatre's most potent weapons is an ironic contrast between form and cont…

SOURCE: The Guardian at 8:31pm on October 29, 2013☆⚑

Raving " review by Michael Billington

Hampstead theatre, LondonThree couples on a weekend in Wales. What could go wrong? With Robert Webb, Sarah Hadland and Tamzin Outhwaite, there's plenty of comic potentialActors who write pla…

SOURCE: The Guardian at 9:07am on October 25, 2013☆⚑
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