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2,436 stories by "Michael Billington"

The Drowned Man: A Hollywood Fable " review by Michael Billington

31 London Street, London W2The problem with an immersive company like Punchdrunk is that people tend to take fixed attitudes: either they are a signpost to the theatrical future or they take…

SOURCE: The Guardian at 6:30pm on July 17, 2013

A Season in the Congo " review by Michael Billington

Young Vic, LondonThe turbulence following Congolese independence partly inspired John Arden to write the unjustly forgotten Armstrong's Last Goodnight in 1964. Two years later, the Martiniqu…

SOURCE: The Guardian at 8:13am on July 17, 2013

The Color Purple " review by Michael Billington

Menier Chocolate Factory, LondonI am sometimes accused of failing to report audience reactions. So let me say unequivocally that this musical version of Alice Walker's 1982 novel was greeted…

SOURCE: The Guardian at 9:12am on July 16, 2013

The Machine/The Masque of Anarchy " review by Michael Billington

Campfield Market Hall/Albert Hall, Manchester International festival★★★/★★★★★Like all the best festivals, the one in Manchester opens up the c…

SOURCE: The Guardian at 11:30am on July 14, 2013

Circle Mirror Transformation " review by Michael Billington

Rose Lipman Building, LondonAnnie Baker's much-lauded play takes place in a windowless studio in a community-centre in Vermont; and the Royal Court, as part of its "theatre local" project, h…

SOURCE: The Guardian at 5:07am on July 13, 2013

Candida " review by Michael Billington

Theatre Royal, BathGeorge Bernard Shaw's Candida used to be a stock rep piece, but today is rarely seen. That's a pity because, as Simon Godwin's nifty revival shows, this 1895 play still ha…

SOURCE: The Guardian at 9:23am on July 11, 2013

The Ladykillers " review by Michael Billington

Vaudeville, LondonI warmed greatly to Graham Linehan's version of this classic Ealing comedy when I first saw it in 2011. But, while the script is still funny, this revival has a f…

SOURCE: The Guardian at 2:40pm on July 10, 2013

The Winter's Tale " review by Michael Billington

Regent's Park theatre, LondonThe only Shakespeare at the Open Air theatre this summer is this late play, "reimagined for everyone aged six and over". What this amounts to is an utterly begui…

SOURCE: The Guardian at 1:12pm on July 8, 2013

Macbeth " review by Michael Billington

St Peter's Church, ManchesterThis is more like it. After a lightweight Macbeth at Shakespeare's Globe, we now get a production that gets closer to the heart of the play's mystery. Staged in …

SOURCE: The Guardian at 8:16pm on July 5, 2013

The Old Woman " review by Michael Billington

Palace, ManchesterThe Manchester International festival is nothing if not daring. As proof, it kicks off its theatrical programme with Robert Wilson's visualisation of a surreal novella writ…

SOURCE: The Guardian at 9:45am on July 5, 2013

Macbeth " review by Michael Billington

Shakespeare's Globe, LondonThe last Macbeth we saw at this venue was a pop-culture Polish production in which the transvestite witches assiduously fellated the hero. No such excesses ta…

SOURCE: The Guardian at 6:00pm on July 4, 2013

Silent Partners " review by Michael Billington

White Bear, LondonWhen the maverick playwright and director Charles Marowitz ran the Open Space theatre in London he did a fascinating adaptation of Wilde's The Critic as Artist. In this new…

SOURCE: The Guardian at 2:34pm on July 2, 2013

Is it OK to rewrite classic plays? by Michael Billington

By 'adapting' and updating historical texts " as the Royal Shakespeare Company is currently doing " aren't we just writing off the past?Do we need to rewrite the classics? Increasingly, peop…

SOURCE: The Guardian at 7:05am on July 2, 2013

Derren Brown: Infamous " review by Michael Billington

Palace theatre, LondonDerren Brown begs us all, journalists included, not to reveal anything he has done in the course of two-and-a-half hours. Seeing him for the first time, however, I feel…

SOURCE: The Guardian at 7:33am on June 28, 2013

Derren Brown: Infamous review by Michael Billington

Palace theatre, London Continue reading...

SOURCE: The Guardian at 7:33am on June 28, 2013

Fences " review by Michael Billington

Duchess, LondonLenny Henry has won his spurs as a Shakespearean actor in Othello and The Comedy of Errors. Now he takes on the titanic role of Troy Maxson in August Wilson's Fences which won…

SOURCE: The Guardian at 7:55pm on June 26, 2013

Pride and Prejudice " review by Michael Billington

Regent's Park, LondonFollowing stage versions of works by William Golding, EL Doctorow and Harper Lee, this novel-hungry venue now brings us a new adaptation of Pride and Prejudice in time f…

SOURCE: The Guardian at 9:04am on June 26, 2013

Charlie and the Chocolate Factory review by Michael Billington

Theatre Royal, Drury Lane, London Reviews roundup: what the other papers thought In pictures: behind the scenes at Charlie and the Chocolate Factory Interview: Director Sam Mendes talks to E…

SOURCE: The Guardian at 8:20pm on June 25, 2013

Charlie and the Chocolate Factory " review by Michael Billington

Theatre Royal, Drury Lane, LondonChocs away! At last, we get to see the much touted stage musical based on Roald Dahl's children's classic. Although there's been much talk of the technical c…

SOURCE: The Guardian at 6:00pm on June 25, 2013

This Is My Family " review by Michael Billington

Crucible, SheffieldTim Firth's first play, 1992's Neville's Island, showed four men stranded in the Lake District during a disastrous team-building exercise. This new musical comedy, for whi…

SOURCE: The Guardian at 12:45pm on June 25, 2013

If Only " review by Michael Billington

Minerva, ChichesterDavid Edgar has always been hooked on the process of politics. And in this fascinating, if occasionally flawed, play he pre-empts the forthcoming TV adaptation of Andrew A…

SOURCE: The Guardian at 1:16pm on June 23, 2013

The Night Alive " review by Michael Billington

Donmar Warehouse, LondonNo one is better than playwright Conor McPherson at dramatising the loneliness of the Irish male. Following a brilliant revival of The Weir at the Donmar earlier …

SOURCE: The Guardian at 12:46pm on June 20, 2013

Four Farces " review by Michael Billington

Wilton's Music Hall, LondonFarce is a serious business. It needs to be played with po-faced gravity to bring out its characters' desperation. But this evening of four short Victorian farces,…

SOURCE: The Guardian at 12:58pm on June 19, 2013

The Cripple of Inishmaan " review by Michael Billington

Noel Coward, LondonImagine a dramatic hero who stands no chance of being kissed "unless it was by a blind girl" and of whom it is said, by an adoptive aunt, "you'd see nicer eyes on a goat".…

SOURCE: The Guardian at 6:00pm on June 18, 2013

The Cripple of Inishmaan review by Michael Billington

Noel Coward, London Continue reading...

SOURCE: The Guardian at 6:00pm on June 18, 2013
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