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2,444 stories by "Michael Billington"

Old Money " review by Michael Billington

Hampstead theatre, LondonDoes anyone remember Noël Coward's Mrs Wentworth Brewster? She was the widow, celebrated in the song A Bar on the Piccola Marina, whose heart, at her husband's fu…

SOURCE: The Guardian at 12:37pm on December 6, 2012☆⚑

The Bodyguard " review by Michael Billington

Adelphi theatre, LondonLawrence Kasdan has recorded his surprise at the idea of his screenplay for the 1992 movie, starring Whitney Houston and Kevin Costner, being used as the basis for a m…

SOURCE: The Guardian at 7:40pm on December 5, 2012☆⚑

The best theatre event of 2012 by Michael Billington

A lecture about overpopulation and climate change turned out to be the unlikely highlight of a year that also featured an intriguing Russian invasionThe most momentous theatrical performance…

SOURCE: The Guardian at 2:00pm on December 5, 2012☆⚑

Julius Caesar " review by Michael Billington

Donmar Warehouse, LondonI don't think we should get carried away and start arguing that single-sex Shakespeare is the only way forward. But, like Mark Antony, Phyllida Lloyd is a "shrewd con…

SOURCE: The Guardian at 8:10pm on December 4, 2012☆⚑

Pack " review by Michael Billington

Finborough, LondonThe Papatango New Writing festival last year came up with Dawn King's mesmerising Foxfinder. Even if this year's winner is more conventional, Louise Monaghan's play st…

SOURCE: The Guardian at 1:48pm on December 2, 2012☆⚑

Hero " review by Michael Billington

Royal Court, LondonTwo years ago, EV Crowe made a disturbing debut with a play called Kin, about 10-year-old bullies at a posh girls' school. Now she comes up with a longer but less startlin…

SOURCE: The Guardian at 12:56pm on November 30, 2012☆⚑

Boris Godunov " review by Michael Billington

Swan, Stratford-on-AvonAny production of Pushkin's 1825 play is haunted by gigantic shadows. First there are the Shakespearean tragedies and histories, especially Macbeth and Richard III, wh…

SOURCE: The Guardian at 7:07am on November 29, 2012☆⚑

Merrily We Roll Along " review by Michael Billington

Menier Chocolate Factory, LondonAlthough it famously flopped on Broadway in 1981, this Stephen Sondheim-George Furth musical has been re-evaluated in fine British revivals at Leicester Hayma…

SOURCE: The Guardian at 5:59pm on November 28, 2012☆⚑

Goodnight Mister Tom " review by Michael Billington

Phoenix, LondonI've never read Michelle Magorian's 1981 novel for young readers on which David Wood's adaptation is based, but I was struck by the story's debt to Oliver Twist: in both, a se…

SOURCE: The Guardian at 11:10am on November 28, 2012☆⚑

The Changeling " review by Michael Billington

Young Vic, LondonTransfers can be as tricky in theatre as they are in football; and while Joe Hill-Gibbins's largely recast production of Middleton and Rowley's 1622 tragedy, which originall…

SOURCE: The Guardian at 7:55am on November 27, 2012☆⚑

The Evening Standard awards prove regional theatre is vital by Michael Billington

Britain's brightest talents were rewarded at a glitzy ceremony on Sunday. Great " but savage cuts are about to damage our theatre beyond recognition"Who Cares Who Killed Roger Ackroyd?" was …

SOURCE: The Guardian at 1:22pm on November 26, 2012☆⚑

Playwright John Arden: a great talent who should never be forgotten by Michael Billington

While the glitterati assembled at the Savoy for the Evening Standard theatre awards, I was at London's Royal Court watching a fine cast give a brilliantly clear account of Arden's neglected …

SOURCE: The Guardian at 11:22am on November 26, 2012☆⚑

Arab Nights " review by Michael Billington

Soho theatre, London"Can a story save a life?" That is the question posed at the start of this multi-authored show in which six writers adapt narratives from The 1001 Nights, in response to …

SOURCE: The Guardian at 1:57pm on November 23, 2012☆⚑

Love's Comedy " review by Michael Billington

Orange Tree, RichmondWatching David Antrobus's rare and exhilarating revival of this early Ibsen play, written in 1862 when he was 34, I was reminded of another youthful work: Shakespeare's …

SOURCE: The Guardian at 7:31am on November 22, 2012☆⚑

The Magistrate " review by Michael Billington

Olivier, LondonIt was originally to have been The Count of Monte Cristo in the Olivier this Yule but instead we get a revival of Pinero's 1885 farce. I have no complaints about that since I …

SOURCE: The Guardian at 7:26pm on November 21, 2012☆⚑

The Promise " review by Michael Billington

Trafalgar Studios, LondonAleksei Arbuzov's play, with its suggestion that the wartime siege of Leningrad emotionally devastated a whole generation, must have seemed daring in the Soviet Unio…

SOURCE: The Guardian at 2:12pm on November 21, 2012☆⚑

Twelfth Night/Richard III " review by Michael Billington

Apollo, London★★★★/★★★For those of us who favour good sightlines and acoustics, the transfer of these two productions from Shakespeare's Globe to th…

SOURCE: The Guardian at 11:00am on November 18, 2012☆⚑

Twelfth Night/Richard III review by Michael Billington

Apollo, London/ Continue reading...

SOURCE: The Guardian at 11:00am on November 18, 2012☆⚑

The Dark Earth and the Light Sky " review by Michael Billington

Almeida, LondonPlays about poets are notoriously problematic. But Nick Dear overcomes the difficulties in this probing, intelligent piece about Edward Thomas, who produced a formidable body …

SOURCE: The Guardian at 6:57am on November 16, 2012☆⚑

The Effect - review by Michael Billington

Cottesloe Theatre, LondonHow do you follow a big hit? Just as Jez Butterworth succeeded Jerusalem with the more modest The River, so Lucy Prebble follows her spectacular Enron with an intima…

SOURCE: The Guardian at 8:20pm on November 13, 2012☆⚑

The Trojan Women " review by Michael Billington

Gate, LondonEuripides's great anti-war play has been constantly updated. But much as I relished the linguistic vigour and pugnacious wit of Caroline Bird's new version, descri…

SOURCE: The Guardian at 1:00pm on November 13, 2012☆⚑

The Spire " review by Michael Billington

Salisbury PlayhouseThis version of William Golding's 1964 novel confronts a subject from which the British theatre normally shies away in terror: the nature of religious faith. Although…

SOURCE: The Guardian at 7:23am on November 12, 2012☆⚑

Michael Billington on playwrights' seasons by Michael Billington

'Forget the single play " give me an entire oeuvre'Over the years, I've been to seasons of plays by Harold Pinter at the Gate theatre in Dublin, by Sarah Kane at Berlin's Schaubühne and, mo…

SOURCE: The Guardian at 1:30pm on November 11, 2012☆⚑

The Orphan of Zhao " review by Michael Billington

The Swan, Stratford-upon-AvonThis production of a Chinese classic has already caused controversy because only three actors out of a cast of 17 are of east Asian origin. But, although there a…

SOURCE: The Guardian at 8:02pm on November 8, 2012☆⚑

People " review by Michael Billington

Lyttelton Theatre, LondonIn 1980 Alan Bennett wrote Enjoy, which showed a Leeds working-class house and its occupants being preserved as a museum exhibit.Now, in his mordantly funny new play…

SOURCE: The Guardian at 8:07pm on November 7, 2012☆⚑
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