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2,436 stories by "Michael Billington"

Strangers On A Train " review by Michael Billington

Gielgud Theatre, LondonWhile the mechanics of the dual murders are moderately exciting, in the second half the tension deceleratesTheatre is theatre, film film. Right? Actually not any more …

SOURCE: The Guardian at 7:18pm on November 19, 2013

No Place to Go " review by Michael Billington

Gate, LondonThis wryly resilient musical monologue about the corporate world is as New York as a triple-decker pastrami sandwichAn authentic piece of Manhattan has landed in west London. It …

SOURCE: The Guardian at 6:58am on November 19, 2013

Eat Pray Laugh! Barry Humphries' Farewell Tour " review by Michael Billington

London PalladiumDame Edna's creator pushes the bad taste boundaries in this raucous show that confirms just what a rare bird he isIn a theatre shorn of outsize personalities, the idea of a B…

SOURCE: The Guardian at 8:58am on November 17, 2013

Scenes from a Marriage " review by Michael Billington

Barbican, LondonThe audience become eavesdroppers in Ivo van Hove's gripping and inventive restaging of the Ingmar Bergman classicWho's afraid of Ingmar Bergman? Obviously not Ivo van Hove a…

SOURCE: The Guardian at 7:27am on November 15, 2013

Mojo " review by Michael Billington

This revival of Jez Butterworth's play " a tale of rock'n'roll rivalry in gangland Soho " packs plenty of punchJez Butterworth's first play burst on the scene like a fireball in 1995, a…

SOURCE: The Guardian at 6:00pm on November 13, 2013

Jeeves and Wooster in Perfect Nonsense " review by Michael Billington

Duke of York's, LondonMatthew Macfadyen is a fine Jeeves in this farce-fuelled dramatisation of PG Wodehouse's The Code of the WoostersHow do you dramatise a sublime novel like PG Wodehouse'…

SOURCE: The Guardian at 7:44am on November 13, 2013

Twelve Angry Men " review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 8:20am on November 12, 2013

King Lear " review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director's Shakespeare. This production, wh…

SOURCE: The Guardian at 7:00am on November 10, 2013

Our Ajax " review by Michael Billington

Southwark Playhouse, LondonTimberlake Wertenbaker's modern interpretation produces anachronisms, but brings home the psychological ravages of warTimberlake Wertenbaker has been inspired by S…

SOURCE: The Guardian at 6:30pm on November 8, 2013

Tartuffe " review by Michael Billington

Birmingham RepThis modern update of Molière's play tries too hard to keep the laughter coming, with comedy destroying any sense of dangerThe panto season has come early to Birmingham t…

SOURCE: The Guardian at 11:33am on November 7, 2013

Nut " review by Michael Billington

The Shed, LondonDebbie Tucker Green achieves a compelling synthesis of poetry and drama in this charged cry of anguish recalling Sarah KaneI've always admired the distinctive voice of "debbi…

SOURCE: The Guardian at 9:42am on November 6, 2013

National theatre's 50th birthday: what were your highlights? by Michael Billington

We got a brilliant, kaleidoscopic entertainment that evoked the National's past and opened up possibilities for the futureI count myself fortunate to have been part of the audience at Saturd…

SOURCE: The Guardian at 11:28am on November 4, 2013

Unscorched " review by Michael Billington

Finborough, LondonThis impressive play takes an unsensational approach to the stresses of having to work professionally with abusive imagesHow do human beings cope with being exposed, profes…

SOURCE: The Guardian at 10:10am on November 1, 2013

Children of Fate " review by Michael Billington

The Bussey Building, LondonWritten in Chile under the Pinochet dictatorship, this play offers a moving image of the desolation created by oppressive regimesThis play, by the Chilean writer J…

SOURCE: The Guardian at 10:35am on October 31, 2013

Home " review by Michael Billington

Arcola, LondonDavid Storey's haunting, elegiac play reveals itself slowly but this production too often leaves the audience staring at actor's backsDavid Storey's beautiful 1970 play about o…

SOURCE: The Guardian at 6:43am on October 31, 2013

The Scottsboro Boys " review by Michael Billington

Young Vic, LondonThis musical about racist bigotry in 1930s America is a strong show with a social conscience One of theatre's most potent weapons is an ironic contrast between form and cont…

SOURCE: The Guardian at 8:31pm on October 29, 2013

Raving " review by Michael Billington

Hampstead theatre, LondonThree couples on a weekend in Wales. What could go wrong? With Robert Webb, Sarah Hadland and Tamzin Outhwaite, there's plenty of comic potentialActors who write pla…

SOURCE: The Guardian at 9:07am on October 25, 2013

From Here to Eternity " review by Michael Billington

Shaftesbury theatre, London"Highly professional". Those are the words that come to mind watching this new musical, based on James Jones's 800-page novel about life on a Hawaiian army base in…

SOURCE: The Guardian at 6:31pm on October 23, 2013

Ciphers " review by Michael Billington

Everyman theatre, CheltenhamAn ingenious spy thriller shows Dawn King's skill as a dramatist and echoes of John le CarréDawn King made a big impression in 2011 with the prize-winning Foxfin…

SOURCE: The Guardian at 8:31am on October 23, 2013

The Djinns of Eidgah " review by Michael Billington

Royal Court, LondonAbhishek Majumdar's play about the human cost of the conflict in Kashmir is politically enlightening and theatrically hypnoticA play can be a means of heightening one's po…

SOURCE: The Guardian at 6:00pm on October 22, 2013

Punishment Without Revenge " review by Michael Billington

Theatre Royal, BathThis unqualified masterpiece from 1631 by Lope de Vega is shot through with irony and ambiguityThis is the real deal: an unqualified masterpiece by Lope de Vega that, in M…

SOURCE: The Guardian at 12:15pm on October 21, 2013

The National Theatre at 50: Michael Billington's view from the stalls by Michael Billington

This week, Rufus Norris was appointed the new director of the National theatre. After 50 dramatic years, where does he take it from here? Guardian critic Michael Billington assesses how…

SOURCE: The Guardian at 5:25am on October 18, 2013

Richard II " review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDavid Tennant is mesmerising in the first show of Gregory Doran's six-year plan to present all of Shakespeare's worksThis show marks the start o…

SOURCE: The Guardian at 6:00pm on October 17, 2013

A Lady of Little Sense " review by Michael Billington

Ustinov Studio, BathLope de Vega's romantic comedy has something in common with the Taming of the Shrew, and gets a lively performance here, but it leaves a somewhat acrid aftertasteLaurence…

SOURCE: The Guardian at 6:00pm on October 15, 2013

Rufus Norris: an adventurous choice for the National Theatre by Michael Billington

The National Theatre's new artistic director has an air of unpredictability and will bring plenty of excitement to the job. Comment thread: Let us know what you thinkHow on earth do you foll…

SOURCE: The Guardian at 7:24am on October 15, 2013
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