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2,444 stories by "Michael Billington"

Secret Theatre: Show 1 " review by Michael Billington

Lyric Hammersmith, London A new version of Woyzeck plays out like a compendium of avant garde cliches, catching little of the desperation that drives Büchner's hero to murderI get the idea …

SOURCE: The Guardian at 8:10am on September 13, 2013☆⚑

The Ritual Slaughter of Gorge Mastromas by Michael Billington

Royal Court, London A City suit sells his soul in this enjoyable if slightly unsubtle morality tale by Matilda the Musical's Dennis KellyVicky Featherstone's Royal Court regime begins with a…

SOURCE: The Guardian at 6:57am on September 12, 2013☆⚑

To Sir, With Love " review by Michael Billington

Royal & Derngate, NorthamptonAyub Khan-Din's adaptation of ER Braithwaite's autobiography features strong performances but could do with more dramaThe most moving part of the evening came a…

SOURCE: The Guardian at 7:40am on September 11, 2013☆⚑

Summer Day's Dream " review by Michael Billington

Finborough, LondonJB Priestley's tale of a post-nuclear Britain is prescient, with its premonitions of modern life, and quietly passionate about this island's charmsInside that burly pragmat…

SOURCE: The Guardian at 1:28pm on September 10, 2013☆⚑

The Private Ear and the Public Eye " review by Michael Billington

Yvonne Arnaud, GuildfordThe Original Theatre Company revives Peter Shaffer's bittersweet 1962 comedy double bill that explores the tension between order and passionThe conflict between dessi…

SOURCE: The Guardian at 12:52pm on September 9, 2013☆⚑

Candide " review by Michael Billington

Mark Ravenhill's take on Voltaire's satire is an extraordinary piece, despite its overwhelming profusion of ideasMark Ravenhill has taken Voltaire's laconically witty satire on 18th-century …

SOURCE: The Guardian at 7:21am on September 6, 2013☆⚑

Edward II " review by Michael Billington

Olivier, London John Heffernan convinces as king in a visually vibrant revival, yet the lyrical beauty of Marlowe's verse is lost in the mixI've argued countless times that "director's theat…

SOURCE: The Guardian at 8:42am on September 5, 2013☆⚑

Forget hatchet-faced critics " farce is the quintessence of theatre by Michael Billington

As a theatrical form, farce is infinitely flexible, timeless and revelatory … and several recent shows prove it's ripe for a revivalFarce is in the ascendant right now. We've just had Feyd…

SOURCE: The Guardian at 8:18am on September 5, 2013☆⚑

Peckham: The Soap Opera " review by Michael Billington

Royal Court, London A well-written ode to community life in London is thwarted by its snapshot formatThis show does what it says on the tin. It consists of 10 five-minute episodes of a soap …

SOURCE: The Guardian at 11:14am on September 4, 2013☆⚑

Blue Stockings " review by Michael Billington

Shakespeare's Globe, LondonJessica Swale's first play leaves you astonished at the prejudices the pioneers of women's education had to overcomeJessica Swale has chosen, for her first play, a…

SOURCE: The Guardian at 9:18am on August 30, 2013☆⚑

Bonnie and Clyde " review by Michael Billington

King's Head, LondonSentimentality sits uneasily alongside the truth in a new musical about the Texan outlaws that fails to deglamorise the killers"They're young, they're in love … and they…

SOURCE: The Guardian at 10:05am on August 29, 2013☆⚑

Thark " review by Michael Billington

Park theatre, LondonBen Travers' joyous farce creates an alternative universe in which panic lurks just below an innocent surfaceThark at the Park? It has a rhyming inevitability to it. But …

SOURCE: The Guardian at 10:25am on August 27, 2013☆⚑

In praise of Chimerica, now enthralling West End audiences by Michael Billington

Personal passion meets global political drama in Lucy Kirkwood's exhilarating epic. And it survives the transfer across London with its five-star rating intactTransferring a five-star hit pl…

SOURCE: The Guardian at 12:24pm on August 22, 2013☆⚑

A Little Hotel on the Side " review by Michael Billington

Theatre Royal, BathThis production of Feydeau and Desvallières' play is diverting, but rarely reaches the dizzying dementia of great farceFor those of us who regard farce as the quintessenc…

SOURCE: The Guardian at 11:54am on August 22, 2013☆⚑

The Pride " review by Michael Billington

Trafalgar Studios, LondonAlexi Kaye Campbell's play reminds us that despite the sexual sea-change in Britain since the 1950s, prejudice is still with usLast Saturday, Whitehall in London was…

SOURCE: The Guardian at 1:37pm on August 13, 2013☆⚑

Home " review by Michael Billington

The ShedBased on more than 30 hours of interviews, Nadia Fall's production provides a vivid picture of life in a homeless hostelOne virtue of verbatim theatre is that it takes us behind clos…

SOURCE: The Guardian at 10:35am on August 12, 2013☆⚑

West Side Story " review by Michael Billington

Sadler's Wells, LondonBy keeping faithful to the Broadway original, the brilliance of this powerful Romeo and Juliet adaptation is rediscoveredThere's nothing radical or revisionist about th…

SOURCE: The Guardian at 7:18am on August 9, 2013☆⚑

Arrivals and Departures " review by Michael Billington

Stephen Joseph, ScarboroughAlan Ayckbourn may have written funnier plays, but few are more affecting than this Beckett-inspired tale of terrorismWhat astonishes you about Alan Ayckbourn is h…

SOURCE: The Guardian at 9:49am on August 8, 2013☆⚑

Liolà " review by Michael Billington

Lyttelton theatre, LondonRichard Eyre's staging of the lusty Pirandello village comedy is nuanced, yet its Irish accent is ultimately discomfitingThis play by Luigi Pirandello is not what yo…

SOURCE: The Guardian at 8:24am on August 8, 2013☆⚑

The Same Deep Water As Me " review by Michael Billington

Donmar Warehouse, London Nick Payne's excellent new play takes us into the world of no-win, no-fee accident cases, as a dubious claimant gives two lawyers the runaroundIf I reveal that Nick …

SOURCE: The Guardian at 8:25am on August 7, 2013☆⚑

The Sound of Music " review by Michael Billington

Open Air theatre, Regent's Park, LondonIs it possible for a musical's numbers to be too familiar? At the preview I attended of Rodgers and Hammerstein's popular classic, several spectators a…

SOURCE: The Guardian at 1:11pm on August 6, 2013☆⚑

Oliver Reed: Wild Thing " review by Michael Billington

St James's Studio, LondonIn the bowels of this spanking new theatre lurks an intimate performance space, with a well-stocked bar: the ideal setting for this 70-minute, one-man play, written …

SOURCE: The Guardian at 12:48pm on August 2, 2013☆⚑

Pinter would be chuffed that Tom Stoppard won the PEN prize by Michael Billington

Tom Stoppard's fierce, unrelenting opposition to the abuse of human rights makes him the ideal recipient of the Pinter/PEN prizeIn Antonia Fraser's book, Must You Go?, detailing her life wit…

SOURCE: The Guardian at 9:59am on August 1, 2013☆⚑

King Lear " review by Michael Billington

Theatre Royal, BathDavid Haig, like the late Nigel Hawthorne, follows an acclaimed performance in Alan Bennett's The Madness of George III by playing Shakespeare's deranged monarch. But, alt…

SOURCE: The Guardian at 7:54am on August 1, 2013☆⚑

All Saints " review by Michael Billington

King's Head, LondonTV has given us The Vicar of Dibley and Rev, but the Church of England rarely gets a look-in on the British stage. For that reason alone it is refreshing to see Nicola Bal…

SOURCE: The Guardian at 1:44pm on July 30, 2013☆⚑
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