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2,436 stories by "Michael Billington"

The Hothouse " review by Michael Billington

Trafalgar Studios, LondonHarold Pinter was, among many other things, a comic writer; and I would distrust any Pinter evening that didn't make us laugh. But, richly pleasurable and boundlessl…

SOURCE: The Guardian at 7:06pm on May 9, 2013

The Match Box " review by Michael Billington

Tricycle, LondonLeanne Best received glowing notices when she first appeared in Frank McGuinness's demanding one-woman play, at the Liverpool Playhouse in June 2012. The praise was richly de…

SOURCE: The Guardian at 11:58am on May 9, 2013

Larisa and the Merchants " review by Michael Billington

Arcola, LondonWhy do we know so little of Alexander Ostrovsky? He was the father of Russian drama and a palpable influence on Anton Chekhov, yet his plays get only scattered revivals. So, ev…

SOURCE: The Guardian at 12:57pm on May 8, 2013

Passion Play " review by Michael Billington

Duke of York's, LondonIt's a well-known fact that Peter Nichols's play, which first appeared in 1981, forms part of an unofficial trinity of dramas about infidelity: it came after Pinter's B…

SOURCE: The Guardian at 6:00pm on May 7, 2013

Pastoral " review by Michael Billington

The Cut, HalesworthQuirky, original voices are rare in a conformist age. But Thomas Eccleshare, whose Pastoral is one of five new plays at the core of this year's HighTide festival in the Su…

SOURCE: The Guardian at 12:10pm on May 5, 2013

The Tempest " review by Michael Billington

Shakespeare's Globe, LondonI've seen Prospero played as a benign schoolmaster, colonial overlord and Faustian necromancer. But Roger Allam brings something new to the party by suggesting tha…

SOURCE: The Guardian at 12:48pm on May 3, 2013

Glory Dazed " review by Michael Billington

Soho Upstairs, LondonI first came across Cat Jones's 60-minute play when it was submitted for one of the playwrights' bursaries annually awarded by Pearson. I'm happy to say that this story …

SOURCE: The Guardian at 11:56am on May 1, 2013

Glory Dazed review by Michael Billington

Soho Upstairs, London Continue reading...

SOURCE: The Guardian at 11:56am on May 1, 2013

Fräulein Julie " review by Michael Billington

Barbican, LondonTheatre-makers are constantly trying to recapture the shock of August Strindberg's once-revolutionary 1888 play. In Mies Julie, currently at the Riverside Studios, it is done…

SOURCE: The Guardian at 8:58am on May 1, 2013

Fräulein Julie review by Michael Billington

Barbican, London Continue reading...

SOURCE: The Guardian at 8:58am on May 1, 2013

The Pajama Game " review by Michael Billington

Minerva, ChichesterWith the Festival theatre closed for renovation and Chichester resembling a building site, it seems appropriate to kick off the season in the Minerva with a piec…

SOURCE: The Guardian at 2:00pm on April 30, 2013

Tony awards 2013: Matilda and Kinky Boots slug it out by Michael Billington

This year's Tony nominations presage a battle of heavyweight musicals. However, theatre does exist beyond the big-ticket song-and-dance showsTwo heavyweight musicals are engaged in a slugfes…

SOURCE: The Guardian at 11:49am on April 30, 2013

The Weir " review by Michael Billington

Donmar Warehouse, LondonWhy, 16 years after its premiere, does Conor McPherson's play still grip us? After all, it seems to consist of little but people telling ghost stories in a …

SOURCE: The Guardian at 8:31am on April 26, 2013

The Duke in Darkness " review by Michael Billington

Tabard, LondonHave we lost our taste for historical melodrama? Apparently not, since this Chiswick theatre pub was packed on a hot afternoon for a rare revival of this curious play by Patric…

SOURCE: The Guardian at 5:29am on April 26, 2013

As You Like It " review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon"Can one desire too much of a good thing?" asks Rosalind. Maybe not. But, although Maria Aberg's new production of As You Like It is a joyous, b…

SOURCE: The Guardian at 1:02pm on April 25, 2013

The Breadwinner " review by Michael Billington

Orange Tree, LondonFantasies of flight fuelled the life and work of Somerset Maugham. They are also the governing theme of this compellingly cruel 1930 comedy, which forms a fascinating comp…

SOURCE: The Guardian at 7:56am on April 24, 2013

Othello " review by Michael Billington

Olivier, LondonTo call this production eagerly awaited would be an understatement. Ever since Adrian Lester gave us a taste of the Moor, when playing the 19th-century American actor Ira Aldr…

SOURCE: The Guardian at 5:30pm on April 23, 2013

Sons Without Fathers " review by Michael Billington

Belgrade, CoventryChekhov's Platonov, written when he was 20, is an untidy beast that several writers, including Michael Frayn and David Hare, have successfully tamed. But this new version, …

SOURCE: The Guardian at 2:10pm on April 23, 2013

The Empress " review by Michael Billington

Swan, Stratford-upon-AvonPlays, like musicals, often depend on a moment of ecstasy. One occurs at the end of Tanika Gupta's drama, when Abdul Karim, the aged Queen Victoria's Hindi teacher, …

SOURCE: The Guardian at 12:41pm on April 19, 2013

The Arrest of Ai Weiwei " review by Michael Billington

Hampstead Theatre, LondonHoward Brenton's most recent play, 55 Days, dealt with the imprisonment, trial and execution of Charles I. His new one could easily be called 81 Days since it cover…

SOURCE: The Guardian at 8:04pm on April 17, 2013

Children of the Sun " review by Michael Billington

Lyttelton, LondonMaxim Gorky takes up where Anton Chekhov leaves off. Written in 1905, shortly after what would become known as Bloody Sunday, when peaceful protesters were shot down by…

SOURCE: The Guardian at 9:13am on April 17, 2013

On Approval " review by Michael Billington

Jermyn Street, LondonI suspect this 1927 comedy by Frederick Lonsdale had its influence on Noël Coward's Private Lives: the clipped dialogue, the dance for two couples and the tiptoeing e…

SOURCE: The Guardian at 1:13pm on April 15, 2013

Table " review by Michael Billington

The Shed, LondonDurable tables emerge from workshops. So too does Tanya Ronder's ambitious new play, which spans six generations of a single family and opens the National's inviting new temp…

SOURCE: The Guardian at 12:53pm on April 14, 2013

Ubu Roi " review by Michael Billington

Barbican, LondonHow do you recapture the shock impact of Alfred Jarry's 1896 play, with its savage portrait of a grotesque monster? Given that Jarry's play started as a schoolboy prank aimed…

SOURCE: The Guardian at 2:43pm on April 12, 2013

Nicholas Hytner at the National Theatre " a palpable hit by Michael Billington

In 10 years, Hytner has given the National a sense of purpose, large new audiences and great drama. Who can succeed him?It's no great surprise to learn that Nicholas Hytner will be leaving t…

SOURCE: The Guardian at 8:03am on April 10, 2013
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