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2,444 stories by "Michael Billington"

Charley's Aunt " review by Michael Billington

Menier Chocolate Factory, LondonHas anyone noticed the link between this once-famous 1892 farce by Brandon Thomas and Billy Wilder's Some Like It Hot? What happens to the Jack Lemmon charact…

SOURCE: The Guardian at 1:36pm on October 2, 2012☆⚑

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censors Continue reading...

SOURCE: The Guardian at 3:00pm on September 30, 2012☆⚑

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censorsGiven that it is Tennessee Williams's best play, it is surpr…

SOURCE: The Guardian at 3:00pm on September 30, 2012☆⚑

Private Lives " review by Michael Billington

Minerva, ChichesterHow do you play Noël Coward's famous comedy? For its verbal musicality or its emotional reality? Overstress either and the play suffers. Jonathan Kent's revival gets th…

SOURCE: The Guardian at 12:45pm on September 30, 2012☆⚑

Dr Korczak's Example " review by Michael Billington

Unicorn, LondonThis moving, 75-minute play by David Greig tells the true story of Janusz Korczak who, in the second world war, created an orphanage for more than 200 children inside the Wars…

SOURCE: The Guardian at 1:15pm on September 28, 2012☆⚑

A Chorus of Disapproval " review by Michael Billington

Harold Pinter, LondonAlan Ayckbourn's brilliantly intricate comedy, first seen in Scarborough in 1984 and then at the National, sits uneasily in the West End. It demands a company, a sense o…

SOURCE: The Guardian at 12:57pm on September 27, 2012☆⚑

Let It Be " review by Michael Billington

Prince of Wales, LondonThere is a good musical to be written about the Beatles, covering their artistic achievements as well as the internal friction that led to their breakup. Unfortunately…

SOURCE: The Guardian at 6:01pm on September 24, 2012☆⚑

Mademoiselle Julie " review by Michael Billington

This French production swathes Strindberg's naturalistic tragedy in nonsensical Gallic chicI am all for radical rethinks of the classics. London, for instance, boasts few better evenings tha…

SOURCE: The Guardian at 7:34pm on September 20, 2012☆⚑

The Welsh Boy " review by Michael Billington

Ustinov Studio, BathIn the early 1730s, a young Welsh music teacher called James Parry had a raging affair with his pupil Mary Powell, a wealthy heiress. He hoped for marriage but was jilted…

SOURCE: The Guardian at 12:52pm on September 20, 2012☆⚑

What You Will " review by Michael Billington

Apollo, LondonWhat with contributions from Simon Callow, Michael Pennington and Ian McKellen, the one-person Shakespeare show is a somewhat crowded field. And while Roger Rees, a Royal Shake…

SOURCE: The Guardian at 9:07am on September 19, 2012☆⚑

The Busy Body " review by Michael Billington

Southwark Playhouse, London"An empty comedy of intrigue without any reality of emotion whatsoever" was the crushing verdict of critic Bonamy Dobrée on this once-popular 1709 play by Susanna…

SOURCE: The Guardian at 1:30pm on September 18, 2012☆⚑

Why the best way to honour past playwrights is to invest in the future by Michael Billington

As a new blue plaque pays tribute to Pinter's Hackney, and Barry Reckord is commemorated in Shepherd's Bush, there has never been a better time to invest in the next generation of writersHow…

SOURCE: The Guardian at 12:51pm on September 18, 2012☆⚑

Letters: the stylish John Moffatt by Michael Billington

Perry Pontac writes: After retiring from the stage in the late 1980s, John Moffatt (obituary, 17 September) largely concentrated on BBC radio drama work. He was incomparable. He appeared in …

SOURCE: The Guardian at 7:00am on September 18, 2012☆⚑

Love and Information " review by Michael Billington

Royal Court, LondonCaryl Churchill's new play has 57 scenes, runs 110 minutes and employs 16 actors to play more than 100 characters. Too much information?But one of the many points made by …

SOURCE: The Guardian at 7:18pm on September 14, 2012☆⚑

Three Sisters " review by Michael Billington

Young Vic, LondonTextual tinkering with the classics rarely works. Better to go the whole hog, as Benedict Andrews does in this radical new Three Sisters, which is set in today's Russia, pep…

SOURCE: The Guardian at 9:56am on September 14, 2012☆⚑

Hedda Gabler " review by Michael Billington

Old Vic, LondonIbsen's Hedda was once described as a hoop through which every aspiring female actor must jump; and Sheridan Smith performs the feat with commendable ease and agility. But Ann…

SOURCE: The Guardian at 7:42pm on September 12, 2012☆⚑

The Judas Kiss " review by Michael Billington

Hampstead theatre, LondonWhen David Hare's play was first seen in 1998, it suffered from the miscasting of the central roles of Oscar Wilde and Lord Alfred Douglas (Bosie). Now, in Neil Armf…

SOURCE: The Guardian at 6:00pm on September 12, 2012☆⚑

King Lear - review by Michael Billington

Almeida, LondonJonathan Pryce is the latest actor to scale Mount Lear and, although it's getting a bit crowded on the summit these days, he gives a striking, individualistic performance in a…

SOURCE: The Guardian at 7:35pm on September 11, 2012☆⚑

Yours for the Asking " theatre review by Michael Billington

Orange Tree, RichmondSeductive snaps of a semi-nude blonde model adorn the balconies of this intimate theatre. Far from signalling a sudden descent into exploitative sex farce, the…

SOURCE: The Guardian at 1:15pm on September 9, 2012☆⚑

Life for Beginners " review by Michael Billington

Theatre 503, LondonTim Roseman and Paul Robinson have enjoyed a fruitful six-year tenure as joint directors of this south London new-writing powerhouse. To mark Roseman's departure they have…

SOURCE: The Guardian at 11:49am on September 7, 2012☆⚑

Forests " review by Michael Billington

Old Rep, BirminghamShakespeare transcends national frontiers; and in this extraordinary Catalan collage, conceived and directed by the vibrantly experimental director Calixto Bieito, you sen…

SOURCE: The Guardian at 7:51am on September 5, 2012☆⚑

The Illusion " review by Michael Billington

Southwark Playhouse, LondonCorneille called this play, written in 1636 when he was barely 30, a "strange monster". Ever since a fabulous Giorgio Strehler production in Paris in 1984, however…

SOURCE: The Guardian at 1:00pm on August 27, 2012☆⚑

Carousel " review by Michael Billington

Barbican, LondonI've always thought there's a dodgy brilliance to Carousel. Musically it is far and away the most sophisticated of the Rodgers and Hammerstein operettas, yet lyrically it com…

SOURCE: The Guardian at 8:27am on August 21, 2012☆⚑

Cornelius " review by Michael Billington

Finborough, LondonOften pigeonholed as a comfortable, middlebrow dramatist, JB Priestley was in reality a restless experimenter " which may be why this play, although dedicated to and starri…

SOURCE: The Guardian at 1:11pm on August 20, 2012☆⚑

Volcano " review by Michael Billington

Vaudeville, London"Let's blow trumpets and squeakers and enjoy the party as much as we can," says Elyot in Private Lives, written in 1930. "I'm tired of the noise you make with your shrill, …

SOURCE: The Guardian at 8:13am on August 17, 2012☆⚑
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