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2,444 stories by "Michael Billington"

From Here to Eternity " review by Michael Billington

Shaftesbury theatre, London"Highly professional". Those are the words that come to mind watching this new musical, based on James Jones's 800-page novel about life on a Hawaiian army base in…

SOURCE: The Guardian at 6:31pm on October 23, 2013☆⚑

Ciphers " review by Michael Billington

Everyman theatre, CheltenhamAn ingenious spy thriller shows Dawn King's skill as a dramatist and echoes of John le CarréDawn King made a big impression in 2011 with the prize-winning Foxfin…

SOURCE: The Guardian at 8:31am on October 23, 2013☆⚑

The Djinns of Eidgah " review by Michael Billington

Royal Court, LondonAbhishek Majumdar's play about the human cost of the conflict in Kashmir is politically enlightening and theatrically hypnoticA play can be a means of heightening one's po…

SOURCE: The Guardian at 6:00pm on October 22, 2013☆⚑

Punishment Without Revenge " review by Michael Billington

Theatre Royal, BathThis unqualified masterpiece from 1631 by Lope de Vega is shot through with irony and ambiguityThis is the real deal: an unqualified masterpiece by Lope de Vega that, in M…

SOURCE: The Guardian at 12:15pm on October 21, 2013☆⚑

The National Theatre at 50: Michael Billington's view from the stalls by Michael Billington

This week, Rufus Norris was appointed the new director of the National theatre. After 50 dramatic years, where does he take it from here? Guardian critic Michael Billington assesses how…

SOURCE: The Guardian at 5:25am on October 18, 2013☆⚑

Richard II " review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDavid Tennant is mesmerising in the first show of Gregory Doran's six-year plan to present all of Shakespeare's worksThis show marks the start o…

SOURCE: The Guardian at 6:00pm on October 17, 2013☆⚑

A Lady of Little Sense " review by Michael Billington

Ustinov Studio, BathLope de Vega's romantic comedy has something in common with the Taming of the Shrew, and gets a lively performance here, but it leaves a somewhat acrid aftertasteLaurence…

SOURCE: The Guardian at 6:00pm on October 15, 2013☆⚑

Rufus Norris: an adventurous choice for the National Theatre by Michael Billington

The National Theatre's new artistic director has an air of unpredictability and will bring plenty of excitement to the job. Comment thread: Let us know what you thinkHow on earth do you foll…

SOURCE: The Guardian at 7:24am on October 15, 2013☆⚑

Dublin theatre festival: Brecht or bust? by Michael Billington

The Threepenny Opera gets a high-finance update, a mighty solo effort illuminates Finnegans Wake, but Beckett fails to spark at the Dublin theatre festivalThe Threepenny Opera by Bertol…

SOURCE: The Guardian at 1:32pm on October 7, 2013☆⚑

Ghosts " review by Michael Billington

Almeida, LondonRichard Eyre's first-rate revival of Ibsen's play grabs you by the throat and never releases its gripThe most radical feature of Richard Eyre's first-rate revival of Ghosts is…

SOURCE: The Guardian at 9:30am on October 4, 2013☆⚑

Black Jesus " review by Michael Billington

Finborough, LondonAn intriguing look ahead to retribution in Zimbabwe following the reign of Robert Mugabe opens up new dramatic territoryAnders Lustgarten is a rare animal: a political play…

SOURCE: The Guardian at 6:00pm on October 3, 2013☆⚑

Handbagged " review by Michael Billington

Tricycle theatre, LondonA very funny portrait of a relationship between monarch and prime minister that clearly wasn't made in heavenThe Queen and Margaret Thatcher are becoming a familiar t…

SOURCE: The Guardian at 7:55pm on October 1, 2013☆⚑

The Lovesong of Alfred J Hitchcock " review by Michael Billington

Curve, LeicesterRudkin's darkly riveting play brilliantly demonstrates the way Hitchcock's art is the key to his lifePlays and films about the private life of Alfred Hitchcock are a growth i…

SOURCE: The Guardian at 6:01pm on October 1, 2013☆⚑

A Tale of Two Cities " review by Michael Billington

(King's Head, London)This premiere of a Dickens adaptation co-written by Terence Rattigan and John Gielgud is brisk yet brilliantly stagedThis, somewhat surprisingly, is the professional pre…

SOURCE: The Guardian at 12:51pm on September 29, 2013☆⚑

The Lyons " review by Michael Billington

Menier Chocolate Factory, LondonNicky Silver's play about a Jewish family preparing for the worst doesn't follow through with enough forceNicky Silver is a prolific New York dramatist who is…

SOURCE: The Guardian at 6:46am on September 27, 2013☆⚑

Routes " review by Michael Billington

Royal Court, LondonRachel De-lahay weaves together tales of immigration limbo and national identity, but neglects to thread in some angerRachel De-lahay made a sharp impression with her mosa…

SOURCE: The Guardian at 12:52pm on September 26, 2013☆⚑

Another Country " review by Michael Billington

Minerva, ChichesterJulian Mitchell's 1981 play on ways public schools in the 1930s bred betrayal is highly perceptive in this astute productionSchool plays seem to have a magnetic attraction…

SOURCE: The Guardian at 10:34am on September 26, 2013☆⚑

Land of Our Fathers " review by Michael Billington

Theatre 503, LondonYou would expect a play about six Welsh miners trapped underground to offer a display of quiet heroism. But the good thing about this remarkable first full-length work by …

SOURCE: The Guardian at 12:34pm on September 23, 2013☆⚑

Much Ado About Nothing " review by Michael Billington

Old Vic, LondonI am the last person to complain about senior citizens being given free rein. I also hold Vanessa Redgrave and James Earl Jones in high regard and thought their performances i…

SOURCE: The Guardian at 7:44pm on September 19, 2013☆⚑

The Herd " review by Michael Billington

Bush, LondonActor Rory Kinnear's first play may not be startlingly original but it has meaty roles and a clear understanding of family tensionRory Kinnear seems unfairly talented. Not only i…

SOURCE: The Guardian at 6:56am on September 19, 2013☆⚑

In the Jungle of Cities " review by Michael Billington

Arcola, LondonBertolt Brecht's rarely performed play about human isolation is bewildering but comes from a hauntingly original imaginationEven dedicated admirers of Bertolt Brecht are often …

SOURCE: The Guardian at 5:31pm on September 18, 2013☆⚑

Bertolt Brecht: irresistible force or forgotten chapter in theatrical history? by Michael Billington

Brecht's belief that drama should present moral ideas through action is unfashionable, but as theatre becomes ever more narcissistic, audiences are seeking him out againIt's that man again: …

SOURCE: The Guardian at 11:37am on September 18, 2013☆⚑

A Midsummer Night's Dream " review by Michael Billington

Noel Coward Theatre, LondonEver since the Polish critic, Jan Kott, wrote a famous essay viewing Shakespeare's play as a nightmarish fantasy, directors have been exploring the dark side of Th…

SOURCE: The Guardian at 6:02pm on September 17, 2013☆⚑

Barking in Essex " review by Michael Billington

Wyndham's, LondonAs a piece of black comedy, Clive Exton's play is neither sufficiently dark nor consistently funnyClive Exton made a name for himself writing black comedies for ITV in the e…

SOURCE: The Guardian at 7:39pm on September 16, 2013☆⚑

Springs Eternal " review by Michael Billington

Orange Tree, RichmondSusan Glaspell's convoluted exploration of US involvement in the second world war is kept afloat by an adroit castThis is the fifth full-length play by the American femi…

SOURCE: The Guardian at 9:26am on September 16, 2013☆⚑
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