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2,444 stories by "Michael Billington"

Daddy Long Legs " review by Michael Billington

St James, LondonJean Webster's 1912 novel about an orphan girl and her mysterious benefactor has cast a long shadow. It spawned a Broadway play and several movies, including one in which, ra…

SOURCE: The Guardian at 6:00pm on November 7, 2012☆⚑

Uncle Vanya " review by Michael Billington

Noel Coward, LondonYou could hardly have a greater contrast than between the stolid Uncle Vanya that has just opened at the Vaudeville and this mercurially brilliant import from Moscow's Vak…

SOURCE: The Guardian at 12:51pm on November 6, 2012☆⚑

Uncle Vanya " review by Michael Billington

Vaudeville, LondonHow do you play Anton Chekhov today? After the liberating unorthodoxy of the Young Vic's Three Sisters, we are back to normal with Lindsay Posner's production of Uncle Vany…

SOURCE: The Guardian at 8:25pm on November 2, 2012☆⚑

The Merry Wives of Windsor " review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonShakespeare's great revenge comedy gains immeasurably from being staged in modern dress. But, while other directors have opted for the materiali…

SOURCE: The Guardian at 11:52am on November 2, 2012☆⚑

NSFW " review by Michael Billington

Royal Court, LondonLucy Kirkwood's new play is bright, sharp, funny and 80 minutes long. And, while one can never legislate for length, I found myself craving more: I wanted to see Kirkwood,…

SOURCE: The Guardian at 8:51am on November 1, 2012☆⚑

Fright nights: why theatre shocks but rarely scares by Michael Billington

From the Woman in Black to killers in thrillers, theatre has plenty of characters that shock " but it takes Judi Dench as Lady Macbeth to well and truly terrify ' Spoiler alert: this blog re…

SOURCE: The Guardian at 1:16pm on October 31, 2012☆⚑

A Taste of Honey " review by Michael Billington

Crucible, SheffieldShelagh Delaney's play, the work of an unknown working-class 18-year-old from Salford, was a big hit in 1958 and became a source of inspiration to a new generati…

SOURCE: The Guardian at 9:48am on October 30, 2012☆⚑

The River " review by Michael Billington

Royal Court, LondonI spy a danger for the theatre in a new form of chic exclusivity. Because everyone wants to see Jez Butterworth's first new play since Jerusalem and because space is limit…

SOURCE: The Guardian at 8:27pm on October 26, 2012☆⚑

The River review by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 8:27pm on October 26, 2012☆⚑

Dangerous Lady " review by Michael Billington

Theatre Royal Stratford East, LondonAlthough this is the third of Martina Cole's bestselling crime thrillers to be presented at this theatre, it is my first acquaintance with her work. While…

SOURCE: The Guardian at 12:25pm on October 26, 2012☆⚑

55 Days " review by Michael Billington

Hampstead, LondonAfter plays about Anne Boleyn and Abelard and Héloïse, Howard Brenton is turning into the history man. But I have no complaint about that, since he has chosen the best m…

SOURCE: The Guardian at 1:00pm on October 25, 2012☆⚑

The Dark at the Top of the Stairs " review by Michael Billington

Belgrade, CoventryAll great dramatists stake out their own particular territory; the problem with William Inge, who had four Broadway hits in the 1950s of which this was the last, is that he…

SOURCE: The Guardian at 1:18pm on October 24, 2012☆⚑

Scottish theatre's play for independence by Michael Billington

The National Theatre of Scotland has scored a coup by appointing the hugely talented Laurie Sansom as its new boss. Now, how about putting a Scot in charge of the Edinburgh festival?It's soo…

SOURCE: The Guardian at 7:46am on October 24, 2012☆⚑

Le Retour " review by Michael Billington

Odéon, ParisLuc Bondy's production of Harold Pinter's Le Retour (The Homecoming) offers a radically fresh perspective on the play, without destroying its essential fabric. It helps that Bon…

SOURCE: The Guardian at 11:12am on October 21, 2012☆⚑

Red Velvet " review by Michael Billington

Tricycle, LondonIndhu Rubasingham makes a strong start to her tenure at the Tricycle with this new play about the pride and prejudice that greeted the pioneering African-American actor Ira A…

SOURCE: The Guardian at 10:09am on October 17, 2012☆⚑

Alan Bennett: a quiet radical by Michael Billington

A critic once described Alan Bennett as 'England's cultural teddy bear'. As his new play, People, prepares to open in London, Michael Billington argues that he is a more complicated " a…

SOURCE: The Guardian at 5:38am on October 12, 2012☆⚑

All That Fall - review by Michael Billington

Jermyn Street theatre, London'It is a text written to come out of the dark," said Samuel Beckett of this radio play first broadcast by the BBC in 1957. But, although not conceived for the st…

SOURCE: The Guardian at 8:00pm on October 11, 2012☆⚑

The Second Mrs Tanqueray " review by Michael Billington

Rose, KingstonArthur Wing Pinero's 1893 play was a late-Victorian theatrical landmark, so it's good to see it given one of its increasingly rare outings. In the end, this piece of Anglicised…

SOURCE: The Guardian at 1:11pm on October 11, 2012☆⚑

Damned by Despair " review by Michael Billington

Olivier, LondonI have little doubt that this 1625 play about saints and sinners by the Spanish monk Tirso de Molina is a masterpiece, but it would sit more easily in a smaller space, and Bij…

SOURCE: The Guardian at 7:50am on October 11, 2012☆⚑

Cat on a Hot Tin Roof " review by Michael Billington

West Yorkshire Playhouse, LeedsIt is fascinating to see Tennessee Williams's tremendous play so soon after Eugene O'Neill's Desire Under the Elms, which has just been revived in London. Both…

SOURCE: The Guardian at 5:30pm on October 10, 2012☆⚑

Desire Under the Elms " review by Michael Billington

Lyric Hammersmith, LondonSubject to obscenity charges in the US and banned in Britain for 16 years, Eugene O'Neill's 1924 play once enjoyed a scandalous reputation. But, although the Lyric's…

SOURCE: The Guardian at 8:08am on October 9, 2012☆⚑

Scenes from an Execution " review by Michael Billington

Lyttelton, LondonDespite one of those first-night technical glitches that seem to happen a bit too often at the National, this is a fine revival by Tom Cairns of Howard Barker's tremendous p…

SOURCE: The Guardian at 12:58pm on October 5, 2012☆⚑

Ding Dong the Wicked " review by Michael Billington

Royal Court, LondonSometimes a play can be too compressed for its own good. Where her new full-length play Love and Information displays Caryl Churchill's dazzling gift for the elliptical, t…

SOURCE: The Guardian at 10:52am on October 5, 2012☆⚑

Our Boys " review by Michael Billington

Duchess, LondonJonathan Lewis's play, set in a military hospital in 1984, was rapturously received when seen at Derby Playhouse in 1995, and then at London's Donmar. Catching up with it…

SOURCE: The Guardian at 12:59pm on October 4, 2012☆⚑

Berenice " review by Michael Billington

Donmar Warehouse, LondonRacine in English? It always poses a problem, but we're getting steadily better at it. And director Josie Rourke and translator Alan Hollinghurst come up with a radic…

SOURCE: The Guardian at 7:48pm on October 2, 2012☆⚑
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