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2,436 stories by "Michael Billington"

Posh " review by Michael Billington

Duke of York's, LondonWith even a Tory attacking the "arrogant, posh boys" who run her party, now seems a good time to revive Laura Wade's 2010 play.It has undergone a good deal of revision …

SOURCE: The Guardian at 6:01pm on May 23, 2012

Chariots of Fire " review by Michael Billington

Hampstead theatre, London"Will it run?" people asked when they first heard that the celebrated 1981 movie was to be adapted for the stage. That question seems to have been answered by the ne…

SOURCE: The Guardian at 6:58pm on May 22, 2012

X is for xenophobia by Michael Billington

For decades, Britain ignored European, African and Asian theatre. But do we now have an uncritical acceptance of anything foreign?Do we in Britain suffer from theatrical xenophobia? I used t…

SOURCE: The Guardian at 8:27am on May 22, 2012

Arnold Wesker: food for thought by Michael Billington

As playwright Arnold Wesker turns 80, he talks about his early successes, his later battles " and the day he tried to flog his entire oeuvre for £10,000'I don't feel I'm known as a playwr…

SOURCE: The Guardian at 2:30pm on May 21, 2012

A Marvellous Year for Plums " review by Michael Billington

Chichester festival theatreHugh Whitemore has written a play about something that sounds eerily familiar: a legally dubious British invasion of a Middle Eastern country run by a militaristic…

SOURCE: The Guardian at 7:16am on May 18, 2012

The Sunshine Boys " review by Michael Billington

Savoy, LondonAmerica's Danny DeVito and Britain's Richard Griffiths join forces in this joyous revival of Neil Simon's 1972 comedy about a pair of superannuated vaudevillians. But what makes…

SOURCE: The Guardian at 6:02pm on May 17, 2012

What the Butler Saw " review by Michael Billington

Vaudeville, LondonJoe Orton's final play, unrevised at the time of his death in 1967, is a hard one to get right, since it combines manic farce with non-stop social commentary. That doesn't …

SOURCE: The Guardian at 7:01am on May 17, 2012

Detroit " review by Michael Billington

Cottesloe, LondonThere's room for more than one play about American suburbia. But, after the brilliance of Bruce Norris's Clybourne Park at the Royal Court, which dealt with the intersection…

SOURCE: The Guardian at 1:24pm on May 16, 2012

Chair " review by Michael Billington

Lyric Hammersmith, LondonI am normally wary of futuristic fables, since they brook no disagreement: we can't challenge the writer's experience with our own. But Edward Bond's piece, set…

SOURCE: The Guardian at 8:45am on May 15, 2012

Top Hat - review by Michael Billington

Aldwych, LondonThe nostalgia market gets a further boost with the arrival of this amiable stage version of the celebrated Astaire-Rogers 1935 RKO musical. The evening can be quickly summed u…

SOURCE: The Guardian at 7:37pm on May 9, 2012

Three Kingdoms " review by Michael Billington

Lyric Hammersmith, LondonPlaywright Simon Stephens has long registered his horror at the heartless world of commodified sex we now inhabit. Given the current headlines, you could s…

SOURCE: The Guardian at 2:10pm on May 9, 2012

Macbeth " review by Michael Billington

Shakespeare's Globe, LondonThis is the third Polish Macbeth London has seen in recent years, and there is yet another to come at the Edinburgh international festival. But, while this version…

SOURCE: The Guardian at 11:43am on May 9, 2012

All Good Men/Thermidor " review by Michael Billington

Finborough, LondonOriginally seen as a BBC Play for Today in 1974, watching Trevor Griffiths's All Good Men makes one painfully nostalgic for a time when TV was unafraid to show serious poli…

SOURCE: The Guardian at 1:42pm on May 8, 2012

V is for verbatim theatre by Michael Billington

Theatre that incorporates the words of real people has never been more popular " and has proved itself infinitely flexible Continue reading...

SOURCE: The Guardian at 9:50am on May 8, 2012

V is for verbatim theatre by Michael Billington

Theatre that incorporates the words of real people has never been more popular " and has proved itself infinitely flexibleVerbatim theatre, as Will Hammond and Dan Steward point out in their…

SOURCE: The Guardian at 9:50am on May 8, 2012

The Rest Is Silence " review by Michael Billington

Shoreham, SussexThe hottest ticket at the Brighton festival is this 90-minute "meditation on Hamlet" staged by the experimental company dreamthinkspeak. Two years ago they caused a stir with…

SOURCE: The Guardian at 1:00pm on May 7, 2012

Love, Love, Love " review by Michael Billington

Royal Court, LondonMike Bartlett, as we know from plays such as 13 and Cock, can write big or small. In this piece, originally produced by Paines Plough and the Drum Plymouth in 2010, he com…

SOURCE: The Guardian at 1:00pm on May 4, 2012

Belong " review by Michael Billington

Royal Court, LondonBola Agbaje has made a name for herself with plays such as Gone Too Far! and Off the Endz, which showed her to be a sharp, witty observer of London life. Now she extends h…

SOURCE: The Guardian at 1:15pm on May 3, 2012

U is for university theatre by Michael Billington

British drama's secret weapon is university-trained talent " from the venerable theatre societies of Oxbridge to world-beating modern drama departmentsI don't know how it is in other Europea…

SOURCE: The Guardian at 7:32am on May 1, 2012

Measure for Measure " review by Michael Billington

Shakespeare's Globe, LondonWarning: contains spoilers about the productionI know it's a cliche but it's true: foreign-language Shakespeare, necessarily an adaptation, often has a liberating …

SOURCE: The Guardian at 8:25am on April 25, 2012

Making Noise Quietly " review by Michael Billington

Donmar Warehouse, LondonOn the way to the theatre I happened to pick up, at a second-hand bookstall, a copy of a volume that contains a story by the artist-writer Denton Welch about an eccen…

SOURCE: The Guardian at 1:09pm on April 24, 2012

Wild Swans " review by Michael Billington

As someone who hasn't read Jung Chang's memoir, I came to this stage version with an open mind. I was bowled over by Sacha Wares's production, jointly presented by the Young Vic, American Re…

SOURCE: The Guardian at 12:09pm on April 22, 2012

King John " review by Michael Billington

The Swan, Stratford-upon-AvonWith its blend of party hats, pop music, pomp and circumstance and latex balloons, Maria Aberg's production of this unloved play is certainly never dull. But whi…

SOURCE: The Guardian at 1:42pm on April 20, 2012

The Radicalisation of Bradley Manning " review by Michael Billington

Cardiff High School, WalesBradley Manning, as most people know, is a 24-year-old US soldier accused of releasing 250,000 secret cables and logs about the Iraq and Afghan wars to WikiLeaks. W…

SOURCE: The Guardian at 12:01pm on April 19, 2012

Richard III " review by Michael Billington

Swan, Stratford-upon-AvonYou can present Richard III either as the climax of a Shakespeare history cycle or as a star vehicle. But Roxana Silbert's new RSC production, while perfectly credit…

SOURCE: The Guardian at 1:11pm on April 18, 2012
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