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2,436 stories by "Michael Billington"

Hard Feelings " review by Michael Billington

Finborough, LondonIt's hard to believe that it is 30 years since Doug Lucie's scathing portrait of a self-absorbed, style-conscious generation first appeared. I've never forgotten Mike Bradw…

SOURCE: The Guardian at 12:58pm on June 18, 2013

Bracken Moor " review by Michael Billington

Tricycle, LondonIn his last play, The Faith Machine, which opened at the Royal Court in 2011, Alexi Kaye Campbell dealt with the conflict between religious idealism and the free market. Now …

SOURCE: The Guardian at 12:56pm on June 18, 2013

A Mad World My Masters " review by Michael Billington

Swan, Stratford-upon-AvonThomas Middleton's brilliant 1605 comedy has been cut, "edited" and updated to 1950s Soho by Sean Foley and Phil Porter for the Royal Shakespeare Company. Whether pa…

SOURCE: The Guardian at 1:25pm on June 14, 2013

Sweet Bird of Youth " review by Michael Billington

Old Vic, LondonEverything that art can do to boost this revival of Tennessee Williams's 1959 play has been done. Marianne Elliott's production is first-rate. The cast, led by Kim Cattrall, i…

SOURCE: The Guardian at 2:00am on June 13, 2013

The Amen Corner " review by Michael Billington

Olivier, LondonI don't think The Amen Corner is a great play, but I get the feeling it is one that its author, James Baldwin, was compelled to write back in 1955. It also gets from Rufu…

SOURCE: The Guardian at 8:21am on June 12, 2013

The Birthday Party " review by Michael Billington

Royal Exchange, ManchesterBlanche McIntyre is one of the flotilla of female directors coming to the forefront of British theatre. But, although she's assembled a cracking cast for this reviv…

SOURCE: The Guardian at 8:43am on June 11, 2013

Women in Parliament/Socrates and His Clouds " review by Michael Billington

Theatro Technis/Jermyn Street theatre, LondonAside from Lysistrata, the plays of Aristophanes rarely get an outing these days. But these two wildly different updates prove one simple point: …

SOURCE: The Guardian at 1:03pm on June 10, 2013

Blair's Children/Don't Wake Me " review by Michael Billington

Cockpit, LondonBack in 1973, Kennedy's Children by Robert Patrick fondly surveyed the 1960s through the monologues of five characters seated in a bar. Using a similar format, Blair's Childre…

SOURCE: The Guardian at 2:08pm on June 7, 2013

Trash Cuisine " review by Michael Billington

Young Vic, LondonIf there is a problem with Belarus Free Theatre, it lies in deciding whether you're responding to them aesthetically or politically. But, while it's easy to admire their res…

SOURCE: The Guardian at 12:07pm on June 6, 2013

Strange Interlude " review by Michael Billington

National Theatre, LondonEugene O'Neill's 1928 play is famous for many things: its inordinate length, its prolonged asides and its extensive portrait of one woman, Nina Leeds, over the course…

SOURCE: The Guardian at 1:44pm on June 5, 2013

Playing with Fire " review by Michael Billington

Drayton Arms, LondonAfter a surfeit of Miss Julies in London, it's refreshing to find this rare August Strindberg one-act play popping up in an attractive space above a South Kensington…

SOURCE: The Guardian at 1:49pm on June 4, 2013

Lionboy " review by Michael Billington

Bristol Old VicI normally associate the 30-year-old Complicite with extravagantly theatrical explorations of world literature. Here, however, they have come up with their first family show b…

SOURCE: The Guardian at 7:43am on May 31, 2013

Race " review by Michael Billington

Hampstead theatre, LondonDavid Mamet reminds me of some veteran pugilist with a pile of trophies yet still anxious for a fight: the old technique is still there, even if the punches no longe…

SOURCE: The Guardian at 10:34am on May 30, 2013

Chimerica " review by Michael Billington

Almeida, LondonI complained of Lucy Kirkwood's last play, NSFW at London's Royal Court, that it was too short: no such problems with this gloriously rich, mind-expanding three-hour play, whi…

SOURCE: The Guardian at 8:10am on May 29, 2013

Seven Year Twitch " review by Michael Billington

Orange Tree, RichmondThe therapist-patient relationship is rarely dramatised, but it lies at the heart of this sharp, perceptive comedy by David Lewis, which uses the circular structure of S…

SOURCE: The Guardian at 1:11pm on May 28, 2013

My Life After " review by Michael Billington

Corn Exchange, BrightonThe Brighton festival's theatre programme ended with this extraordinary import from Argentina in which five actors recalled, with the aid of photos, letters, home movi…

SOURCE: The Guardian at 12:39pm on May 27, 2013

Titus Andronicus " review by Michael Billington

Swan, Stratford-upon-AvonNo one any longer has to make a case for this once-despised play. But, whether it is viewed as a neo-Senecan study in stoic acceptance of grief or a Tarantino-like e…

SOURCE: The Guardian at 12:47pm on May 24, 2013

Disgraced review by Michael Billington

Bush, London Continue reading...

SOURCE: The Guardian at 1:21pm on May 23, 2013

Disgraced " review by Michael Billington

Bush, LondonWe're used to seeing plays that take a swipe at American liberal guilt. But Ayad Akhtar's Pulitzer prizewinner adds an extra dimension to the subject by exposing the dangers of d…

SOURCE: The Guardian at 1:21pm on May 23, 2013

Tanzi Libre " review by Michael Billington

Southwark Playhouse, LondonThis peripatetic theatre finds its third home in a converted warehouse near Elephant and Castle. But, although the space is attractive and the production lively, I…

SOURCE: The Guardian at 1:29pm on May 22, 2013

Relatively Speaking " review by Michael Billington

Wyndham's, LondonThis is the play that in 1967 gave Alan Ayckbourn his first West End hit. Seeing it again after all these years, in Lindsay Posner's witty production, I was reminded of the …

SOURCE: The Guardian at 6:00pm on May 20, 2013

Hutch " review by Michael Billington

Riverside Studios, LondonIt is not often that a curtain speech is the highlight of a show, but at the end of this bio-play about the once-famous cabaret artist Hutch, his son, Chris, paid&nb…

SOURCE: The Guardian at 12:15pm on May 19, 2013

The Victorian in the Wall " review by Michael Billington

Royal Court, LondonThe 2004 Perrier award winner Will Adamsdale clearly has a comic following and, as we saw in the National's Detroit, is a creditable actor. But this show, which he wrote w…

SOURCE: The Guardian at 1:25pm on May 17, 2013

These Shining Lives " review by Michael Billington

Park, LondonMany years ago Keith Dewhurst wrote a Guardian column arguing that theatre had to move away from city centres to areas where people actually lived. In London the shift away from …

SOURCE: The Guardian at 1:24pm on May 16, 2013

Public Enemy " review by Michael Billington

Young Vic, LondonThere are no rules in theatre. Updating a classic can sometimes work brilliantly, as with Benedict Andrews' Three Sisters at the Young Vic last year. But David Harrower's ne…

SOURCE: The Guardian at 7:40am on May 14, 2013
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