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2,436 stories by "Michael Billington"

Once - review by Michael Billington

Phoenix, LondonMusicals these days tend to batter you into submission. This one, winner of eight Tony awards and based on a 2006 low-budget movie by John Carney that I have deliberately avoi…

SOURCE: The Guardian at 6:01pm on April 9, 2013

The Blind/The Intruder " review by Michael Billington

Old Red Lion, LondonIt's a good bet that not many British theatre-goers are intimate with the work of Maurice Maeterlinck (1862"1949). Yet in his day this Belgian playwright and sy…

SOURCE: The Guardian at 12:41pm on April 8, 2013

Margaret Thatcher casts a long shadow over theatre and the arts by Michael Billington

She had little time for culture " and once hailed Andrew Lloyd Webber as a great British export. But Thatcher dominated playwrights' imaginations, along with so much elseMargaret Thatcher ma…

SOURCE: The Guardian at 11:44am on April 8, 2013

Third Finger, Left Hand " review by Michael Billington

Trafalgar Studios, LondonThis first play by Dermot Canavan is about two Preston sisters who, having grown up together, inexorably grow apart. What might once have been a modest memory-play t…

SOURCE: The Guardian at 7:00am on April 5, 2013

Smack Family Robinson " review by Michael Billington

Rose theatre, KingstonTen years ago Richard Bean wrote this black comedy about a drug-dealing family living in leafy suburbia for Live Theatre Newcastle. Now it has been relocated to Kingsto…

SOURCE: The Guardian at 12:39pm on April 4, 2013

Molly Sweeney " review by Michael Billington

The Print Room, LondonI was wrong about Brian Friel's play. Seeing it for the first time at the Almeida in 1994, I took it to be an arid replay of Friel's Faith Healer: again two men and a w…

SOURCE: The Guardian at 1:44pm on April 3, 2013

The Hospital at the Time of the Revolution " review by Michael Billington

Finborough, LondonIt's always fascinating to see famous writers' early work. But the real value of this 100-minute, 1972 radio play by Caryl Churchill, which draws heavily on Frant…

SOURCE: The Guardian at 9:37am on April 2, 2013

Before the Party " review by Michael Billington

Almeida, LondonIt's an old rule that dramatists need to show a measure of sympathy, even to dislikable characters. But, although this 1949 Rodney Ackland adaptation of a Somerset Maugham sho…

SOURCE: The Guardian at 1:37pm on March 29, 2013

The Low Road " review by Michael Billington

Royal Court theatre, LondonDominic Cooke bows out at the Court as he came in, with a new play by the American writer Bruce Norris. And what a play! It's a three-hour extravaganza with 20 act…

SOURCE: The Guardian at 8:01am on March 28, 2013

Hamlet " review by Michael Billington

Royal Shakespeare Theatre, Stratford-on-AvonHamlet always reflects the spirit of the age. Where the 1960s gave us a rush of politicised productions, today the emphasis " as in 2011's Young V…

SOURCE: The Guardian at 2:17pm on March 27, 2013

Olivier awards nominations: the ones that got away by Michael Billington

There's Kristin Scott Thomas, yet not her co-star Lia Williams. And a best new play list that omits one of the year's best new plays. What's going on?We're nearly there. The announcement of …

SOURCE: The Guardian at 10:10am on March 26, 2013

Peter and Alice " review by Michael Billington

Noel Coward, LondonJudi Dench and Ben Whishaw were last professionally united as M and Q in Skyfall. They now come together again to play the real-life inspirations for Lewis Carroll's Alice…

SOURCE: The Guardian at 7:00pm on March 25, 2013

Quasimodo " review by Michael Billington

King's Head, LondonThere's a big back-catalogue of movies, musicals and operas based on Victor Hugo's Notre-Dame de Paris. This, however, is the first public staging of the unfinished Lionel…

SOURCE: The Guardian at 2:32pm on March 25, 2013

The Book of Mormon " review by Michael Billington

Prince of Wales, LondonStrip away all the hype surrounding this hit Broadway import and what do you find? A mildly amusing musical, with some knowingly parodic songs, that takes a few pot sh…

SOURCE: The Guardian at 7:00pm on March 21, 2013

The Winslow Boy " review by Michael Billington

Old Vic, LondonThe case for Terence Rattigan has been steadily made over the past decade, and this revival of his 1946 play is only likely to advance the cause. But two things make Lindsay P…

SOURCE: The Guardian at 2:47pm on March 20, 2013

Heather Gardner " review by Michael Billington

The Old Rep, BirminghamRobin French, Birmingham Rep's writer-in-residence, isn't the first to update Ibsen's Hedda Gabler: in Thomas Ostermeier's Berlin Schaubühne version, seen at the Barb…

SOURCE: The Guardian at 7:00pm on March 19, 2013

The Man Who Pays the Piper " review by Michael Billington

Orange Tree, RichmondThis 1931 play by GB Stern is part of the Orange Tree's ongoing focus on drama about women's issues in the interwar years. It may not be quite as radical or rivetin…

SOURCE: The Guardian at 12:13pm on March 18, 2013

The American Plan " review by Michael Billington

Ustinov, BathUntil now I've never understood the enthusiasm of American critic, Frank Rich, for the plays of Richard Greenberg. But this one is an absolute cracker and far superior to Three …

SOURCE: The Guardian at 1:41pm on March 17, 2013

The Living Room " review by Michael Billington

Jermyn Street, LondonCan you imagine a serious play about religion enjoying a two-year West End run today? That, however, is what happened to Graham Greene's debut play in 1953. Watching its…

SOURCE: The Guardian at 2:17pm on March 13, 2013

Laburnum Grove " review by Michael Billington

Finborough, LondonI am delighted to see that JB Priestley is back in fashion. But even if this "immoral comedy" from 1933 doesn't seem as restlessly experimental as Cornelius, revived at the…

SOURCE: The Guardian at 1:00pm on March 8, 2013

Longing " review by Michael Billington

Hampstead theatre, LondonWilliam Boyd has fused two Chekhov stories from the 1890s, A Visit to Friends and My Life, to create a new play. The result is inevitably something of a hybrid: neit…

SOURCE: The Guardian at 12:27pm on March 8, 2013

Paper Dolls " review by Michael Billington

Tricycle, London"In Israel nothing is exactly what you think," remarks a character in Paper Dolls. That neatly sums up the message of a show about five Filipino immigrants who work as live-i…

SOURCE: The Guardian at 12:41pm on March 7, 2013

Purple Heart " review by Michael Billington

Gate, LondonBruce Norris has won golden praise with Clybourne Park and The Pain and the Itch at the Royal Court. Now the Gate has had the wit to revive an earlier piece, written in 2002 in t…

SOURCE: The Guardian at 12:39pm on March 6, 2013

The Audience " review by Michael Billington

Gielgud, LondonPeter Morgan struck box-office gold with his movie The Queen. He's likely to do so again with this play based on the private weekly audience given by the monarch to the prime …

SOURCE: The Guardian at 6:02pm on March 5, 2013

Facts " review by Michael Billington

Finborough, LondonHow do you tackle the complexities of the Israeli-Palestinian conflict? Most British dramatists, with the striking exception of David Hare in Via Dolorosa, shy away from it…

SOURCE: The Guardian at 1:04pm on March 4, 2013
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