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2,436 stories by "Michael Billington"

The Welsh Boy " review by Michael Billington

Ustinov Studio, BathIn the early 1730s, a young Welsh music teacher called James Parry had a raging affair with his pupil Mary Powell, a wealthy heiress. He hoped for marriage but was jilted…

SOURCE: The Guardian at 12:52pm on September 20, 2012

What You Will " review by Michael Billington

Apollo, LondonWhat with contributions from Simon Callow, Michael Pennington and Ian McKellen, the one-person Shakespeare show is a somewhat crowded field. And while Roger Rees, a Royal Shake…

SOURCE: The Guardian at 9:07am on September 19, 2012

The Busy Body " review by Michael Billington

Southwark Playhouse, London"An empty comedy of intrigue without any reality of emotion whatsoever" was the crushing verdict of critic Bonamy Dobrée on this once-popular 1709 play by Susanna…

SOURCE: The Guardian at 1:30pm on September 18, 2012

Why the best way to honour past playwrights is to invest in the future by Michael Billington

As a new blue plaque pays tribute to Pinter's Hackney, and Barry Reckord is commemorated in Shepherd's Bush, there has never been a better time to invest in the next generation of writersHow…

SOURCE: The Guardian at 12:51pm on September 18, 2012

Letters: the stylish John Moffatt by Michael Billington

Perry Pontac writes: After retiring from the stage in the late 1980s, John Moffatt (obituary, 17 September) largely concentrated on BBC radio drama work. He was incomparable. He appeared in …

SOURCE: The Guardian at 7:00am on September 18, 2012

Love and Information " review by Michael Billington

Royal Court, LondonCaryl Churchill's new play has 57 scenes, runs 110 minutes and employs 16 actors to play more than 100 characters. Too much information?But one of the many points made by …

SOURCE: The Guardian at 7:18pm on September 14, 2012

Three Sisters " review by Michael Billington

Young Vic, LondonTextual tinkering with the classics rarely works. Better to go the whole hog, as Benedict Andrews does in this radical new Three Sisters, which is set in today's Russia, pep…

SOURCE: The Guardian at 9:56am on September 14, 2012

Hedda Gabler " review by Michael Billington

Old Vic, LondonIbsen's Hedda was once described as a hoop through which every aspiring female actor must jump; and Sheridan Smith performs the feat with commendable ease and agility. But Ann…

SOURCE: The Guardian at 7:42pm on September 12, 2012

The Judas Kiss " review by Michael Billington

Hampstead theatre, LondonWhen David Hare's play was first seen in 1998, it suffered from the miscasting of the central roles of Oscar Wilde and Lord Alfred Douglas (Bosie). Now, in Neil Armf…

SOURCE: The Guardian at 6:00pm on September 12, 2012

King Lear - review by Michael Billington

Almeida, LondonJonathan Pryce is the latest actor to scale Mount Lear and, although it's getting a bit crowded on the summit these days, he gives a striking, individualistic performance in a…

SOURCE: The Guardian at 7:35pm on September 11, 2012

Yours for the Asking " theatre review by Michael Billington

Orange Tree, RichmondSeductive snaps of a semi-nude blonde model adorn the balconies of this intimate theatre. Far from signalling a sudden descent into exploitative sex farce, the…

SOURCE: The Guardian at 1:15pm on September 9, 2012

Life for Beginners " review by Michael Billington

Theatre 503, LondonTim Roseman and Paul Robinson have enjoyed a fruitful six-year tenure as joint directors of this south London new-writing powerhouse. To mark Roseman's departure they have…

SOURCE: The Guardian at 11:49am on September 7, 2012

Forests " review by Michael Billington

Old Rep, BirminghamShakespeare transcends national frontiers; and in this extraordinary Catalan collage, conceived and directed by the vibrantly experimental director Calixto Bieito, you sen…

SOURCE: The Guardian at 7:51am on September 5, 2012

The Illusion " review by Michael Billington

Southwark Playhouse, LondonCorneille called this play, written in 1636 when he was barely 30, a "strange monster". Ever since a fabulous Giorgio Strehler production in Paris in 1984, however…

SOURCE: The Guardian at 1:00pm on August 27, 2012

Carousel " review by Michael Billington

Barbican, LondonI've always thought there's a dodgy brilliance to Carousel. Musically it is far and away the most sophisticated of the Rodgers and Hammerstein operettas, yet lyrically it com…

SOURCE: The Guardian at 8:27am on August 21, 2012

Cornelius " review by Michael Billington

Finborough, LondonOften pigeonholed as a comfortable, middlebrow dramatist, JB Priestley was in reality a restless experimenter " which may be why this play, although dedicated to and starri…

SOURCE: The Guardian at 1:11pm on August 20, 2012

Volcano " review by Michael Billington

Vaudeville, London"Let's blow trumpets and squeakers and enjoy the party as much as we can," says Elyot in Private Lives, written in 1930. "I'm tired of the noise you make with your shrill, …

SOURCE: The Guardian at 8:13am on August 17, 2012

A Midsummer Night's Dream (As You Like It) " review by Michael Billington

Royal Shakespeare, Statford-upon-AvonThe title gives it away. This is not your standard Shakespeare but a hilarious piece of controlled anarchy that lasts 90 minutes and is directed by Dmitr…

SOURCE: The Guardian at 1:05pm on August 15, 2012

Soho Cinders " review by Michael Billington

Soho theatre, LondonBack in 1959, Lionel Bart wrote a jaunty musical called Fings Ain't Wot They Used T'Be that turned Soho into a place of primary-coloured romance. And there is something o…

SOURCE: The Guardian at 10:30am on August 14, 2012

London 2012 closing ceremony - review | Michael Billington by Michael Billington

The stage masters turned what might have been orthodox Olympic rituals into a blast of theatrical vitalityHow do you review an Olympics closing ceremony? I'm not sure you can, especially whe…

SOURCE: The Guardian at 3:12am on August 13, 2012

Michael Billington on experimental Shakespeare by Michael Billington

'I've seen some woeful off-the-wall Shakespeare, including a Macbeth with Mark Rylance and Jane Horrocks where the sleepwalking Lady M peed on stage'Critics, like actors, need to avoid typec…

SOURCE: The Guardian at 2:30pm on August 12, 2012

Coriolan/us " review by Michael Billington

Hangar 858, RAF St Athan, Vale of GlamorganTwo summers ago, National Theatre Wales stunned us with a version of Aeschylus's The Persians set in a military training camp. Now the same directo…

SOURCE: The Guardian at 1:08pm on August 10, 2012

Troilus and Cressida " review by Michael Billington

Swan, Stratford-upon-Avon Continue reading...

SOURCE: The Guardian at 7:00am on August 9, 2012

Troilus and Cressida " review by Michael Billington

Swan, Stratford-upon-AvonOn paper, it looked an intriguing prospect. In reality, the union of New York's experimental Wooster Group and the RSC on this cynic's Iliad proves strangely inferti…

SOURCE: The Guardian at 7:00am on August 9, 2012

Hysteria " review by Michael Billington

Theatre Royal, BathTerry Johnson's dazzlingly original play reminds us that farce can be a vehicle for ideas. Even if the piece has lost some of its shock value since it was first seen at th…

SOURCE: The Guardian at 12:00pm on August 7, 2012
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